Character deaths that upset the audience
cosmo_kramer
Duluth, MinnesotaPosts: 24MI6 Agent
I've noticed that in nearly every film, there seems to be a death of a 'good guy'. Someone that the audience wouldn't want to die. I wonder if this was always intended from the get go to add more emotion to the films or what...
Quarrel getting torched
Kerim Bey getting killed by Grant
Tilly getting it from Oddjob
Paula taking herself out after getting captured
Aki getting poisoned
Tracy getting shot
Plenty drowning
Rosie getting shot
Andrea getting shot by Scaramanga
Max Kalba getting bitten by Jaws
Corinne getting mauled by the dogs
Vijay getting cut up
Sir Godfrey killed by Mayday
...can't think of one in TLD
If anyone can fill in the rest, do so.
Quarrel getting torched
Kerim Bey getting killed by Grant
Tilly getting it from Oddjob
Paula taking herself out after getting captured
Aki getting poisoned
Tracy getting shot
Plenty drowning
Rosie getting shot
Andrea getting shot by Scaramanga
Max Kalba getting bitten by Jaws
Corinne getting mauled by the dogs
Vijay getting cut up
Sir Godfrey killed by Mayday
...can't think of one in TLD
If anyone can fill in the rest, do so.
Comments
Naturally, Della's death in LTK---plus Leiter's ordeal and Sharky's death...
In GE, 006's death (Bond thinks)...
In TND, Paris Carver...
In TWINE, Electra's father...?
In DAD, perhaps it's Bond's misfortune (being a prisoner)...?
In CR...well, you know who...
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
in TSWLM, in context to all the other names on the list.
Maybe in TSWLM the death of XXX's lover who gets killed by Bond in the opening minutes of the Film and the resulting tensions between Bond and Anya replaces this element.
In TWINE i'd say it's Valentin Zhukovskys death, not the classic ally i admit, yet the audience will mostly have developed a liking for the man by then.
But what do the idiots Purvis and Wade do? They kill him off. Sure Coltrane would have been tied up with Potter films in the future even if his character lived, but I still wish he was still around to help out Bond at any moment. He provided good comic relief and always had great connections and resources to help Bond with.
That's their exact purpose.We're upset when these characters are killed because we've grown to like these individuals.Their deaths help to underscore the reality that James Bond lives in a very dangerous world--one where his various friends and associates are not immune to attacks by his adversaries.
In the original novels, Ian Fleming has James Bond reflect more than once that as a direct result of his job ,almost everyone he cares about either dies or is badly wounded.Therefore, 007 always attempts to keep from forming new relationships--but despite his efforts, this always proves to be impossible.The movies reflect this situation within their various storylines.
Lately I feel the emphasis has been on Bond 'getting personal' be it about 006 (supposedly), Paris Carver, poor Electra (supposedly) and himself and his own torture in DAD, that there isn't really a need for a cameo death.
Roger Moore 1927-2017
I thought that the whole sequence right up to Bond spotting the "balloon seller" and jumping over the fence to find it is actually a small boy and his mother holding the balloons, accompanied by John Barrys driving score is such a great moment.
Oh, what about the guy that Bond accidently shoots out of the tree in Goldfinger?
+1. A superbly acted and taught scene. Also loved Dalton's snarly delivery of the line:
'Yes.....I got the message...'
I agree. I think that was a most memorable unjustified death, and would have been interested in seeing(at least one film) a married Bond in the sequel.
The wonderful and sadly late Mrs. Brosnan had excellent chemistry with Moore, and as Columbo states in the film, you too might end up with a heavy heart.
It is not in Golfinger it is in Moonraker.
Agreed. Lisl made a much more believable Bond girl for Moore's Bond than either Melina or Bibi.
A minor player, one gets the feeling he's in over his head, such as Pleydell-Smith in the field might be.