A startling conclusion, one I hope can bring some peace to this forum.
Klaus Hergescheimer
Posts: 332MI6 Agent
Recently, I wrote regarding my appreciation for Moore in that I appreciate his ability to entertain and his audacity to play the role his way regardless of detraction while, at the same time, acknowledging that I prefer other Bonds' portrayals to his in that theirs (Dalton, Brosnan, Connery) tend to be much closer in spirt to the literary character.
Well, the other day, I watched OHMSS, featuring the other Bond that I am generally not expressively fond of: Lazenby. As I was watching it, while I was able to definitely tell that he was not the greatest actor in the world, a funny thing happened: I really couldn't find a point in the film in which I found his portrayal particularly disagreeable. His image was great (perhaps even the closest to the literary 007), he moved well, he fought well, his mannerisms were fine, and while he was no Bogart, he handled the lines suitably, and the final scene of the movie rather expertly. It was at this point that I realized something:
While I have my favorite (Dalton), and I generally think that some (Dalton, Brosnan, Connery) performed better in the role than the others (Moore, Lazenby), I like all of the actors' portrayals of Bond. In what is often a polarized Bond fan community (in which I participated), I think we could all benefit sometimes from letting down our guards and our pre-conceived notions to the most minute detail of what Bond should do and to just sit back, relax, and enjoy each of their performances and films. Heck, I would reccommend watching five back to back, picking out one from each actor. I think it could do us a lot of good.
Well, the other day, I watched OHMSS, featuring the other Bond that I am generally not expressively fond of: Lazenby. As I was watching it, while I was able to definitely tell that he was not the greatest actor in the world, a funny thing happened: I really couldn't find a point in the film in which I found his portrayal particularly disagreeable. His image was great (perhaps even the closest to the literary 007), he moved well, he fought well, his mannerisms were fine, and while he was no Bogart, he handled the lines suitably, and the final scene of the movie rather expertly. It was at this point that I realized something:
While I have my favorite (Dalton), and I generally think that some (Dalton, Brosnan, Connery) performed better in the role than the others (Moore, Lazenby), I like all of the actors' portrayals of Bond. In what is often a polarized Bond fan community (in which I participated), I think we could all benefit sometimes from letting down our guards and our pre-conceived notions to the most minute detail of what Bond should do and to just sit back, relax, and enjoy each of their performances and films. Heck, I would reccommend watching five back to back, picking out one from each actor. I think it could do us a lot of good.
Comments
We both disliked the fact that, as Bond, he seemed very rough around the edges. While Connery's Bond was certainly an individual with strong self-confidence, Lazenby's came off as simply cocky. While there was an element of chivalry in Connery's Bond, Lazenby seemed lecherous. His pawing of Moneypenny seemed incredibly uncouth, and his childish glee as he perused (and purloined) the Playboy magazine seemed beneath the Bond we had been accustom to.
Physically, he was fine. His acting was fine. But it was those small characteristics that made me feel that Lazenby (or Peter Hunt) could't really portray a genuine 007, but rather only some strange caricature of him.
Moore is my least favourite Bond, hands down, and yet I enjoyed all of his films to varying degrees. I like Moore himself; he just wasn't 'my Bond,' as he clearly was for so many others. I salute Moore Bond fans, because they helped him keep the ship afloat. {[]
Lazenby's lack of training certainly works against him, but there's much in OHMSS to enjoy; particularly the physical business and the final scene. I agree with Hardy that the "Stay alive...at least for tonight" line is cringeworthy at best, but his reading of the line, "we have all the time in the world" compensates nicely.
Dalton had excellent moments, as did Brozzer, there's no denying it. I was in the cinema for each of them, and enjoyed them all. Now it's a Brave New World, and we're all curious about how it will play...
As someone recently wrote somewhere, "Every generation seems to get the Bond it needs." A profound insight, IMRO, and I certainly hope the author was correct.
Long Live James Bond :007)
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
That said, I think something needs to be pointed out. This is a Bond forum. By that I mean, yes, many of us would hold strong opinions about particular Bonds and Bond films but I doubt we would feel the same way in comparison to non-Bond films. For example, my least favourite Bond films are DAD, TLD and AVTAK. But if I were to nominate my least favourite films of all time those three films wouldn't make the list. Yes, I loath AVTAK in comparison to most other Bond films, but give me AVTAK over Predator 2, Drop Dead Fred or Dune any day of the week. Also, while Dalton may be my least favourite Bond, I only really dislike him in comparison to other Bonds, and I can still find something to enjoy about LTK and TLD regardless of what I think about Dalton. So, yes, we may have strong opinions, but I doubt that many of us would have any Bond films on our 'least favourite films of all time' lists.
Yes, he's too cocky with Tracey at the beginning and many of his snotty posh lines are meant to be send-ups of that old style Profumo type, as Connery would have delivered them. Maybe being a foreigner, Lazenby doesn't seem to get that, and his delivery is just smug.
But he's very good at showing his concern when in a fix at Piz Gloria and all on his own.
Roger Moore 1927-2017
My two favourite things about Lazenby were his physicality and his handling of the final scene.
OHMSS is my favourite of the series, yet my personal gripes are the infamous caviar scoop (after the fight with Tracy's bodyguards) and many of the scenes where Lazenby appears to walk like a Neanderthal. At other times his walk is fine, and I can't help thinking that these and most of the problems with line delivery - mentioned by others above - are directorial issues. After all, the poor chap was only in his first film - it's not as if Bond films are so short on budget that they couldn't afford "one more take, Mr Lazenby".
I strongly sympathize with Loeffes, for one, for seeing Moore's weakness in the role, being a tad effete for the character; but because he was the resident Bond when I started watching them at the cinema, acceptance came very naturally...which I suppose is what will happen for the first-timers to Bond this year. To me, it's not just about maintaining standards, it's staying within the perceived standard deviation.
I LOVE ALL THE FILMS, THEY'RE LIKE CHILDREN TO ME!!
Good point.
He's just being romantic
I have a favourite Bond (Connery) and Bond film (FRWL) but after that I look at all the others equally, I don't have a least favourite Bond or Bond film.
I also believe that none of the actors portrays Bond badly. Sure there are moments in some of the films that don't seem right or are badly done, but as a whole the films are great fun!
I suspect that there is a tendancy to put too much emphasis on the character of Bond over the character of the Bond film to which an actor is playing in. I can think of no better example as OHMSS in this regard.
Some of Lazenby's dialog is a touch on the clunky side (and I cannot bear his quite dreadful skiing style!), but the emphasis here is on the whole. The way that despite the inevitable failings of the film (of any film), it all falls together so well. That so many Bond fans cite OHMSS as a high point of the series is testament to the fact that it is not just about the actor in the lead role. Or having multiple explosions. Or a dialog-rich script. It is about how the constituent parts add together to provide a Bondian experience.
BTW, I completely agree with your post. Although OHMSS has its flaws (Lazenby being chief among them), it is how everything comes together that makes this IMO one of the most beautiful and saddest films ever made.