Hi all, I just finished my first watch-through of all the Bond films in order. Took a few months. I'd seen them all before, but out of order and over the course of many years so this is probably the first time I have a real list, I just signed up to post it:
I really do not feel anything for Mendes films. There's moments of brilliance, the highlights being the Bond/M Bond/Q scenes in both films but the rest of it is a snorefest...not helped by Newman's terrible unBondian score. It's unfortunate because the acting talent has improved significantly since the 90's culminating in Mendes' two films which are also stunningly shot.
1. The Living Daylights
2. Octopussy
3. Casino Royale
4. From Russia with Love
5. On Her Majesty's Secret Service
6. Goldeneye
7. For Your Eyes Only
8. The Spy Who Loved Me
9. Tomorrow Never Dies
10. Dr No
11. Moonraker
12. Diamonds Are Forever
13. Licence To Kill
14. You Only Live Twice
15. A View To A Kill
16. Goldfinger
17. The Man with the Golden Gun
18. Thunderball
19. Live and Let Die
20. Die Another Day
21. The World Is Not Enough
22. Skyfall
23. Spectre
24. Quantum of Solace
Damn shame about the bottom three, but I don't find joy watching them in their entireties. Their placement has nothing to do with Craig as Bond.
Always wanted to do this. Had to give it lots of thought. Had to group some films together.
#1. GOLDENEYE *The one that started it all for me. Perfect blend of fantasy and reality. Haunting soundtrack. Classic cliche Bond film. If I had to point to one movie that sums up the whole series, this would be it.
#2 through #5 TIE CASINO ROYALE, QUANTUM of SOLACE, SKYFALL, SPECTRE *I chose to group these together because I can't pick one over the other. While they have their flaws, the Craig reboot has been amazing.
#6 through #8 TIE DR. NO, FROM RUSSIA WITH LOVE, GOLDFINGER *The original trilogy of Bond films. Again, I can't pick one over the other.
#9 THE WORLD IS NOT ENOUGH *Mostly for nostalgic reasons
#10 DIE ANOTHER DAY *Mostly for nostalgic reasons
The rest: TOMORROW NEVER DIES and LICENSE TO KILL are the only other films I get excited about. Moonraker has become a guilty pleasure. It was such a disappointment when I first watched it, but since then I've warmed up to it. And when I'm in the mood for campy Moore, it's usually what I watch.
1. Tomorrow Never Dies
2. From Russia With Love
3. Goldeneye
4. Thunderball
5. On Her Majesty's Secret Service
6. Dr. No
7. The World Is Not Enough
8. For Your Eyes Only
9. Skyfall
10. Goldfinger
11. A View to a Kill
12. The Living Daylights
13. Octopussy
14. You Only Live Twice
15. The Spy Who Loved Me
16. Licence to Kill
17. The Man With The Golden Gun
18. Quantum of Solace
19. SPECTRE
20. Die Another Day
21. Diamonds Are Forever
22. Moonraker
23. Live and Let Die
24. Casino Royale
Film: Tomorrow Never Dies | Girl: Teresa di Vicenzo | Villain: Max Zorin | Car: Aston Martin Volante | Novel: You Only Live Twice | Bond: Sir Sean Connery
Film: Tomorrow Never Dies | Girl: Teresa di Vicenzo | Villain: Max Zorin | Car: Aston Martin Volante | Novel: You Only Live Twice | Bond: Sir Sean Connery
I like my Bond films feeling like Bond films. Tomorrow Never Dies is classic James Bond in my opinion, Casino Royale is a big misfire, especially with Ian Fleming's book as source material. Bond isn't a thug (breaking into M's apartment, storming embassies), no sense of atmosphere ("the scent of sweat and smoke was nauseating...") or culture (Fleming's novels were travelogues which let's one experience the culture of the location Bond visits). Every other Bond film has this, even DAD (Cuban scenes particularly) and QOS (Scenes in Siena with the palio chase, Bolivia especially), and that's what sets Bond apart from other spy films.
But to each his own.
Film: Tomorrow Never Dies | Girl: Teresa di Vicenzo | Villain: Max Zorin | Car: Aston Martin Volante | Novel: You Only Live Twice | Bond: Sir Sean Connery
Film: Tomorrow Never Dies | Girl: Teresa di Vicenzo | Villain: Max Zorin | Car: Aston Martin Volante | Novel: You Only Live Twice | Bond: Sir Sean Connery
I like my Bond films feeling like Bond films. Tomorrow Never Dies is classic James Bond in my opinion, Casino Royale is a big misfire, especially with Ian Fleming's book as source material. Bond isn't a thug (breaking into M's apartment, storming embassies), no sense of atmosphere ("the scent of sweat and smoke was nauseating...") or culture (Fleming's novels were travelogues which let's one experience the culture of the location Bond visits). Every other Bond film has this, even DAD (Cuban scenes particularly) and QOS (Scenes in Siena with the palio chase, Bolivia especially), and that's what sets Bond apart from other spy films.
But to each his own.
Fair enough points, but I could argue most of the films since the 60's are lacking the culture and atmosphere of the early films. FRWL in particular has us totally immersed in Istanbul. A lot of the films have good shots of the locations (eg the Gilbert films) without being immersive. The last few films in particular jump from country to country without time to absorb the location.
I like my Bond films feeling like Bond films. Tomorrow Never Dies is classic James Bond in my opinion, Casino Royale is a big misfire, especially with Ian Fleming's book as source material. Bond isn't a thug (breaking into M's apartment, storming embassies), no sense of atmosphere ("the scent of sweat and smoke was nauseating...") or culture (Fleming's novels were travelogues which let's one experience the culture of the location Bond visits). Every other Bond film has this, even DAD (Cuban scenes particularly) and QOS (Scenes in Siena with the palio chase, Bolivia especially), and that's what sets Bond apart from other spy films.
But to each his own.
Fair enough points, but I could argue most of the films since the 60's are lacking the culture and atmosphere of the early films. FRWL in particular has us totally immersed in Istanbul. A lot of the films have good shots of the locations (eg the Gilbert films) without being immersive. The last few films in particular jump from country to country without time to absorb the location.
Hmm, I think there is a difference between visiting a country briefly and visiting the country briefly but still getting a taste for their culture - that's why I referenced DAD and QOS, for all their faults, we still see an aspect of their cultures. In Casino Royale, we jump from country to country and it doesn't necessarily matter if the scenes that place there or not. Whereas in TSWLM, they incorporate the Egyptian desert, pyramids, Harem girls, Mojave club, etc. In Tomorrow Never Dies we get a nice helping to Saigon during the bike chase (illegal fireworks, bike shop, cyclists, the alley showers, etc.) (admittedly, the CMNG party can happen anywhere, but I have an interpretation as to why Germany was chosen). In Goldeneye we get a good amount of St. Petersburg, absorbing the post-Cold War ambience in the marching band, the statues, armoured trains, etc.
But we all want something different from a Bond film, and for me the travelogue aspect is a big one. But you're absolutely right in your FRWL example. I think potentially YOLT rivals it in how much Bond laps up a country in one film. DN too.
Film: Tomorrow Never Dies | Girl: Teresa di Vicenzo | Villain: Max Zorin | Car: Aston Martin Volante | Novel: You Only Live Twice | Bond: Sir Sean Connery
But we all want something different from a Bond film, and for me the travelogue aspect is a big one. But you're absolutely right in your FRWL example. I think potentially YOLT rivals it in how much Bond laps up a country in one film. DN too.
So true. Score is important to me and what CR has that his other three are lacking are decent theme song/score integration. QoS has a good enough score but terrible vocals (instrumental is alright), Skyfall the reverse, and Spectre neither.
But we all want something different from a Bond film, and for me the travelogue aspect is a big one. But you're absolutely right in your FRWL example. I think potentially YOLT rivals it in how much Bond laps up a country in one film. DN too.
So true. Score is important to me and what CR has that his other three are lacking are decent theme song/score integration. QoS has a good enough score but terrible vocals (instrumental is alright), Skyfall the reverse, and Spectre neither.
Ha! I think Arnold's score for CR is perhaps the blandest of all Bond scores. Some nice cues, but about as good as SP. SF and QOS are much better in my opinion. In terms of title songs, YKMN and SF are miles ahead of WOTW and AWTD.
Film: Tomorrow Never Dies | Girl: Teresa di Vicenzo | Villain: Max Zorin | Car: Aston Martin Volante | Novel: You Only Live Twice | Bond: Sir Sean Connery
But we all want something different from a Bond film, and for me the travelogue aspect is a big one. But you're absolutely right in your FRWL example. I think potentially YOLT rivals it in how much Bond laps up a country in one film. DN too.
So true. Score is important to me and what CR has that his other three are lacking are decent theme song/score integration. QoS has a good enough score but terrible vocals (instrumental is alright), Skyfall the reverse, and Spectre neither.
Ha! I think Arnold's score for CR is perhaps the blandest of all Bond scores. Some nice cues, but about as good as SP. SF and QOS are much better in my opinion. In terms of title songs, YKMN and SF are miles ahead of WOTW and AWTD.
True pretty bland for the most part. I was mainly referring to the times when he uses the YKMN theme, which is only at several moments, but it's good when it happens.
There is nothing memorable about the SF score. It's quite emotional at the Tennyson scene but doesn't scream Bond for me.
Anyway since TLD we've mostly been deprived of good Bond music so I'm really grasping at straws in regards to good scores since 1987. The best is perhaps "007 your time is up"
So true. Score is important to me and what CR has that his other three are lacking are decent theme song/score integration. QoS has a good enough score but terrible vocals (instrumental is alright), Skyfall the reverse, and Spectre neither.
Ha! I think Arnold's score for CR is perhaps the blandest of all Bond scores. Some nice cues, but about as good as SP. SF and QOS are much better in my opinion. In terms of title songs, YKMN and SF are miles ahead of WOTW and AWTD.
True pretty bland for the most part. I was mainly referring to the times when he uses the YKMN theme, which is only at several moments, but it's good when it happens.
There is nothing memorable about the SF score. It's quite emotional at the Tennyson scene but doesn't scream Bond for me.
Anyway since TLD we've mostly been deprived of good Bond music so I'm really grasping at straws in regards to good scores since 1987. The best is perhaps "007 your time is up"
Forgive my lack of knowledge re: track names, but I do like the Shanghai Drive music quite a lot, when Bond arrives at the casino, Severine's theme, Tennyson (which I think screams James Bond) and the music in PTS, but you're right, it's not the best of Bond scores out there (though I'm not a fan of Newman's work outside of Bond, either. Always sound sterile and lacks heart). I am a big fan of Arnold's work, except for (the majority of) CR, really. TND's score is amongst my favourite in the series (especially love Helicopter Ride, Wai Lin's theme, Paris and Bond, Hamburg Break In/Out, White Knight, Bike Chase, Backseat Driver), and TWINE's is up there too (Your Time Is Up as you mentioned, Elektra's Theme, Welcome to Baku, Body Double, Remember Pleasure, Casino). I also really like the cultural flavour of Arnold's QOS score as well, but the lack of Bond theme hurts it a little. A Bolivian rendition of the Bond theme wouldn't have gone astray, but I guess he was under instruction from Forster.
As far as Bond scores go, there is some brilliant work done by the composers in my opinion - so much so that it really is quicker to list the ones I don't rate as highly, those being: DN, TMWTGG, TSWLM, OP, CR, SF and SP. Everything else fights for top spot as my favourite score overall, dependant on my mood.
Film: Tomorrow Never Dies | Girl: Teresa di Vicenzo | Villain: Max Zorin | Car: Aston Martin Volante | Novel: You Only Live Twice | Bond: Sir Sean Connery
1. Thunderball
2. The Living Daylights
3. Skyfall
4. On Her Majesty's Secret Service
5. Casino Royale
6. From Russia With Love
7. Goldfinger
8. The Spy Who Loved Me
9. Dr No
10. Tomorrow Never Dies
11. Licence to Kill
12. Spectre
13. Octopussy
14. The World is not Enough
15. For Your Eyes Only
16. GoldenEye
17. Live and Let Die
18. You Only Live Twice
19. Quantum of Solace
20. A View to a Kill
21. The Man With the Golden Gun
22. Diamonds Are Forever
23. Moonraker
24. Die Another Die
It's worth pointing out that I greatly enjoy all the films - it's only when it gets as low as 22, 23 that my enthusiasm wanes. I consider Die Another Day to be a bad film, but it has its own specific charms too.
After my Bond marathon, my ranking have changed quite a bit. So, here's the new ranking, with small reviews of each film.
1. For Your Eyes Only
Underrated and overlooked, FYEO is simply my favourite. It has all the right ingredients for a classic Bond film, and whilst it doesn't take many risks or introduce much new, it is a lot of fun, with an excellent car chase and an underrated villain. The film isn't grand in scale, but that's what I like about it - this is the kind of mission Bond would do in between stopping World War 3 or going into space. It's simple and fun, and bought the series back down to earth.
2. A View to a Kill
AVTAK is just a weird film. The weirdest Bond film. With Christopher Walken as a psychotic result of Nazi experimentation, Grace Jones as his girlfriend and Bond pushing 60 whilst picking up women that could have been his daughter, AVTAK is pure Bond fun, with all the classic elements of Bond.
3. Octopussy
Moore is at his best in this one I feel, and it's just a fun film. Great villains, exciting action sequences - it's just typical Bond, and that's what I feel is great about it.
4. Licence to Kill
The most underrated Bond film. LTK is a unique film, and whilst it was plainly capitalising on the violence heavy action films of the time, it's still a good film. With one of the best villains in the series, and an excellent score, LTK is the darkest Bond has ever been, and with Timothy Dalton in the role, it works well.
5. Tomorrow Never Dies
Fast paced action fun, TND may not be as iconic as some other Bond films, but it really is fun, with Brosnan at his best, a campy but fun villain, and plenty of great action.
6. Live and Let Die
Moore's debut, and whilst Bond stopping the distributing of drugs is a little less impressive than preventing World War 3, LALD is still a lot of fun, with an iconic boat chase and an underrated villain.
7. GoldenEye
Proving that Bond has a place after the end of the Cold War, GE seems like the crew took the advantage of the 6 year gap to bring an excellent Bond film to the table. Brosnan is awesome as Bond, and the only negative is the rather plain plan of Alec's, that all comes down to stealing money.
8. Goldfinger
What else is there to say that hasn't already been said?
9. The Spy Who Loved Me
The film that undoubtedly saved the franchise, after the rather lacklustre TMWTGG, TSLWM brings Bond back in style, filled with iconic moments and a wonderfully dated score. This really is a good film, with great characters and exciting set pieces.
10. Spectre
This would be higher if it wasn't for the absurd plot twist. Apart from that, this feels like a Connery Bond film made today, with less seriousness and the return of SPECTRE. I also believe that this is Craig at his best; he is really comfortable with the character now, and he has become better and better as Bknd as he gets older.
11. Skyfall
A great film to celebrate 50 years of Bond, with the reintroduction of classic characters and a personal story that really has a good effect. Silva is an excellent villain, and Silva's escape to the courtroom shoot out is one of the finest scenes in all of Bond.
12. Moonraker
This film sends Bond into space, and yet it's still not the silliest Bond film ever. Effects are great, Holly is an excellent Bond girl, locations are beautiful, Drax is an excellent villain, and overall the pacing of the film means it's really easy to sit through. Silly? Sure, but fun, and it doesn't take itself seriously, which is the best thing about it.
13. You Only Live Twice
Enjoyable film, the Japan setting is great and some iconic scenes and moments. I also really like the 60s feel of this one; it really embraces the feel of the decade with the involvement of space, and the space effects are the sort of practical effects that, whilst you know aren't real, have a certain charm to them. Overall just a good film.
14. The Living Daylights
Dalton's debut is great, and I really like the spy conspiracy thriller feel of this. Kara is a bland Bond girl though, and I feel some of the scenes in the second half of the film can drag or slow the film down, but overall a good film.
15. Casino Royale 2006
The first full reboot of the franchise, and a great comeback from DAD. I know it's there because it shows the development of their relationship, but the only thing I don't like about the film is the last half hour after Le Chiffre is killed. It drags on, and a few scenes could be cut from it and we'd still have the same emotional depth when Vesper betrays Bind and dies.
16. The Man With the Golden Gun
Overall a pretty weak film for Moore, who undoubtedly saves it, along with Christopher Lee. The film just feels like the dying end to a franchise, with a low budget look and basic story. Goodnight is a terrible and at times annoying Bond girl. Still, even though it's Moore's weakest, it still is enjoyable.
17. Thunderball
This has been the biggest change for me. Whereas I used to dislike this entry, I enjoyed watching it this time. The plot is weak, but the underwater scenes are great, and the locations are beautiful and exotic. An enjoyable film, nothing too special but it has some good moments.
18. From Russia With Love
I feel really bad about this being so low, because it is a really good film. The film is great from the stealing of the LEKTOR onwards, but before that it's just a bit slow, especially the scenes at the gypsy camp.
19. Die Another Day
Enjoyable, but just too stupid. And whilst Moonraker was stupid, it had great effects, a good villain and beautiful locations to hide the utter stupidity of it all - DAD doesn't have that. A loose remake of DAF with elements of the MR novel, DAD feels like two films put together; an OTT recreation of the 'big' Bond films like TSWLM and YOLT, with a dark revenge plot stuck in front of it. Oh, and Jinx is one o ft he worst Bond girls of all time.
20. Diamonds Are Forever
I used to like this film. It really wasn't that bad. But now? The entire film looks like a TV movie, Connery looks bored and overweight for Bond, the effects are terrible and so is the plot. Charles Gray, whilst a good villain, really isn't what Blofeld should be. The diamond smuggling plot is loosely connected to a stupid plot involving space lasers and starting nuclear war. I imagine diamond smuggling just wasn't exciting enough, and the writers decided to throw in a plot about starting nuclear war.
21. The World is Not Enough
Another film that just doesn't feel like Bond. The film looks cheap and poorly presented, with lack of colour or exciting set pieces. The only thing memorable is the excellent PTS and the idea of a female villain, and one that Bind falls for.
22. Quantum of Solace
The reasons for disliking this one are all pretty clear by now. Greene is possibly the worst villain of the franchise, the editing is awful, and it just lacks the feel of Bond.
23. Never Say Never Again
The thing that really drags down this film is its dire score, which uses the same cues over and over again and has become incredibly dated and just doesn't suit a Bond film. All the MI6 regulars are horribly miscast, Kim Basinger sucks as a Bond girl and even Connery isn't a great Bond in this one - maybe it's because he's acting against an entirely new cast. I do, however, like the casting of Largo; it's a shame the actor never played a villain in the main series, he would have been great alongside Moore as Bond.
24. Dr. No
I've made my thoughts of this film being overrated clear, and I stand by it. I honestly believe that this film is liked so much due to its importance as the first Bond film; had Connery done this in the middle of his run as Bond, I feel it wouldn't be as highly rated as it is.
25. On Her Majesty's Secret Service
Unpopular opinion, but I just don't like this film. I do like the direction Peter Hunt brought, with some really well shot scenes and pretty good photography. And I do really enjoy the scenes with Bond as Hilary Bray. But that's about it. I don't feel Lazenby is a wooden actor, he's pretty good for someone who wasn't an actor in the first place, but he just doesn't seem like Bond to me, maybe it's because he only did the one. Savalas isn't that great of a Blofeld either, lacking the menace of Pleasance and bringing little character to the role. And, I know this is going to be an unpopular opinion, but I just don't like Tracy. She's just too posh and unlikable compared to the other Bond girls of the films. I honestly feel that the film would be a lot less liked and remembered if it didn't have Bond getting married and Tracy's death. OHMSS is a story that really should have been saved for an actor who had been in the role for a few films, rather than an actor's first Bond film.
26. Casino Royale 1967
I've only seen this film once, and that's quite enough. An unfunny train wreck that can't be saved from its production troubles, CR really is a pointless film, failing as a comedy and wasting the talented cast it had.
24. Dr. No
I've made my thoughts of this film being overrated clear, and I stand by it. I honestly believe that this film is liked so much due to its importance as the first Bond film; had Connery done this in the middle of his run as Bond, I feel it wouldn't be as highly rated as it is.
So it doesn't have as much action/sunts or thrills as the later films, but what I really like about this is it soaks up the atmosphere of the locations (as does FRWL) which I don't think any other Bond film has done properly. More importantly, Bond is the centrepiece of the film and you can really feel his character's personality and mannerisms, instead of being secondary to the locations, gadgets, quips and stunts
24. Dr. No
I've made my thoughts of this film being overrated clear, and I stand by it. I honestly believe that this film is liked so much due to its importance as the first Bond film; had Connery done this in the middle of his run as Bond, I feel it wouldn't be as highly rated as it is.
So it doesn't have as much action/sunts or thrills as the later films, but what I really like about this is it soaks up the atmosphere of the locations (as does FRWL) which I don't think any other Bond film has done properly. More importantly, Bond is the centrepiece of the film and you can really feel his character's personality and mannerisms, instead of being secondary to the locations, gadgets, quips and stunts
Agreed 100% Bondage007! Dr. No is an excellent entry, not because of it being the first film, but because of its atmosphere. Perhaps the most authentic of Bond films in terms of reflecting Fleming's literary world, and it builds tension like no other Bond film (except for maybe OP, in the race to the circus). While we are visually treated to Ken Adams fantastic sets and Ursula Andress in the second half, as well as the brilliant dinner scene with Dr. No himself, I personally enjoy the first half of the film more, when Bond is still on mainland. It unravels like tense mystery with, as you say, Bond at the centre of the narrative, and the early 60s charm is always welcome in my book.
I will say though, MilleniumForce, that you have a cracking top 5, even if 2, maybe 3 of your films are in my top 10. It's refreshing to see love for OP, AVTAK, FYEO and TND especially. Nice write up!
Film: Tomorrow Never Dies | Girl: Teresa di Vicenzo | Villain: Max Zorin | Car: Aston Martin Volante | Novel: You Only Live Twice | Bond: Sir Sean Connery
Haven't done this (or even posted here) for a while, so:
1. The Spy Who Loved Me
2. On Her Majesty's Secret Service
3. Moonraker
4. From Russia With Love
5. Goldfinger
6. Octopussy
7. The World Is Not Enough
8. Skyfall
9. Spectre
10. Goldeneye
11. Thunderball
12. For Your Eyes Only
13. The Living Daylights
14. Casino Royale
15. A View To A Kill
16. Dr. No
17. You Only Live Twice
18. Tomorrow Never Dies
19. The Man With The Golden Gun
20. Live and Let Die
21. Diamonds Are Forever
22. Die Another Day
23. Licence to Kill
24. Quantum of Solace
So we can clearly deduce here that....Bond films with one word in their title are on average better than those with multiple words. :007)
I don’t expect many of you to read this giant post, but I’ve been meaning to do this for years and I recently typed this up for a future blog post so I thought I might as well post it on here. So if anyone has the patience, here is my (detailed) Bond film ranking, worst through to best.
24. Die Another Day (2002)
At the end of the day, this would have to be the only film in the series that I genuinely don’t like. No disrespect to those few in number who love this one, but it’s just guff isn’t it? For me, it feels like someone desperately trying to make a Bond film and failing miserably. Everything here feels fake, hammy, and cheap. The CGI is dreadful, the characters are as well, with Toby Stephens, (who I think is an otherwise fine actor), absolutely awful here. Not that it’s his fault, but for my money he is without exception the worst villain in the series. I don’t buy John Cleese as Q, and Halle Berrys ‘Jinx’ is cringe worthy. The infamous kite surfing tsunami sequence is, dare I say, one of the worst scenes in 21st century blockbuster cinema, and the story is in part a Diamonds are Forever rip off, which is not a solid basis to start your new Bond film on. Having said that, Pierce does his best and Rosamund Pike is great (shame she didn’t have the opportunity to be in a better Bond film) and the pre-title sequence is passable.
