the world is not enough
baccaret
Posts: 61MI6 Agent
I have recently been looking at other peoples favorite movies which I think is a great addition to ajboo7. Any how the one movie I have considerbly higher on my list than most people is the world is not enough, I think it has all the elements of a great Bond movie and have it as a top ten movie,I was wondering what everybody does not like about it. Maybe I missing the boat,but I really like this movie..
Comments
While Brosnan's performance was good, the movie itself just seemed tired and flat. I actually enjoyed TND more . . .
The action sequences are great (I love the PTS with the boat chase in particular), and the script is surprisingly multi-leveled for a Bond film. Brosnan and the impressive supporting cast do excellent work here.
Robert Carlyle is a menacing villain, Robbie Coltrane is amusing as Bond's "ally" Zukovsky and Denise Richards is beautiful as the Bond girl (nuclear scientist or not, her casting makes for wonderful entertainment {[] ).
This film is definitely the pinnacle of Pierce Brosnan's time as James Bond.
I thought that Sophie was brilliant, very effectively playing Bond like few women ever have. I also liked the vulnerability that M showed, and the fact that Sophie played her as well. One of the better showings from villians in the entire series. The plot, madman wants to destroy the world, is not new, but it is portrayed effectively.
I rank this 11 out of 20 (haven't ranked CR yet, too early) but I reach for this one more frequently than its ranking would attest to. The more I think about this film, the more it is likely to move up my rankings :-)
Joel
Reasons:
- Elektra
- Christmas Jones
- High point of Pierce's acting as Bond
- Feel of the movie
- Soundtrack
- IMO the plot feels the best out of all 4 PB Bonds.
- Its quite different to the other Bonds, more dramatic.
- PTS is brilliant.
- Use of Judi Dench as M.
- I like the quality of the writing.
"Better make that two."
I enjoy it as a movie and always fondly remember it. But I have also noticed that when watching it again it never seems as good as I thought it was.
One of the points I have to agree on is that the action scenes do seem to have been inserted randomly.
However I do believe that Sphie Marceau as Elektra is playing one of the best, most believable Bond villains. You really start to feel for her, and do see it her way. A major downpoint here is that she is killed too soon and too easily.
I also like the fact that Judi Dench gets to show a very personal side of M and isn't just restricted to sitting in an office and ordering Bond around.
And Desmond LLwellyn's final scene as Q always breaks my heart. He is greatly missed.
opening boat chase is good untill they turn the boat into some rocket powered roadster. The ski chase where Sure Bond is all over the place but the parahawks seem to be taking themselves out.
D Richards is LOL Bad.
And the ending seemes IMHO very small for a Bond it always reminds me of TMWTGG, and one very small point Bond shoes in the sub. tassles and a buckle Bond would never of worne those.
TWINE has some good points but the sum of the parts doesn't quite add up.
I personally can not for the life of me understand why people have a problem with Densie Richards being a scientist. It's saying, basicaly, that if you're intelligent, you can't be good looking, and vice-verca. The truth is, not all models are bimbos and not all nuclear scientists look like Albert Einstein.
My major problem with TWINE is that it never really followed through on Renard's inability to feel pain. It's a great idea, but the film did nothing with it.
The pts was a biggie at the time but, and I'm not being intentionally tasteless here, after 9/11 it doesn't seem like such an outrage to launch a terrorist attack of that scale on the MI6 building.
Otherwise, the action scenes are a tad perfunctory on repeated viewing. I like Brozzer's performance though, he's in the aftermath of Thomas Crown and the dialogue seems better tailored to him. Others also dislike the muddy colour palette, it's a bit beige.
For me, it's the only Brosnan film that really worked on the big screen at the time, I saw it 3 times at the cinema compared to just the once for most of the others before or since.
Roger Moore 1927-2017
http://s274.photobucket.com/albums/jj258/monza860/
Locations are pretty spectacular too.
Some good points here. I really enjoy The World Is Not Enough and believe, especially at the time it was released, it is one of the most faithful renditions of Ian Fleming's conception of James Bond. The locations are quite enjoyable (contrary to the many who deride them for being "dull") and with the exception of Denise Richards as Hardy notes, the cast is probably one of the series' best; pulling in actors for their caliber not their glamor, and getting great performances from virtually everyone. Some complain about the expanded role of M, but I don't think it is at all out of the realm of possibility for M to have political and emotional connections to other people (she is a human, right? ). Brosnan is in top shape, and while I would agree with Hardy's critique of the action regarding the ski scene and the helicopter battle, the rest of the action scenes work in just great. Most enjoyable for me outside of the characters however, and this is what propels it into "best in the series" category for me, is the level of subtext in the story. I love watching the story evolve. From Elektra using Renard to kill her father and M, to thinking Renard is the villain so M is willing to have Bond protect Elektra (giving her another chance at M), to Elektra using Bond's weakness for women against him to bring M out to her death, to the ultimate revelation that it was all along not Renard, but Elektra that is pulling the strings. What a treat, especially from a movie series often written off as fluff.
Between a solid cast, beautiful cinematography, great performances, enjoyable scenes and a smart story, TWINE is one of the best for me.
Excellent! Could not agree more.
I will defend Christmas Jones because she is completly overshadowed by the two other powerful performances by females in the film.
She is amazing to look at and I find her dialouge not too bad or flimsly especially the flirtatious scene with the fake Dr. Arkov.
TWINE is at the top of my list!
"Better make that two."
That was harking back to Roger Moore driving the gondola in Venice. Augh!
Sophie was perhaps one of the sexiest Bond women ever.
Interesting!
Can you specify at what point he can be seen?
You Only Live Twice, or so it seems
"Your contact?" "Not well."
His third is a real mixed bag. I agree that Brozzer has some nice moments in TWINE. I don't mind Denise Richards as a nuclear scientist---if Tanya Roberts can pass as a seismologist, or whatever |) ---and I actually like Sophie Marceau as the female heavy (a nice turn, that). I'm saddened, though, by the wasting of Robert Carlyle and his 'feel no pain' gimmick. So much more could have been done with that.
The PTS should have ended in Bilbao, after Bond went out the window. The boat chase should have happened post-titles, if at all (I hate that the Q-Boat launches through an exterior wall of MI6 HQ !). Some of the set-pieces are distinctly uninspired: The skiing scene with the silly fan-driven vehicles doesn't work for me. The buzz-saw hanging from the helicopter (unused from GE) seems flat as well.
I enjoyed the submarine finale---and Bond's killing of Electra is fantastic---but this was the first real example of the overuse of/overtraveling Dame Judi's M, IMNO. I like the song, and much of the film, but quite a few missed notes for me overall.
By contrast, QoS (arguably a much more vilified film) is at least focused and deliberate in its intent (IMRO), whereas TWINE seems, to me, like a reanimated corpse simply going through its motions because the mad-scientist, just off-screen, is pushing electricity through it.
Moments of brilliance, but ultimately bogged down in execution. I'm glad it's favoured by others, though, since it obviously made its money and kept the whole thing going!
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM