FRWL Deleted dialogue
Lazenby
The upper reaches of the AmazoPosts: 606MI6 Agent
I found the following in an amazon review of FRWL (2 disc ultimate edition):
"My more important note of curiosity however is the content of the film itself. I still have not seen any version on VHS, Laser or DVD as the ones I have seen in the theater for FROM RUSSIA WITH LOVE.
It appears that on video two scenes contain cuts.
Cut # 1: When Red Grant has Bond on his knees at gunpoint aboard the Orient Express, he editorializes in a most graphic manner about the roll of film that was shot of Bond and Tatiana in the boudoir. For its time, this was a rather risqué piece of dialogue. By today's standards it is somewhat timid. Bond's comeback is still intact on the video, responding to Grant how it took a collection of pretty sick minds to dream up such a scheme. That was a direct response to Grant's cut line and gives us an insight into Bond's moral standards that there is a line that even he would not cross given his flare for the more amorous pursuits.
Cut # 2: This cut line is more obvious and comes at the end of the film when Bond and Tatiana are floating down the canals of Venice. Bond holds up the reel of film seized from Grant. Again, Bond makes a direct reference to Grant's cut line from the train in a droll throwaway remark to a puzzled looking Tatiana. You can actually see this cut because the music jumps. Once more, this cut line of dialogue gives us another glimpse into the James Bond mystique as it was still being formed and honed for the screen. I am sure Bond is probably saying to himself, 'Take all the dirty pictures you want. I'm the one with the girl and Grant, 'old boy,' you're the one six feet under.'"
Can anyone here comment on this?
"My more important note of curiosity however is the content of the film itself. I still have not seen any version on VHS, Laser or DVD as the ones I have seen in the theater for FROM RUSSIA WITH LOVE.
It appears that on video two scenes contain cuts.
Cut # 1: When Red Grant has Bond on his knees at gunpoint aboard the Orient Express, he editorializes in a most graphic manner about the roll of film that was shot of Bond and Tatiana in the boudoir. For its time, this was a rather risqué piece of dialogue. By today's standards it is somewhat timid. Bond's comeback is still intact on the video, responding to Grant how it took a collection of pretty sick minds to dream up such a scheme. That was a direct response to Grant's cut line and gives us an insight into Bond's moral standards that there is a line that even he would not cross given his flare for the more amorous pursuits.
Cut # 2: This cut line is more obvious and comes at the end of the film when Bond and Tatiana are floating down the canals of Venice. Bond holds up the reel of film seized from Grant. Again, Bond makes a direct reference to Grant's cut line from the train in a droll throwaway remark to a puzzled looking Tatiana. You can actually see this cut because the music jumps. Once more, this cut line of dialogue gives us another glimpse into the James Bond mystique as it was still being formed and honed for the screen. I am sure Bond is probably saying to himself, 'Take all the dirty pictures you want. I'm the one with the girl and Grant, 'old boy,' you're the one six feet under.'"
Can anyone here comment on this?
Comments
No no, it's there; the join is straight after that line, just as Tania speaks.
No one seems to be able to find a 35mm IB Technicolor print from the original release so that these cuts can be restored.
There's no call to omit that dialogue in this day and age.
Roger Moore 1927-2017