23. Tomorrow Never Dies (1997)
As much as I wish I liked the Brosnan era, as I’ve gotten older I’ve come to see it as the weakest period in the series history. Not to say that I don’t like Brosnan or indeed 3 of his films, it’s just that I think his era has the most shortcomings. This one is a decidedly mixed bag. The villain and the plot are both quite weak and I’m not crash hot on the 2 leading ladies. Though the first 40 or 50 minutes are quite good, with the Hamburg segment of the film being the best for mind. Particularly the stuff with Bond sneaking around the paper mill, and that car chase in the car park, which is a great little scene. Special mention to the superb David Arnold score.
22. The World is Not Enough (1999)
Sorry once again Pierce...I was actually hoping to have a bottom 3 which was not entirely comprised of Brosnan’s films but it’s just the way it’s turned out. Though there is plenty to enjoy in this one and I do actually get why some people consider this one of their very favourite Bond films. Funnily enough, when I was a kid it was close to my favourite film in the series and on paper it has everything a great Bond film should, but for me it just doesn’t click and it feels a bit cold and tepid. It lacks the warmth and excitement that a Bond film should have. I love Electra King though, she’s gorgeous and a worthy adversary. The pre-title sequence is quite good, it’s also nice to have Robbie Coltrane back and the score is once again great. The title song is also very good and I do like that action sequence in the nuclear bunker. That image of Bond sliding along the chains with the explosions going off behind him is a great shot. Brosnan is excellent in this and I would say it’s his best overall performance but ultimately the film still leaves me a little cold. It’s a shame he didn’t get a better tenure because he was a worthy Bond.
21. Diamonds Are Forever (1971)
I used to really not enjoy this one but funnily enough over the last few years it is one of the Bond films that I watch the most. For me, this is without a doubt the weirdest Bond film of the alot. It’s just cooked. The villains are campy and zany (Wint and Kidd? Absolute lads), which is no more evident than the moment where Blofeld appears in drag. Ridiculous! And what is with that crazy zoo chick that morphs into a gorilla?!? Lunacy. Tiffany is a great Bond girl until the final reel when she has a similarly drastic transformation and becomes a complete idiot. Also, Connery is a little off-kilter and ironic in this one. It’s great to see him as Bond, but he’s not the same Bond anymore. What happened to the lean, mean, panther like Bond of the 60s! Still I enjoy seeing him here. Love the pre-title sequence, the song is a cracker and so is the score. John Barry is just the man. Special mention to the funeral parlour sequence where Bond ends up in a coffin, and Bambi and Thumper. Also love the sleazy production design and the 70s Las Vegas setting. A real moment in time. Lots to enjoy, but ultimately quite a weak entry.
20. Moonraker (1979)
You know, in a way, I kind of feel that this is actually the second worst film in the series. The campy, self-parodying humour is taken to truly ridiculous and cringe-worthy heights. JAWS being back? Great. JAWS falling in love with a chick who looks like she should be standing in front of a joy division hut in Nazi Germany and then becoming a good guy as a consequence? Spare me. The Gondola sequence? Possibly the second worst moment in Bond history (go back to Die Another Day for the first). The endless, blatant product placement, the continuous miraculous escapes, the limitless slapstick jokes... it’s enough to make the head spin. Admittedly, this is quite similar to The Spy Who Loved Me, however where the two differ is that Spy is purely tongue in cheek, whereas Moonraker totally takes the piss. Yet, there is something very entertaining about Moonraker. It’s big time film production and I think that that is what I love about it. It’s a huge undertaking and there is lot to like as a result. In fact, Ken Adam’s sets and John Barry’s music are both so great that frankly, the film doesn’t deserve them. That pre-title sequence is awesome, (the stunt work is outta sight), Roger is in top form and I love all that stuff at Drax’s French chateau. Classic Bond. Drax himself is also a great villain. He’s dull and monotone but he does dull and monotone better than anybody. Has some great lines too. “Look after Mr Bond. See that some harm comes to him...” Brilliant. Bond girl: solid but not great. Also, Corrine is rather lovely, it’s a shame she meets such a sticky end. Moonraker is like fairy floss then. Junk food that’s fun to eat, but always leaves me feeling a little sick by the end.
19. A View To A Kill (1985)
Again, another one that I used to dislike, however have now come to be very fond of. And again, another one which I now watch quite often. I feel that the shortcomings of this film are obvious to everyone...Moore has probably gone one too many and looks a little past it, the storyline is essentially a riff on Goldfinger, and the humour is again a little cringe worthy (California Girls? Spare me.), Stacey is a weak, wingey Bond girl (even though she is quite, quite attractive) and if you play a spot the stunt double drinking game during this one you are guaranteed to be paralytic by films end. But! Having said all that, the film is incredibly entertaining and for once I feel that the films faults are actually part of its charm. We know that Roger is cooked at this point, but he is still great as Bond and I love him. We know that the formula feels a little tired and stale and is probably in need of a revamp, but everything feels so familiar, the ground so well-trodden that there is something about this one that is so warm and comforting. Also the villains are top shelf. Zorin and May-day are truly great villains. Duran Duran’s tune is one of the very best and that title sequence is eye catchingly great in a very sleazy, very 1980s way. Best action scene award goes to the Paris chase. Farewell Sir Roger, you are a legend.
18. The Man With The Golden Gun (1974)
This one has always copped quite a bit of flak, but I’ve long held a fondness for it. When I was younger I would watch this one quite a lot and still do. It’s a small scale Bond film and quite understated in the context of the series. It’s incredibly pulpy and zany, and in some ways it’s quite misogynistic and inappropriate, as it indulges in sexism, women beating, masochism, and casual racism. Truly, a Bond film Fleming would be proud of then. But all the same I like the feel of this one, it’s smaller scale makes it feel a little like a forgotten Bond film. Plus Scaramanga is a great villain. One of the all time greats. The island and fun house setting are very intriguing and Nic Nac is a nifty little henchmen. I like the 70s martial arts movie vibe too. Roger is at his most inappropriate in this one. So wrong, but so, so entertaining. Though it is a bit of a missed opportunity, as it should have been more of an assassin versus assassin film, but instead it deviates through unnesseccary subplots which takes away a bit of the tension. I do get why people don’t like it, hence why it’s at number 18, but I still think it’s a decent Bond entry.
17. Quantum of Solace (2008)
I’ve flip flopped on this one quite a bit. Initially I was completely underwhelmed, then I became very fond of it and rated it highly, and now I’m somewhere in between. I get the arguments of the detractors but I also think it is underrated. I love the urgency of this film. Everything happens quickly and rapidly. Craig is once again superb, and looks amazing in this one. He’s a hard, hard bastard and I love it. Camille is stunning and one of my favourite leading ladies, and that opera scene beats the band. The pre-title chase is pulsating and I enjoy seeing Mathis again. The production design is also top notch. Down points: the editing – frenetic and confused, works for some actions scenes but also kills others (the boat and plane chases respectively), storyline – undercooked. It is also too much of a sequel and would make zero sense to someone who hadn’t seen Casino Royale. Bond films shouldn’t be like that. I quite like the fact that this is the shortest film in the series. It’s tight and compact and it works well. I suppose they didn’t really have a script so it needed to be short. Still, I’m fond of this one. It’s status is growing.
16. Octopussy (1983)
A highly entertaining entry and one of the purest, most fun Bond films in the series. If it didn’t have ridiculous humour scattered throughout its runtime it would be higher on this list because, despite all its charms, I simply cannot look past the Tarzan yell, (actually, that entire safari sequence), the clown suit, the gorilla suit, and the circus performers palace raid at the films climax. If I could edit those elements out, it would be top rate Bond. Despite this, the film is still a thoroughly good entry. Roger is completely at ease in the role and owns it. Love the scene in the train carriage with Ourov. He shows great range and a sterner side in that moment. In fact, all the stuff in Germany bar the clown and gorilla suits is great, particularly the stunt work on the train. Maud Adams is a wonderful leading lady and her character is thoroughly intriguing. Kamal Khan and Ourov are a good double act and are both strong villains. Don’t love the pre-titles as much as many seem to, but there are plenty of great action sequences in this one. Another great Barry score. Bonus points for Magda and the outrageous Fleming title.
15. Spectre (2015)
And so, we arrive at the latest Bond entry, and I have to admit, I am a little surprised I have this as high as 15, because there is a good deal of it that I find frustrating. Firstly, the plot is patched together and underdone. It could have been great however it is one or two drafts away from being a solid script. Madeleine is a fine Bond girl, however they should have deleted the falling in love bit and just had her as a routine romance. The foster brother connection is also a shocker. Ah well...that aside and there is plenty here to like. In fact a lot of it is great. A thrilling and bombastic pre-titles, some fantastic stuff in Rome and a wonderful 30 minute segment spent in Tangier and the depths of the desert and I almost forget the films shortcomings. The cinematography and production design is wonderful. Craig is brilliant and is arguably doing his best Bond performance here. How people thought he was bored is beyond me. Bump off the ending in London, extend the fight scene at Blofeld’s lair and turn that into the climax and it would be pushing for the top half of the ranking. Heavily flawed, but brilliant in parts.
14. The Living Daylights (1987)
Now we’re venturing into the realm of films that I love, and this one is no exception . Solid, often cracking entry in the series sees Tim don the tux in a leaner, meaner and more direct version of Bond. A breath of fresh air after the Moore era, and not because the Moore era was bad, but because change can sometimes give you a shot in the arm. This is case in point. Dalton is a great Bond, and underrated by too many. He gives the character a sense of urgency and danger. The film has weak villains, and the Bond girl is charming but altogether slight. Pushkin is a great character though and a good addition to the series. The first two thirds of this film are first class. Fantastic cold war era espionage with a suitably convoluted plot, atmospheric European settings, and a solid amount of spying and intrigue. However once the film switches to Afghanistan it loses some of its mojo. The tension goes out the door a bit. Probably would have been better to have kept it all in Europe but I have to say that the aerial fight scene on the Hercules is great. Barry’s last score, and it’s a blinder. The series will never be the same without him. Quite a fan of the Aston on ice chase, and I like the cello case chase as well. (try and say that 10 times!). Shout out to the end fight at Whittaker’s toy soldier room. I don’t know why, but I just really like this scene...there’s something about it that gets me. Anyways...you can’t go much wrong with this one.
13. Licence to Kill (1989)
Again, and I suspect like many, I never used to be partial to this one, however over the years it has grown to become a firm favourite. I find the Dalton films very equal in quality, however I have to give the edge to this one. It’s the darkest entry for my money, it’s violence, in the context of Bond, is quite shocking, and I think is ultimately a little over the top. Where in The Living Daylights the first half was the strongest, in Licence to Kill the film takes a little while to get going, not truly gathering steam until the thrilling sequence on Krest’s boat, however, after that it’s all guns blazing. Dalton is on fire in this one. This is truly his Bond film and I think his performance in this one is one of the best in the entire series. Carey Lowell makes for a very good Bond girl and Sanchez is a brilliant villain. Truly menacing and a formidable opponent. The tanker climax is one of the finest Bond finales. Pulsating stuff. Unfortunately the first 40 minutes has a bit of a tacky, 80s American cop thriller look to it which grates on me a little bit. Bond can be left of field and gritty, but it should never look cheap. Though this is a minor criticism. There’s plenty of tension and drama in this one. Shout out to Q for his great role in the film’s second half. A fine Bond flick and it’s a damn shame Dalton never got to a third.
12. Dr. No. (1962)
In some ways, I actually prefer Licence to Kill, however the respect I have for this film is huge, and I love the fact that it feels like a Fleming novel come to life, and that’s why it just shades Licence for me in the rankings. It doesn’t have the big action scenes that would soon become engrained in the series, and is much more focused on the details of Bond’s investigation. He does plenty of detecting in this one and I appreciate this relatively loyal adaptation of Fleming’s book. Plus, it’s thrilling to see the first Bond film, to see the blueprint laid out before your eyes. I still don’t know how they came up with that gun barrel, with that amazing theme song, with those brilliant sets and that blush, decadent look that all 60s Bond films have. Connery is raw but brilliant and pulsates with charisma. Jamaica is a glorious location and Dr. No is a memorable villain, though more screen time would have been good. Honey Ryder is a stunner, Jack Lord’s portrayal of Felix Leiter is one of the very best, and all the stuff on Crab Key is great. Best moment – “Bond, James Bond” The greatest character introduction in cinema history. Period.
11. You Only Live Twice (1967) I used to not pay this one at all, but now I love it. It’s completely bonkers in that unique, swinging 60s way and is riotously entertaining from start to finish. Sure, the story is preposterous, the whole tone is comic book and sci-fi, and that Japanese disguise is ridiculous and hilarious, but you gotta love it. Ken Adam is at the very top of his game in this one, the sets are monumental, and the whole design of the film is fantastic. Freddie Young is a legend and his cinematography is excellent. Connery is bored out of his mind and it irks me a bit, but he is still the ultimate Bond so I can somewhat forgive him this one. Bond girls are rather weak, Kissy being the best of the lot for my money. Tiger is an excellent ally, and the fight in Osato’s office with the Rock’s grandfather is a cracker. That little Toyota is a very nifty little number as well. Great theme song, and the film has an excellent climax. Bonus points for the amazing location of Japan in the 60s. Top shelf.
10. For Your Eyes Only (1981)
I have a soft spot for this one, mainly because it’s the film that made me a fan, but also because it is a cracking Bond thriller. Whilst some of the silly humour is still there (Maggie Thatcher? Mental),this is largely a more ‘down to earth’ type of Bond and it’s great to see after the excesses of Moonraker. Roger Moore is brilliant in this, for me it’s his best performance. He handles the more serious elements with aplomb without losing his easy charm and humour. That eyebrow raise he gives during the Citroen chase is a classic moment. As is the whole night time raid on the warehouse which ends with the famous car kick of the side of the cliff. One of the best moments in the series. In fact, the action in this is first class all the way through, right from the thrilling (albeit, a tad silly) Pre-titles to the cracking ski chase, and the tense mountain scaling scene. Though I do think the film could have done without the submarine sequence, which is one action scene too many. The Bond girl is very good in this one, though her stare is a tad scary. As for Bibi...well...the less said the better. Love the identograph scene for some reason, and a shout out to Colombo, a top notch ally, and the music during the car chase that takes place after Melina crossbows the hit man. Tune!
9. Goldeneye (1995)
Brosnan’s moment of glory, and as exciting and as solid a Bond film you could ever wish to see. First class stuff all the way through this one, particularly the villains, which are all colourful and make for a fine ensemble, with Xenia being the most memorable. That women is outrageous on every level. Excellent pre-titles, and the tank chase is one of the best action scenes of the 90s. Also the climax fight between Bond and Alec is sensational. You feel every punch in that one. Judi Dench is an ingenious bit of casting for M and Valentin Zurchovsky is a legend. Loses points for the score, which is probably the worst in the series, and the plot is a little underwhelming, but who cares. Love the cold war vibe in this one. Russia should definitely be revisited in the future. Special mention to the brilliant Q scene. I love that man. A fantastic start for Pierce and a damn shame that his tenure never scaled these heights again.
8. Live and Let Die (1973)
In my heart of hearts I know that Goldeneye is technically a better film, but I have an incredible soft spot for this one. It’s very unique in the Bond canon and has its own distinct favour. The early 70s, New York, blaxploitation vibe and the sometimes abrasive George Martin score make it one of the coolest films in the series. Roger sets his tone early and is off and running in fine form. Kananga is a classic villain and one of my favourites and Solitaire, my goodness... the most beautiful Bond girl bar none. What a little stunner. Love the crocodile farm, and that escape is brilliant. As is the boat chase, which even Sherriff Pepper can’t kill. Honestly, what a maniac of a character, though for some strange reason he kind of just works here. Fantastic titles, and Paul McCartney provides my favourite Bond theme. Love the ending on the train, and Baron Samedi is truly memorable but ultimately underused. Special mention to the villain’s plan, which is an interesting idea for Bond.
7. Thunderball (1965)
Classic, classic Bond, and probably the film that I watch the most. I love the films luxurious, leisurely feel, and I for one greatly enjoy watching Spectre’s plan unfurl, and the underwater sequences are truly exceptional film making, particularly that battle at the end. The Bond girls in this are off the charts and without question the best bevy of beauties in the series, with Fiona a great femme fatale, and Domino a great love interest. Largo is an adequate villain, who gets bonus points for having a shark invested pool and an eye patch. His home is a brilliant pad, which caters to a thrilling sequence where Sean dons black and goes stealth. Love it, and that fight in the pool is great. Magnificent, jazzy score. Awesome theme tune. Love the ridiculous pre-titles, and Nassau is close to my favourite Bond location. I do get the arguments of the detractors, but I don’t agree at all. This is the height of Bond for me. Special mention to Connery who is firing on all cylinders here. I honestly do not get the people that say he is bored here. He’s loving Bond and is in his element. Ken Adam’s Spectre meeting set is genius. Admittedly, the film does have a few faults, like the rushed editing and some dodgy back projection which does bring it down a touch, but a minor gripe. Final thought: “Would you mind giving me something to put on?” Bond's reaction... Genius.
6. Skyfall (2012)
At the end of the day, I think this is technically the second or third best film in the series, and the only reason I have it at number 6 is because I have spent much longer with the other films and putting this above them is not something I’m yet prepared to do. It’s not completely perfect, as many Bond fans seem to point out these days, yet overall the film is such a knock out I don’t care about a few plot holes. In actuality, it wouldn’t be Bond without a few story gaffes. Anyways, A tour de force film, highlighted by incredible cinematography (surely the best in the series) and superb performances. None more so than Craig (truly owning the role now) and Bardem (one of the finest ever adversaries). Also Judi Dench is stoic and heartbreaking in this one, and she truly shines. It’s probably the only Bond film that moves me on an emotional level, and that is a hard thing to do in this type of escapist cinema. Best moments: Pre titles (one of the very best), Bond in shanghai and the silhouette fight, Silva’s intro and the musket shoot off that follows (poor old Severine), the tube chase and the thrilling, Home Alone-esque climax. Sensational theme tune from Adele and the title sequence is stunning (Kleinman take a bow sir). Also the score is rather good, it’s just a shame that it was rehashed in Spectre. Overall, A brilliant bit of film making.
5. On Her Majesty’s Secret Service (1969)
The ultimate Christmas Bond film, and a truly unique bit of epic British cinema. I don’t care if Lazenby is in it, it is one of the greatest Bond films ever made, without exception. Actually, let’s begin with Lazenby, who admittedly, is not great. Having said that, considering that he was a 28 year old model, he possesses a wealth of charisma and does quite a remarkable job. Most likely would have found his feet and could have definitely been a credible Bond had he done more. Diana Rigg is one of the top 2 or 3 Bond girls. A rather lovely looking lady and a fine actress who brings her character vividly to life. Draco is brilliant and close to my favourite ally in the series. What a charming, dapper gent. John Barry surpasses himself and his score is out of sight. Wonderful cinematography, and the ski chase is top 5 best Bond action scene material. Piz Gloria is close to the ultimate Bond location and Telly Salavas is charismatic and tough and my favourite Blofeld. Definitely has a slight psychedelic, late 60s vibe once we get to the ‘Angels of Death’ and the hypnosis, but it all adds to the appeal. Great little pre-title skirmish, and the proceeding shot of Bond in his Aston lighting a cigarette is wonderful. Moneypenny catching Bonds hat at the wedding is a brilliant touch, and of course, that ending is quite a heartbreaker. Special mention to the impressive avalanche footage. A bold, audacious action adventure.
4. Goldfinger (1964)
A game changing action film. All of its key elements are so well known, many of its scenes and lines so apart of the Bond lexicon that it’s hard to imagine a film ever taking its place as the most iconic Bond adventure. Connery is remarkable in this one. He is quite simply, the coolest, suavest man in cinema history and makes it look effortless. Goldfinger is an awesome villain who is rightly often recognised as the best in the series. Pussy Galore – One of the best Bond girls ever. That name is also disgraceful. Oddjob is a mute menace and a cracking henchmen. The score is another work of greatness, that pre-title sequence is top 5 in the series and I love the cat and mouse of the golf game. The highlight of the film for me has always been the sequence where Bond sneaks onto Goldfinger’s facility and ends up racing around the factories in the DB5 and ultimately ends up tied to the laser table. I always find that 15 minutes very exciting. Bond at its best. Shout out to Shirley Bassey who smashes out a classic tune and the other Shirley, who rocks gold paint.
3. The Spy Who Loved Me (1977) Roger’s crowing moment, and the greatest example of the cinematic version of James Bond. Which is, a completely over the top, slightly ridiculous, gadget laden, action packed, lavishly expensive and imaginative adventure film stuffed full of comical henchmen, a villain hell bent on world domination, numerous exotic locales and many beauties. I find this one endlessly entertaining. The plot isn’t exactly the most memorable, nor is the villain, but the formula just works so well here, and the slightly comic tone is pitch perfect. It may be silly, but it doesn’t go too far that it sacrifices the tension and the thrills, of which there are plenty. Greatest pre-title stunt ever. Amazing sequence. JAWS is brilliant in this one, and that whole section of Bond and Anya following him around ancient Egypt is excellent. Amazing work once again from Ken Adam, with that super tanker set being genius, and the shootout that takes place on it is ace. Truly, one of the best Bond battles. Great 70s score, and another excellent train sequence. Anya is a fine Bond girl and one of the best, though Bach’s performance is a little wooden with an accent that falters here and there which brings her down a touch for me. The Lotus is fantastic and this one contains one of the best Q lab scenes for my money, which is always a nice bonus. I first saw this film when I was 11 and it blew my mind. You Only Live Twice remake? Who cares. Favourite moment: Roger Moore riding on the top of the security camera ball whilst holding a bomb, and the Bond theme kicks in. Spine tingling.
2. From Russia With Love (1963)
The best example of Ian Fleming’s Bond onscreen in my opinion. What a sensational, taut and tense Cold War era espionage thriller this is. The intrigue is high and the action set pieces are kept relatively low, and in the context of this story that is a good thing. Connery has truly found his feet as Bond and gives the quintessential portrayal of 007, I honestly don’t think anybody can touch him from 62 to 65. The man is just a lad on all counts. And Red Grant...what a villain. Robert Shaw brings this guy to life and he is truly menacing. Obviously you know that Bond is going to win, but Grant is one of the only times where I feel that Bond is truly threatened by a villain. Which leads me to that train fight, which is just a classic, classic moment. In fact, that entire 30 minute segment of the film spent on the Orient Express is my favourite part of any Bond film. It’s exotic and adventurous , glamorous and intriguing, and has an atmosphere full of espionage . Everything a James Bond film should be. Kerim Bey is a mighty ally and maybe my favourite of the lot, Rosa Klebb is a nasty little thing and it’s great to see Blofeld in full evil mastermind, cat stroking mode. The film does wander a tad at the gypsy camp, but it still adds colour and the shootout that takes place there is a good one. Istanbul is a brilliant setting and I love the introduction of Q and the booby trapped brief case, one of my favourite Bond gadgets. In fact, all of the M and Moneypenny scenes are great in this one. There’s something so comforting about seeing Bernard Lee and Lois Maxwell in the office. Special mention to the music that plays over the titles and the moment where Bond uses the flare pistol to blow up the fuel drums. Gets me every time. Classic
1. Casino Royale (2006)
For me, there is now no question that this is the best film of the lot. Now, it’s certainly not the one I watch the most, but for me it is most definitely the finest film in the series. This one feels quite separate from the rest. Probably because it’s a hard reboot, and that it was so different to the Brosnan era. Even though it does deviate from the novel, there is the magic of Fleming in this one. You can feel it in almost every scene, none more so than when we get to the casino and gaming tables, which is where the film really takes off. These scenes are just thrilling. High stakes espionage conducted in a glamorous and decadent setting. Pure Bond cinema. No other franchise can do this type of thing. Also that black and white pre-titles sequence is brilliant. Just grabs you by the scruff of the neck. And that parkour chase is amazing and is probably my favourite action scene in the series. Fantastic titles, once again done by Kleinman, and the tune is a belter. Daniel Craig is simply phenomenal in this. I just love him. His Bond has evolved since this one and I love where his portrayal is at now, but here he is just so raw and on edge and dangerous. It’s just a great performance. Vesper is a believable love interest and one of the strongest Bond girl characters, and Mads Mikkelsen makes for a fantastic villain. Love the final scene. Makes me smile every time. Special mention to the cinematography and to Solange, what a stunner. Stone cold classic film. I sincerely hope that Craig can do another one as good as this.
Comments
1. TSWLM
2. GF
3. FYEO
4. TWINE
5. TMWTGG
6. FRWL
7. GE
8. LALD
9. DAF
10. TLD
11. AVTAK
12. YOLT
13. SP
14. MR
15. SF
16. TB
17. LTK
18. DN
19. QOS
20. TND
21. CR
22. NSNA
23. OHMSS
24. OP
25. DAD
I noticed most people don't rank NSNA, but I watched it right after OP so I included it.
CR and OHMSS at 21 and 23 ouch.
TSWLM and GF at 1 and 2 nice -{
1. The Living Daylights
2. Octopussy
3. Casino Royale
4. From Russia with Love
5. On Her Majesty's Secret Service
6. Goldeneye
7. For Your Eyes Only
8. The Spy Who Loved Me
9. Tomorrow Never Dies
10. Dr No
11. Moonraker
12. Diamonds Are Forever
13. Licence To Kill
14. You Only Live Twice
15. A View To A Kill
16. Goldfinger
17. The Man with the Golden Gun
18. Thunderball
19. Live and Let Die
20. Die Another Day
21. The World Is Not Enough
22. Skyfall
23. Spectre
24. Quantum of Solace
Damn shame about the bottom three, but I don't find joy watching them in their entireties. Their placement has nothing to do with Craig as Bond.
#1. GOLDENEYE *The one that started it all for me. Perfect blend of fantasy and reality. Haunting soundtrack. Classic cliche Bond film. If I had to point to one movie that sums up the whole series, this would be it.
#2 through #5 TIE CASINO ROYALE, QUANTUM of SOLACE, SKYFALL, SPECTRE *I chose to group these together because I can't pick one over the other. While they have their flaws, the Craig reboot has been amazing.
#6 through #8 TIE DR. NO, FROM RUSSIA WITH LOVE, GOLDFINGER *The original trilogy of Bond films. Again, I can't pick one over the other.
#9 THE WORLD IS NOT ENOUGH *Mostly for nostalgic reasons
#10 DIE ANOTHER DAY *Mostly for nostalgic reasons
The rest: TOMORROW NEVER DIES and LICENSE TO KILL are the only other films I get excited about. Moonraker has become a guilty pleasure. It was such a disappointment when I first watched it, but since then I've warmed up to it. And when I'm in the mood for campy Moore, it's usually what I watch.
#11 TOMORROW NEVER DIES
#12 LICENSE TO KILL
#13 THE SPY WHO LOVED ME
#14 THE LIVING DAYLIGHTS
#15 YOU ONLY LIVE TWICE
#16 THUNDERBALL
#17 ON HER MAJESTY'S SECRET SERVICE
#18 LIVE AND LET DIE
#19 MOONRAKER
#20 FOR YOUR EYES ONLY
#21 THE MAN WITH THE GOLDEN GUN
#22 A VIEW TO A KILL
#23 OCTOPUSSY
#24 DIAMONDS ARE FOREVER
1 SP
2 GE
3 TLD
4 OHMSS
5 CR
6 OP
7 FRWL
8 FYEO
9 GF
10 LTK
11 TND
12 LALD
13 QOS
14 TSWLM
15 MR
16 DAD
17 DN
18 SF
19 TWINE
20 TB
21 YOLT
22 AVTAK
23 TMWTGG
24 DAF
1. Tomorrow Never Dies
2. From Russia With Love
3. Goldeneye
4. Thunderball
5. On Her Majesty's Secret Service
6. Dr. No
7. The World Is Not Enough
8. For Your Eyes Only
9. Skyfall
10. Goldfinger
11. A View to a Kill
12. The Living Daylights
13. Octopussy
14. You Only Live Twice
15. The Spy Who Loved Me
16. Licence to Kill
17. The Man With The Golden Gun
18. Quantum of Solace
19. SPECTRE
20. Die Another Day
21. Diamonds Are Forever
22. Moonraker
23. Live and Let Die
24. Casino Royale
Welcome MarcAngeDraco -{ you might like to give a brief Hello here.
Very interesting first and last. Almost unheard of - TND at first. Even higher than chrisisall
And CR at last? Very uncommon too
But to each his own.
I shed a single tear every time Diamonds Are Forever is ranked higher than Casino Royale.
Fair enough points, but I could argue most of the films since the 60's are lacking the culture and atmosphere of the early films. FRWL in particular has us totally immersed in Istanbul. A lot of the films have good shots of the locations (eg the Gilbert films) without being immersive. The last few films in particular jump from country to country without time to absorb the location.
I'll agree with you on the thug point.
1. The Living Daylights
2. Octopussy
3. Casino Royale
4. From Russia with Love
5. On Her Majesty's Secret Service
6. Goldeneye
7. For Your Eyes Only
8. The Spy Who Loved Me
9. Tomorrow Never Dies
10. Dr No
11. Moonraker
12. Diamonds are Forever
13. Licence to Kill
14. You Only Live Twice
15. A View to a Kill
16. Goldfinger
17. The Man with the Golden Gun
18. Die Another Day
19. Thunderball
20. Live and Let Die
21. The World is Not Enough
22. Quantum of Soalce
23. Skyfall
24. Spectre
Hmm, I think there is a difference between visiting a country briefly and visiting the country briefly but still getting a taste for their culture - that's why I referenced DAD and QOS, for all their faults, we still see an aspect of their cultures. In Casino Royale, we jump from country to country and it doesn't necessarily matter if the scenes that place there or not. Whereas in TSWLM, they incorporate the Egyptian desert, pyramids, Harem girls, Mojave club, etc. In Tomorrow Never Dies we get a nice helping to Saigon during the bike chase (illegal fireworks, bike shop, cyclists, the alley showers, etc.) (admittedly, the CMNG party can happen anywhere, but I have an interpretation as to why Germany was chosen). In Goldeneye we get a good amount of St. Petersburg, absorbing the post-Cold War ambience in the marching band, the statues, armoured trains, etc.
But we all want something different from a Bond film, and for me the travelogue aspect is a big one. But you're absolutely right in your FRWL example. I think potentially YOLT rivals it in how much Bond laps up a country in one film. DN too.
So true. Score is important to me and what CR has that his other three are lacking are decent theme song/score integration. QoS has a good enough score but terrible vocals (instrumental is alright), Skyfall the reverse, and Spectre neither.
Ha! I think Arnold's score for CR is perhaps the blandest of all Bond scores. Some nice cues, but about as good as SP. SF and QOS are much better in my opinion. In terms of title songs, YKMN and SF are miles ahead of WOTW and AWTD.
True pretty bland for the most part. I was mainly referring to the times when he uses the YKMN theme, which is only at several moments, but it's good when it happens.
There is nothing memorable about the SF score. It's quite emotional at the Tennyson scene but doesn't scream Bond for me.
Anyway since TLD we've mostly been deprived of good Bond music so I'm really grasping at straws in regards to good scores since 1987. The best is perhaps "007 your time is up"
Forgive my lack of knowledge re: track names, but I do like the Shanghai Drive music quite a lot, when Bond arrives at the casino, Severine's theme, Tennyson (which I think screams James Bond) and the music in PTS, but you're right, it's not the best of Bond scores out there (though I'm not a fan of Newman's work outside of Bond, either. Always sound sterile and lacks heart). I am a big fan of Arnold's work, except for (the majority of) CR, really. TND's score is amongst my favourite in the series (especially love Helicopter Ride, Wai Lin's theme, Paris and Bond, Hamburg Break In/Out, White Knight, Bike Chase, Backseat Driver), and TWINE's is up there too (Your Time Is Up as you mentioned, Elektra's Theme, Welcome to Baku, Body Double, Remember Pleasure, Casino). I also really like the cultural flavour of Arnold's QOS score as well, but the lack of Bond theme hurts it a little. A Bolivian rendition of the Bond theme wouldn't have gone astray, but I guess he was under instruction from Forster.
As far as Bond scores go, there is some brilliant work done by the composers in my opinion - so much so that it really is quicker to list the ones I don't rate as highly, those being: DN, TMWTGG, TSWLM, OP, CR, SF and SP. Everything else fights for top spot as my favourite score overall, dependant on my mood.
1. Thunderball
2. The Living Daylights
3. Skyfall
4. On Her Majesty's Secret Service
5. Casino Royale
6. From Russia With Love
7. Goldfinger
8. The Spy Who Loved Me
9. Dr No
10. Tomorrow Never Dies
11. Licence to Kill
12. Spectre
13. Octopussy
14. The World is not Enough
15. For Your Eyes Only
16. GoldenEye
17. Live and Let Die
18. You Only Live Twice
19. Quantum of Solace
20. A View to a Kill
21. The Man With the Golden Gun
22. Diamonds Are Forever
23. Moonraker
24. Die Another Die
It's worth pointing out that I greatly enjoy all the films - it's only when it gets as low as 22, 23 that my enthusiasm wanes. I consider Die Another Day to be a bad film, but it has its own specific charms too.
1. For Your Eyes Only
Underrated and overlooked, FYEO is simply my favourite. It has all the right ingredients for a classic Bond film, and whilst it doesn't take many risks or introduce much new, it is a lot of fun, with an excellent car chase and an underrated villain. The film isn't grand in scale, but that's what I like about it - this is the kind of mission Bond would do in between stopping World War 3 or going into space. It's simple and fun, and bought the series back down to earth.
2. A View to a Kill
AVTAK is just a weird film. The weirdest Bond film. With Christopher Walken as a psychotic result of Nazi experimentation, Grace Jones as his girlfriend and Bond pushing 60 whilst picking up women that could have been his daughter, AVTAK is pure Bond fun, with all the classic elements of Bond.
3. Octopussy
Moore is at his best in this one I feel, and it's just a fun film. Great villains, exciting action sequences - it's just typical Bond, and that's what I feel is great about it.
4. Licence to Kill
The most underrated Bond film. LTK is a unique film, and whilst it was plainly capitalising on the violence heavy action films of the time, it's still a good film. With one of the best villains in the series, and an excellent score, LTK is the darkest Bond has ever been, and with Timothy Dalton in the role, it works well.
5. Tomorrow Never Dies
Fast paced action fun, TND may not be as iconic as some other Bond films, but it really is fun, with Brosnan at his best, a campy but fun villain, and plenty of great action.
6. Live and Let Die
Moore's debut, and whilst Bond stopping the distributing of drugs is a little less impressive than preventing World War 3, LALD is still a lot of fun, with an iconic boat chase and an underrated villain.
7. GoldenEye
Proving that Bond has a place after the end of the Cold War, GE seems like the crew took the advantage of the 6 year gap to bring an excellent Bond film to the table. Brosnan is awesome as Bond, and the only negative is the rather plain plan of Alec's, that all comes down to stealing money.
8. Goldfinger
What else is there to say that hasn't already been said?
9. The Spy Who Loved Me
The film that undoubtedly saved the franchise, after the rather lacklustre TMWTGG, TSLWM brings Bond back in style, filled with iconic moments and a wonderfully dated score. This really is a good film, with great characters and exciting set pieces.
10. Spectre
This would be higher if it wasn't for the absurd plot twist. Apart from that, this feels like a Connery Bond film made today, with less seriousness and the return of SPECTRE. I also believe that this is Craig at his best; he is really comfortable with the character now, and he has become better and better as Bknd as he gets older.
11. Skyfall
A great film to celebrate 50 years of Bond, with the reintroduction of classic characters and a personal story that really has a good effect. Silva is an excellent villain, and Silva's escape to the courtroom shoot out is one of the finest scenes in all of Bond.
12. Moonraker
This film sends Bond into space, and yet it's still not the silliest Bond film ever. Effects are great, Holly is an excellent Bond girl, locations are beautiful, Drax is an excellent villain, and overall the pacing of the film means it's really easy to sit through. Silly? Sure, but fun, and it doesn't take itself seriously, which is the best thing about it.
13. You Only Live Twice
Enjoyable film, the Japan setting is great and some iconic scenes and moments. I also really like the 60s feel of this one; it really embraces the feel of the decade with the involvement of space, and the space effects are the sort of practical effects that, whilst you know aren't real, have a certain charm to them. Overall just a good film.
14. The Living Daylights
Dalton's debut is great, and I really like the spy conspiracy thriller feel of this. Kara is a bland Bond girl though, and I feel some of the scenes in the second half of the film can drag or slow the film down, but overall a good film.
15. Casino Royale 2006
The first full reboot of the franchise, and a great comeback from DAD. I know it's there because it shows the development of their relationship, but the only thing I don't like about the film is the last half hour after Le Chiffre is killed. It drags on, and a few scenes could be cut from it and we'd still have the same emotional depth when Vesper betrays Bind and dies.
16. The Man With the Golden Gun
Overall a pretty weak film for Moore, who undoubtedly saves it, along with Christopher Lee. The film just feels like the dying end to a franchise, with a low budget look and basic story. Goodnight is a terrible and at times annoying Bond girl. Still, even though it's Moore's weakest, it still is enjoyable.
17. Thunderball
This has been the biggest change for me. Whereas I used to dislike this entry, I enjoyed watching it this time. The plot is weak, but the underwater scenes are great, and the locations are beautiful and exotic. An enjoyable film, nothing too special but it has some good moments.
18. From Russia With Love
I feel really bad about this being so low, because it is a really good film. The film is great from the stealing of the LEKTOR onwards, but before that it's just a bit slow, especially the scenes at the gypsy camp.
19. Die Another Day
Enjoyable, but just too stupid. And whilst Moonraker was stupid, it had great effects, a good villain and beautiful locations to hide the utter stupidity of it all - DAD doesn't have that. A loose remake of DAF with elements of the MR novel, DAD feels like two films put together; an OTT recreation of the 'big' Bond films like TSWLM and YOLT, with a dark revenge plot stuck in front of it. Oh, and Jinx is one o ft he worst Bond girls of all time.
20. Diamonds Are Forever
I used to like this film. It really wasn't that bad. But now? The entire film looks like a TV movie, Connery looks bored and overweight for Bond, the effects are terrible and so is the plot. Charles Gray, whilst a good villain, really isn't what Blofeld should be. The diamond smuggling plot is loosely connected to a stupid plot involving space lasers and starting nuclear war. I imagine diamond smuggling just wasn't exciting enough, and the writers decided to throw in a plot about starting nuclear war.
21. The World is Not Enough
Another film that just doesn't feel like Bond. The film looks cheap and poorly presented, with lack of colour or exciting set pieces. The only thing memorable is the excellent PTS and the idea of a female villain, and one that Bind falls for.
22. Quantum of Solace
The reasons for disliking this one are all pretty clear by now. Greene is possibly the worst villain of the franchise, the editing is awful, and it just lacks the feel of Bond.
23. Never Say Never Again
The thing that really drags down this film is its dire score, which uses the same cues over and over again and has become incredibly dated and just doesn't suit a Bond film. All the MI6 regulars are horribly miscast, Kim Basinger sucks as a Bond girl and even Connery isn't a great Bond in this one - maybe it's because he's acting against an entirely new cast. I do, however, like the casting of Largo; it's a shame the actor never played a villain in the main series, he would have been great alongside Moore as Bond.
24. Dr. No
I've made my thoughts of this film being overrated clear, and I stand by it. I honestly believe that this film is liked so much due to its importance as the first Bond film; had Connery done this in the middle of his run as Bond, I feel it wouldn't be as highly rated as it is.
25. On Her Majesty's Secret Service
Unpopular opinion, but I just don't like this film. I do like the direction Peter Hunt brought, with some really well shot scenes and pretty good photography. And I do really enjoy the scenes with Bond as Hilary Bray. But that's about it. I don't feel Lazenby is a wooden actor, he's pretty good for someone who wasn't an actor in the first place, but he just doesn't seem like Bond to me, maybe it's because he only did the one. Savalas isn't that great of a Blofeld either, lacking the menace of Pleasance and bringing little character to the role. And, I know this is going to be an unpopular opinion, but I just don't like Tracy. She's just too posh and unlikable compared to the other Bond girls of the films. I honestly feel that the film would be a lot less liked and remembered if it didn't have Bond getting married and Tracy's death. OHMSS is a story that really should have been saved for an actor who had been in the role for a few films, rather than an actor's first Bond film.
26. Casino Royale 1967
I've only seen this film once, and that's quite enough. An unfunny train wreck that can't be saved from its production troubles, CR really is a pointless film, failing as a comedy and wasting the talented cast it had.
So it doesn't have as much action/sunts or thrills as the later films, but what I really like about this is it soaks up the atmosphere of the locations (as does FRWL) which I don't think any other Bond film has done properly. More importantly, Bond is the centrepiece of the film and you can really feel his character's personality and mannerisms, instead of being secondary to the locations, gadgets, quips and stunts
Agreed 100% Bondage007! Dr. No is an excellent entry, not because of it being the first film, but because of its atmosphere. Perhaps the most authentic of Bond films in terms of reflecting Fleming's literary world, and it builds tension like no other Bond film (except for maybe OP, in the race to the circus). While we are visually treated to Ken Adams fantastic sets and Ursula Andress in the second half, as well as the brilliant dinner scene with Dr. No himself, I personally enjoy the first half of the film more, when Bond is still on mainland. It unravels like tense mystery with, as you say, Bond at the centre of the narrative, and the early 60s charm is always welcome in my book.
I will say though, MilleniumForce, that you have a cracking top 5, even if 2, maybe 3 of your films are in my top 10. It's refreshing to see love for OP, AVTAK, FYEO and TND especially. Nice write up!
1. Dalton 2. Moore 3. Connery 4. Lazenby 5. Craig 6. Brosnan
I feel the same way. I wish I liked it. All the cool people seem to like it.
1. GE 2. MR 3. OP 4. TMWTGG 5. TSWLM 6. TND 7. TWINE 8.DN 9. GF 10. AVTAK
I know, even to this day.. It's quite upsetting. It's a strong Bond film in terms of plot and main villain and henchman.
1. Dalton 2. Moore 3. Connery 4. Lazenby 5. Craig 6. Brosnan
1. The Spy Who Loved Me
2. On Her Majesty's Secret Service
3. Moonraker
4. From Russia With Love
5. Goldfinger
6. Octopussy
7. The World Is Not Enough
8. Skyfall
9. Spectre
10. Goldeneye
11. Thunderball
12. For Your Eyes Only
13. The Living Daylights
14. Casino Royale
15. A View To A Kill
16. Dr. No
17. You Only Live Twice
18. Tomorrow Never Dies
19. The Man With The Golden Gun
20. Live and Let Die
21. Diamonds Are Forever
22. Die Another Day
23. Licence to Kill
24. Quantum of Solace
So we can clearly deduce here that....Bond films with one word in their title are on average better than those with multiple words. :007)
The awful Bond films:
24. Die Another Day - (3/10)
23. Tomorrow Never Dies - (3/10)
The Bad Bond adventures:
22. Diamonds Are Forever - (4/10)
21. You Only Live Twice - (4/10)
20. Quantum Of Solace - (4/10)
The Acceptable but very flawed Bond films:
19. The World Is Not Enough - (5/10)
18. Casino Royale - (5/10)
The enjoyable Bond films:
17. The Man With The Golden Gun - (6/10)
16. Goldeneye - (6/10)
15. Thunderball - (7/10)
14. Live And Let Die - (7/10)
The Great Bond films:
13. Skyfall - (8/10)
12. Goldfinger - (8/10)
11. Dr No - (8/10)
10. Octopussy - (8/10)
9. Moonraker - (8/10)
The Terrific Bond films:
8. Spectre - (9/10)
7. The Spy Who Loved Me - (9/10)
The Amazing Bond films:
6. Licence To Kill - (9/10)
5. A View To A Kill - (9/10)
4. From Russia With Love - (9/10)
3. The Living Daylights - (9/10)
The Perfect Bond films:
2. On Her Majesty's Secret Service - (10/10)
1. For Your Eyes Only - (10/10)
1. Dalton 2. Moore 3. Connery 4. Lazenby 5. Craig 6. Brosnan
24. Die Another Day (2002)
At the end of the day, this would have to be the only film in the series that I genuinely don’t like. No disrespect to those few in number who love this one, but it’s just guff isn’t it? For me, it feels like someone desperately trying to make a Bond film and failing miserably. Everything here feels fake, hammy, and cheap. The CGI is dreadful, the characters are as well, with Toby Stephens, (who I think is an otherwise fine actor), absolutely awful here. Not that it’s his fault, but for my money he is without exception the worst villain in the series. I don’t buy John Cleese as Q, and Halle Berrys ‘Jinx’ is cringe worthy. The infamous kite surfing tsunami sequence is, dare I say, one of the worst scenes in 21st century blockbuster cinema, and the story is in part a Diamonds are Forever rip off, which is not a solid basis to start your new Bond film on. Having said that, Pierce does his best and Rosamund Pike is great (shame she didn’t have the opportunity to be in a better Bond film) and the pre-title sequence is passable.
23. Tomorrow Never Dies (1997)
As much as I wish I liked the Brosnan era, as I’ve gotten older I’ve come to see it as the weakest period in the series history. Not to say that I don’t like Brosnan or indeed 3 of his films, it’s just that I think his era has the most shortcomings. This one is a decidedly mixed bag. The villain and the plot are both quite weak and I’m not crash hot on the 2 leading ladies. Though the first 40 or 50 minutes are quite good, with the Hamburg segment of the film being the best for mind. Particularly the stuff with Bond sneaking around the paper mill, and that car chase in the car park, which is a great little scene. Special mention to the superb David Arnold score.
22. The World is Not Enough (1999)
Sorry once again Pierce...I was actually hoping to have a bottom 3 which was not entirely comprised of Brosnan’s films but it’s just the way it’s turned out. Though there is plenty to enjoy in this one and I do actually get why some people consider this one of their very favourite Bond films. Funnily enough, when I was a kid it was close to my favourite film in the series and on paper it has everything a great Bond film should, but for me it just doesn’t click and it feels a bit cold and tepid. It lacks the warmth and excitement that a Bond film should have. I love Electra King though, she’s gorgeous and a worthy adversary. The pre-title sequence is quite good, it’s also nice to have Robbie Coltrane back and the score is once again great. The title song is also very good and I do like that action sequence in the nuclear bunker. That image of Bond sliding along the chains with the explosions going off behind him is a great shot. Brosnan is excellent in this and I would say it’s his best overall performance but ultimately the film still leaves me a little cold. It’s a shame he didn’t get a better tenure because he was a worthy Bond.
21. Diamonds Are Forever (1971)
I used to really not enjoy this one but funnily enough over the last few years it is one of the Bond films that I watch the most. For me, this is without a doubt the weirdest Bond film of the alot. It’s just cooked. The villains are campy and zany (Wint and Kidd? Absolute lads), which is no more evident than the moment where Blofeld appears in drag. Ridiculous! And what is with that crazy zoo chick that morphs into a gorilla?!? Lunacy. Tiffany is a great Bond girl until the final reel when she has a similarly drastic transformation and becomes a complete idiot. Also, Connery is a little off-kilter and ironic in this one. It’s great to see him as Bond, but he’s not the same Bond anymore. What happened to the lean, mean, panther like Bond of the 60s! Still I enjoy seeing him here. Love the pre-title sequence, the song is a cracker and so is the score. John Barry is just the man. Special mention to the funeral parlour sequence where Bond ends up in a coffin, and Bambi and Thumper. Also love the sleazy production design and the 70s Las Vegas setting. A real moment in time. Lots to enjoy, but ultimately quite a weak entry.
20. Moonraker (1979)
You know, in a way, I kind of feel that this is actually the second worst film in the series. The campy, self-parodying humour is taken to truly ridiculous and cringe-worthy heights. JAWS being back? Great. JAWS falling in love with a chick who looks like she should be standing in front of a joy division hut in Nazi Germany and then becoming a good guy as a consequence? Spare me. The Gondola sequence? Possibly the second worst moment in Bond history (go back to Die Another Day for the first). The endless, blatant product placement, the continuous miraculous escapes, the limitless slapstick jokes... it’s enough to make the head spin. Admittedly, this is quite similar to The Spy Who Loved Me, however where the two differ is that Spy is purely tongue in cheek, whereas Moonraker totally takes the piss. Yet, there is something very entertaining about Moonraker. It’s big time film production and I think that that is what I love about it. It’s a huge undertaking and there is lot to like as a result. In fact, Ken Adam’s sets and John Barry’s music are both so great that frankly, the film doesn’t deserve them. That pre-title sequence is awesome, (the stunt work is outta sight), Roger is in top form and I love all that stuff at Drax’s French chateau. Classic Bond. Drax himself is also a great villain. He’s dull and monotone but he does dull and monotone better than anybody. Has some great lines too. “Look after Mr Bond. See that some harm comes to him...” Brilliant. Bond girl: solid but not great. Also, Corrine is rather lovely, it’s a shame she meets such a sticky end. Moonraker is like fairy floss then. Junk food that’s fun to eat, but always leaves me feeling a little sick by the end.
19. A View To A Kill (1985)
Again, another one that I used to dislike, however have now come to be very fond of. And again, another one which I now watch quite often. I feel that the shortcomings of this film are obvious to everyone...Moore has probably gone one too many and looks a little past it, the storyline is essentially a riff on Goldfinger, and the humour is again a little cringe worthy (California Girls? Spare me.), Stacey is a weak, wingey Bond girl (even though she is quite, quite attractive) and if you play a spot the stunt double drinking game during this one you are guaranteed to be paralytic by films end. But! Having said all that, the film is incredibly entertaining and for once I feel that the films faults are actually part of its charm. We know that Roger is cooked at this point, but he is still great as Bond and I love him. We know that the formula feels a little tired and stale and is probably in need of a revamp, but everything feels so familiar, the ground so well-trodden that there is something about this one that is so warm and comforting. Also the villains are top shelf. Zorin and May-day are truly great villains. Duran Duran’s tune is one of the very best and that title sequence is eye catchingly great in a very sleazy, very 1980s way. Best action scene award goes to the Paris chase. Farewell Sir Roger, you are a legend.
18. The Man With The Golden Gun (1974)
This one has always copped quite a bit of flak, but I’ve long held a fondness for it. When I was younger I would watch this one quite a lot and still do. It’s a small scale Bond film and quite understated in the context of the series. It’s incredibly pulpy and zany, and in some ways it’s quite misogynistic and inappropriate, as it indulges in sexism, women beating, masochism, and casual racism. Truly, a Bond film Fleming would be proud of then. But all the same I like the feel of this one, it’s smaller scale makes it feel a little like a forgotten Bond film. Plus Scaramanga is a great villain. One of the all time greats. The island and fun house setting are very intriguing and Nic Nac is a nifty little henchmen. I like the 70s martial arts movie vibe too. Roger is at his most inappropriate in this one. So wrong, but so, so entertaining. Though it is a bit of a missed opportunity, as it should have been more of an assassin versus assassin film, but instead it deviates through unnesseccary subplots which takes away a bit of the tension. I do get why people don’t like it, hence why it’s at number 18, but I still think it’s a decent Bond entry.
17. Quantum of Solace (2008)
I’ve flip flopped on this one quite a bit. Initially I was completely underwhelmed, then I became very fond of it and rated it highly, and now I’m somewhere in between. I get the arguments of the detractors but I also think it is underrated. I love the urgency of this film. Everything happens quickly and rapidly. Craig is once again superb, and looks amazing in this one. He’s a hard, hard bastard and I love it. Camille is stunning and one of my favourite leading ladies, and that opera scene beats the band. The pre-title chase is pulsating and I enjoy seeing Mathis again. The production design is also top notch. Down points: the editing – frenetic and confused, works for some actions scenes but also kills others (the boat and plane chases respectively), storyline – undercooked. It is also too much of a sequel and would make zero sense to someone who hadn’t seen Casino Royale. Bond films shouldn’t be like that. I quite like the fact that this is the shortest film in the series. It’s tight and compact and it works well. I suppose they didn’t really have a script so it needed to be short. Still, I’m fond of this one. It’s status is growing.
16. Octopussy (1983)
A highly entertaining entry and one of the purest, most fun Bond films in the series. If it didn’t have ridiculous humour scattered throughout its runtime it would be higher on this list because, despite all its charms, I simply cannot look past the Tarzan yell, (actually, that entire safari sequence), the clown suit, the gorilla suit, and the circus performers palace raid at the films climax. If I could edit those elements out, it would be top rate Bond. Despite this, the film is still a thoroughly good entry. Roger is completely at ease in the role and owns it. Love the scene in the train carriage with Ourov. He shows great range and a sterner side in that moment. In fact, all the stuff in Germany bar the clown and gorilla suits is great, particularly the stunt work on the train. Maud Adams is a wonderful leading lady and her character is thoroughly intriguing. Kamal Khan and Ourov are a good double act and are both strong villains. Don’t love the pre-titles as much as many seem to, but there are plenty of great action sequences in this one. Another great Barry score. Bonus points for Magda and the outrageous Fleming title.
15. Spectre (2015)
And so, we arrive at the latest Bond entry, and I have to admit, I am a little surprised I have this as high as 15, because there is a good deal of it that I find frustrating. Firstly, the plot is patched together and underdone. It could have been great however it is one or two drafts away from being a solid script. Madeleine is a fine Bond girl, however they should have deleted the falling in love bit and just had her as a routine romance. The foster brother connection is also a shocker. Ah well...that aside and there is plenty here to like. In fact a lot of it is great. A thrilling and bombastic pre-titles, some fantastic stuff in Rome and a wonderful 30 minute segment spent in Tangier and the depths of the desert and I almost forget the films shortcomings. The cinematography and production design is wonderful. Craig is brilliant and is arguably doing his best Bond performance here. How people thought he was bored is beyond me. Bump off the ending in London, extend the fight scene at Blofeld’s lair and turn that into the climax and it would be pushing for the top half of the ranking. Heavily flawed, but brilliant in parts.
14. The Living Daylights (1987)
Now we’re venturing into the realm of films that I love, and this one is no exception . Solid, often cracking entry in the series sees Tim don the tux in a leaner, meaner and more direct version of Bond. A breath of fresh air after the Moore era, and not because the Moore era was bad, but because change can sometimes give you a shot in the arm. This is case in point. Dalton is a great Bond, and underrated by too many. He gives the character a sense of urgency and danger. The film has weak villains, and the Bond girl is charming but altogether slight. Pushkin is a great character though and a good addition to the series. The first two thirds of this film are first class. Fantastic cold war era espionage with a suitably convoluted plot, atmospheric European settings, and a solid amount of spying and intrigue. However once the film switches to Afghanistan it loses some of its mojo. The tension goes out the door a bit. Probably would have been better to have kept it all in Europe but I have to say that the aerial fight scene on the Hercules is great. Barry’s last score, and it’s a blinder. The series will never be the same without him. Quite a fan of the Aston on ice chase, and I like the cello case chase as well. (try and say that 10 times!). Shout out to the end fight at Whittaker’s toy soldier room. I don’t know why, but I just really like this scene...there’s something about it that gets me. Anyways...you can’t go much wrong with this one.
13. Licence to Kill (1989)
Again, and I suspect like many, I never used to be partial to this one, however over the years it has grown to become a firm favourite. I find the Dalton films very equal in quality, however I have to give the edge to this one. It’s the darkest entry for my money, it’s violence, in the context of Bond, is quite shocking, and I think is ultimately a little over the top. Where in The Living Daylights the first half was the strongest, in Licence to Kill the film takes a little while to get going, not truly gathering steam until the thrilling sequence on Krest’s boat, however, after that it’s all guns blazing. Dalton is on fire in this one. This is truly his Bond film and I think his performance in this one is one of the best in the entire series. Carey Lowell makes for a very good Bond girl and Sanchez is a brilliant villain. Truly menacing and a formidable opponent. The tanker climax is one of the finest Bond finales. Pulsating stuff. Unfortunately the first 40 minutes has a bit of a tacky, 80s American cop thriller look to it which grates on me a little bit. Bond can be left of field and gritty, but it should never look cheap. Though this is a minor criticism. There’s plenty of tension and drama in this one. Shout out to Q for his great role in the film’s second half. A fine Bond flick and it’s a damn shame Dalton never got to a third.
12. Dr. No. (1962)
In some ways, I actually prefer Licence to Kill, however the respect I have for this film is huge, and I love the fact that it feels like a Fleming novel come to life, and that’s why it just shades Licence for me in the rankings. It doesn’t have the big action scenes that would soon become engrained in the series, and is much more focused on the details of Bond’s investigation. He does plenty of detecting in this one and I appreciate this relatively loyal adaptation of Fleming’s book. Plus, it’s thrilling to see the first Bond film, to see the blueprint laid out before your eyes. I still don’t know how they came up with that gun barrel, with that amazing theme song, with those brilliant sets and that blush, decadent look that all 60s Bond films have. Connery is raw but brilliant and pulsates with charisma. Jamaica is a glorious location and Dr. No is a memorable villain, though more screen time would have been good. Honey Ryder is a stunner, Jack Lord’s portrayal of Felix Leiter is one of the very best, and all the stuff on Crab Key is great. Best moment – “Bond, James Bond” The greatest character introduction in cinema history. Period.
11. You Only Live Twice (1967)
I used to not pay this one at all, but now I love it. It’s completely bonkers in that unique, swinging 60s way and is riotously entertaining from start to finish. Sure, the story is preposterous, the whole tone is comic book and sci-fi, and that Japanese disguise is ridiculous and hilarious, but you gotta love it. Ken Adam is at the very top of his game in this one, the sets are monumental, and the whole design of the film is fantastic. Freddie Young is a legend and his cinematography is excellent. Connery is bored out of his mind and it irks me a bit, but he is still the ultimate Bond so I can somewhat forgive him this one. Bond girls are rather weak, Kissy being the best of the lot for my money. Tiger is an excellent ally, and the fight in Osato’s office with the Rock’s grandfather is a cracker. That little Toyota is a very nifty little number as well. Great theme song, and the film has an excellent climax. Bonus points for the amazing location of Japan in the 60s. Top shelf.
10. For Your Eyes Only (1981)
I have a soft spot for this one, mainly because it’s the film that made me a fan, but also because it is a cracking Bond thriller. Whilst some of the silly humour is still there (Maggie Thatcher? Mental),this is largely a more ‘down to earth’ type of Bond and it’s great to see after the excesses of Moonraker. Roger Moore is brilliant in this, for me it’s his best performance. He handles the more serious elements with aplomb without losing his easy charm and humour. That eyebrow raise he gives during the Citroen chase is a classic moment. As is the whole night time raid on the warehouse which ends with the famous car kick of the side of the cliff. One of the best moments in the series. In fact, the action in this is first class all the way through, right from the thrilling (albeit, a tad silly) Pre-titles to the cracking ski chase, and the tense mountain scaling scene. Though I do think the film could have done without the submarine sequence, which is one action scene too many. The Bond girl is very good in this one, though her stare is a tad scary. As for Bibi...well...the less said the better. Love the identograph scene for some reason, and a shout out to Colombo, a top notch ally, and the music during the car chase that takes place after Melina crossbows the hit man. Tune!
9. Goldeneye (1995)
Brosnan’s moment of glory, and as exciting and as solid a Bond film you could ever wish to see. First class stuff all the way through this one, particularly the villains, which are all colourful and make for a fine ensemble, with Xenia being the most memorable. That women is outrageous on every level. Excellent pre-titles, and the tank chase is one of the best action scenes of the 90s. Also the climax fight between Bond and Alec is sensational. You feel every punch in that one. Judi Dench is an ingenious bit of casting for M and Valentin Zurchovsky is a legend. Loses points for the score, which is probably the worst in the series, and the plot is a little underwhelming, but who cares. Love the cold war vibe in this one. Russia should definitely be revisited in the future. Special mention to the brilliant Q scene. I love that man. A fantastic start for Pierce and a damn shame that his tenure never scaled these heights again.
8. Live and Let Die (1973)
In my heart of hearts I know that Goldeneye is technically a better film, but I have an incredible soft spot for this one. It’s very unique in the Bond canon and has its own distinct favour. The early 70s, New York, blaxploitation vibe and the sometimes abrasive George Martin score make it one of the coolest films in the series. Roger sets his tone early and is off and running in fine form. Kananga is a classic villain and one of my favourites and Solitaire, my goodness... the most beautiful Bond girl bar none. What a little stunner. Love the crocodile farm, and that escape is brilliant. As is the boat chase, which even Sherriff Pepper can’t kill. Honestly, what a maniac of a character, though for some strange reason he kind of just works here. Fantastic titles, and Paul McCartney provides my favourite Bond theme. Love the ending on the train, and Baron Samedi is truly memorable but ultimately underused. Special mention to the villain’s plan, which is an interesting idea for Bond.
7. Thunderball (1965)
Classic, classic Bond, and probably the film that I watch the most. I love the films luxurious, leisurely feel, and I for one greatly enjoy watching Spectre’s plan unfurl, and the underwater sequences are truly exceptional film making, particularly that battle at the end. The Bond girls in this are off the charts and without question the best bevy of beauties in the series, with Fiona a great femme fatale, and Domino a great love interest. Largo is an adequate villain, who gets bonus points for having a shark invested pool and an eye patch. His home is a brilliant pad, which caters to a thrilling sequence where Sean dons black and goes stealth. Love it, and that fight in the pool is great. Magnificent, jazzy score. Awesome theme tune. Love the ridiculous pre-titles, and Nassau is close to my favourite Bond location. I do get the arguments of the detractors, but I don’t agree at all. This is the height of Bond for me. Special mention to Connery who is firing on all cylinders here. I honestly do not get the people that say he is bored here. He’s loving Bond and is in his element. Ken Adam’s Spectre meeting set is genius. Admittedly, the film does have a few faults, like the rushed editing and some dodgy back projection which does bring it down a touch, but a minor gripe. Final thought: “Would you mind giving me something to put on?” Bond's reaction... Genius.
6. Skyfall (2012)
At the end of the day, I think this is technically the second or third best film in the series, and the only reason I have it at number 6 is because I have spent much longer with the other films and putting this above them is not something I’m yet prepared to do. It’s not completely perfect, as many Bond fans seem to point out these days, yet overall the film is such a knock out I don’t care about a few plot holes. In actuality, it wouldn’t be Bond without a few story gaffes. Anyways, A tour de force film, highlighted by incredible cinematography (surely the best in the series) and superb performances. None more so than Craig (truly owning the role now) and Bardem (one of the finest ever adversaries). Also Judi Dench is stoic and heartbreaking in this one, and she truly shines. It’s probably the only Bond film that moves me on an emotional level, and that is a hard thing to do in this type of escapist cinema. Best moments: Pre titles (one of the very best), Bond in shanghai and the silhouette fight, Silva’s intro and the musket shoot off that follows (poor old Severine), the tube chase and the thrilling, Home Alone-esque climax. Sensational theme tune from Adele and the title sequence is stunning (Kleinman take a bow sir). Also the score is rather good, it’s just a shame that it was rehashed in Spectre. Overall, A brilliant bit of film making.
5. On Her Majesty’s Secret Service (1969)
The ultimate Christmas Bond film, and a truly unique bit of epic British cinema. I don’t care if Lazenby is in it, it is one of the greatest Bond films ever made, without exception. Actually, let’s begin with Lazenby, who admittedly, is not great. Having said that, considering that he was a 28 year old model, he possesses a wealth of charisma and does quite a remarkable job. Most likely would have found his feet and could have definitely been a credible Bond had he done more. Diana Rigg is one of the top 2 or 3 Bond girls. A rather lovely looking lady and a fine actress who brings her character vividly to life. Draco is brilliant and close to my favourite ally in the series. What a charming, dapper gent. John Barry surpasses himself and his score is out of sight. Wonderful cinematography, and the ski chase is top 5 best Bond action scene material. Piz Gloria is close to the ultimate Bond location and Telly Salavas is charismatic and tough and my favourite Blofeld. Definitely has a slight psychedelic, late 60s vibe once we get to the ‘Angels of Death’ and the hypnosis, but it all adds to the appeal. Great little pre-title skirmish, and the proceeding shot of Bond in his Aston lighting a cigarette is wonderful. Moneypenny catching Bonds hat at the wedding is a brilliant touch, and of course, that ending is quite a heartbreaker. Special mention to the impressive avalanche footage. A bold, audacious action adventure.
4. Goldfinger (1964)
A game changing action film. All of its key elements are so well known, many of its scenes and lines so apart of the Bond lexicon that it’s hard to imagine a film ever taking its place as the most iconic Bond adventure. Connery is remarkable in this one. He is quite simply, the coolest, suavest man in cinema history and makes it look effortless. Goldfinger is an awesome villain who is rightly often recognised as the best in the series. Pussy Galore – One of the best Bond girls ever. That name is also disgraceful. Oddjob is a mute menace and a cracking henchmen. The score is another work of greatness, that pre-title sequence is top 5 in the series and I love the cat and mouse of the golf game. The highlight of the film for me has always been the sequence where Bond sneaks onto Goldfinger’s facility and ends up racing around the factories in the DB5 and ultimately ends up tied to the laser table. I always find that 15 minutes very exciting. Bond at its best. Shout out to Shirley Bassey who smashes out a classic tune and the other Shirley, who rocks gold paint.
3. The Spy Who Loved Me (1977)
Roger’s crowing moment, and the greatest example of the cinematic version of James Bond. Which is, a completely over the top, slightly ridiculous, gadget laden, action packed, lavishly expensive and imaginative adventure film stuffed full of comical henchmen, a villain hell bent on world domination, numerous exotic locales and many beauties. I find this one endlessly entertaining. The plot isn’t exactly the most memorable, nor is the villain, but the formula just works so well here, and the slightly comic tone is pitch perfect. It may be silly, but it doesn’t go too far that it sacrifices the tension and the thrills, of which there are plenty. Greatest pre-title stunt ever. Amazing sequence. JAWS is brilliant in this one, and that whole section of Bond and Anya following him around ancient Egypt is excellent. Amazing work once again from Ken Adam, with that super tanker set being genius, and the shootout that takes place on it is ace. Truly, one of the best Bond battles. Great 70s score, and another excellent train sequence. Anya is a fine Bond girl and one of the best, though Bach’s performance is a little wooden with an accent that falters here and there which brings her down a touch for me. The Lotus is fantastic and this one contains one of the best Q lab scenes for my money, which is always a nice bonus. I first saw this film when I was 11 and it blew my mind. You Only Live Twice remake? Who cares. Favourite moment: Roger Moore riding on the top of the security camera ball whilst holding a bomb, and the Bond theme kicks in. Spine tingling.
2. From Russia With Love (1963)
The best example of Ian Fleming’s Bond onscreen in my opinion. What a sensational, taut and tense Cold War era espionage thriller this is. The intrigue is high and the action set pieces are kept relatively low, and in the context of this story that is a good thing. Connery has truly found his feet as Bond and gives the quintessential portrayal of 007, I honestly don’t think anybody can touch him from 62 to 65. The man is just a lad on all counts. And Red Grant...what a villain. Robert Shaw brings this guy to life and he is truly menacing. Obviously you know that Bond is going to win, but Grant is one of the only times where I feel that Bond is truly threatened by a villain. Which leads me to that train fight, which is just a classic, classic moment. In fact, that entire 30 minute segment of the film spent on the Orient Express is my favourite part of any Bond film. It’s exotic and adventurous , glamorous and intriguing, and has an atmosphere full of espionage . Everything a James Bond film should be. Kerim Bey is a mighty ally and maybe my favourite of the lot, Rosa Klebb is a nasty little thing and it’s great to see Blofeld in full evil mastermind, cat stroking mode. The film does wander a tad at the gypsy camp, but it still adds colour and the shootout that takes place there is a good one. Istanbul is a brilliant setting and I love the introduction of Q and the booby trapped brief case, one of my favourite Bond gadgets. In fact, all of the M and Moneypenny scenes are great in this one. There’s something so comforting about seeing Bernard Lee and Lois Maxwell in the office. Special mention to the music that plays over the titles and the moment where Bond uses the flare pistol to blow up the fuel drums. Gets me every time. Classic
1. Casino Royale (2006)
For me, there is now no question that this is the best film of the lot. Now, it’s certainly not the one I watch the most, but for me it is most definitely the finest film in the series. This one feels quite separate from the rest. Probably because it’s a hard reboot, and that it was so different to the Brosnan era. Even though it does deviate from the novel, there is the magic of Fleming in this one. You can feel it in almost every scene, none more so than when we get to the casino and gaming tables, which is where the film really takes off. These scenes are just thrilling. High stakes espionage conducted in a glamorous and decadent setting. Pure Bond cinema. No other franchise can do this type of thing. Also that black and white pre-titles sequence is brilliant. Just grabs you by the scruff of the neck. And that parkour chase is amazing and is probably my favourite action scene in the series. Fantastic titles, once again done by Kleinman, and the tune is a belter. Daniel Craig is simply phenomenal in this. I just love him. His Bond has evolved since this one and I love where his portrayal is at now, but here he is just so raw and on edge and dangerous. It’s just a great performance. Vesper is a believable love interest and one of the strongest Bond girl characters, and Mads Mikkelsen makes for a fantastic villain. Love the final scene. Makes me smile every time. Special mention to the cinematography and to Solange, what a stunner. Stone cold classic film. I sincerely hope that Craig can do another one as good as this.
Thanks for reading!