If Dalton had been in GE...

stjimmy456stjimmy456 Manchester, EnglandPosts: 75MI6 Agent
edited July 2008 in The James Bond Films
I just read the quote "GoldenEye had been written with Dalton in mind." And it got me wondering what route the series would have gone down if it had actually come to pass.

Personally I think it would have been the point with the most potential for the Bond movies to come to an end (with the exception of OHMSS maybe :p ).

Even though I liked Dalton's two installments, I really think the 'modernization' of the series with GoldenEye would have capsized with Dalton in the lead role.

Pierce Brosnan doesn't get enough praise for what he did for the James Bond series -- I really think he might have saved it from going into a rutt that it might not have come out of. Kudos to Dalton too for stepping down even though he was contracted to stay on longer. What would have happened if there were no legal issues in the early nineties ? If GoldenEye had been made in 1991 or 1994 as it was initially anticipated !

I know there are a lot of 'what ifs' when it comes to discussing Bond, but I think this is one of the most interesting cases.
«1

Comments

  • bluemanblueman PDXPosts: 1,667MI6 Agent
    I think Dalton would've lent some needed gravitas to GE, that Janus storyline didn't seem to sit too comfortably with Brosnan (IMO). I also think it was a tough place for Brosnan to start, but to his (and Campbell's, and et al's) credit it came off pretty well.

    And you are aware Brosnan saved the series? {:)
  • Dan SameDan Same Victoria, AustraliaPosts: 6,054MI6 Agent
    edited July 2008
    :# My least favourite Bond replacing my second favourite Bond in my eighth favourite Bond film; I don't think so. :v

    Rather than turn this into a JFF-style (where is he? ?:)) anti-Dalton rant, I will just say that Dalton was IMO a major reason why TLD and LTK are among my all-time least favourite Bond films. His lack of humour, suaveness and his general dourness are what I absolutely do not want for GE.

    I regard Brosnan as the second best Bond, and the best since Connery. The idea of replacing him in GE (except perhaps by a 60's Connery) is, for me, simply unthinkable.
    "He’s a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back—that’s an earthquake. and then you get yourself a couple of spots on your hat, and you’re finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory." Death of a Salesman
  • Thomas CrownThomas Crown Posts: 119MI6 Agent
    On a related note, www.mi6.co.uk had a great article a little while back outlining what a Bond 17 with Dalton would have looked like. The plot sounds somewhat interesting and I personally would have loved Dalton in some more films.

    http://www.mi6.co.uk/sections/movies/bond17.php3?t=&s=&id=01930
  • AlexAlex The Eastern SeaboardPosts: 2,694MI6 Agent
    GoldenEye is the best Brosnan entry, imho. Wouldn't want to change it's permanent entertainment factor in any way, shape or form.

    But I would have loved seeing Dalton given more films, his performance struck a chord with this "adult". And I think he was unfairly maligned. (sounds familiar)

    Whether other American audiences would have agreed is problematic.
  • Sir MilesSir Miles The Wrong Side Of The WardrobePosts: 27,924Chief of Staff
    Alex wrote:
    GoldenEye is the best Brosnan entry, imho. Wouldn't want to change it's permanent entertainment factor in any way, shape or form.

    But I would have loved seeing Dalton given more films, his performance struck a chord with this "adult". And I think he was unfairly maligned. (sounds familiar).

    GoldenEye is a decent enough entry - and not a bad start for Brosnan, more plaudits for Campbell, IMO, though.
    I also think Dalton would have suited this movie better too, it does play to his strengths better than Brosnan's. I have no 'beef' with Brozza though - he did a sterling job with scripts he was given.

    I too, would have liked Dalton to have been given more Bond films.
    YNWA 97
  • TonyDPTonyDP Inside the MonolithPosts: 4,307MI6 Agent
    edited July 2008
    I like Goldeneye just the way it is, cast and all; but it would have been very interesting to see Dalton in at least one more Bond movie, written by a fresher writer and directed by somebody with a fresher vision.

    I really think Dalton's lack of acceptance in America has more to do with bad writing, and directing and poor creative decisions than any lack of charisma on his part. TLD was written for Roger Moore and the "light melodrama" Bond had really run its course by the mid-1980s. LTK maybe went a little too far in the other direction too quickly and the combination of Richard Maibaum and John Glen just weren't able to craft a film that could compete with Batman, Indiana Jones and the other competition back in 1989.

    Dalton really needed an injection of fresh talent behind the camera; unfortunately, he never got it.
  • Willie GarvinWillie Garvin Posts: 1,412MI6 Agent
    TonyDP wrote:
    I like Goldeneye just the way it is, cast and all; but it would have been very interesting to see Dalton in at least one more Bond movie, written by a fresher writer and directed by somebody with a fresher vision.

    I really think Dalton's lack of acceptance in America has more to do with bad writing, and directing and poor creative decisions than any lack of charisma on his part. TLD was written for Roger Moore and the "light melodrama" Bond had really run its course by the mid-1980s. LTK maybe went a little too far in the other direction too quickly and the combination of Richard Maibaum and John Glen just weren't able to craft a film that could compete with Batman, Indiana Jones and the other competition back in 1989.

    Dalton really needed an injection of fresh talent behind the camera; unfortunately, he never got it.


    Full agreement.I think Timothy Dalton was outstanding as 007, and had he starred in GoldenEye it would've been a fine motion picture.
  • stjimmy456stjimmy456 Manchester, EnglandPosts: 75MI6 Agent
    TonyDP wrote:
    I like Goldeneye just the way it is, cast and all; but it would have been very interesting to see Dalton in at least one more Bond movie, written by a fresher writer and directed by somebody with a fresher vision.

    I really think Dalton's lack of acceptance in America has more to do with bad writing, and directing and poor creative decisions than any lack of charisma on his part. TLD was written for Roger Moore and the "light melodrama" Bond had really run its course by the mid-1980s. LTK maybe went a little too far in the other direction too quickly and the combination of Richard Maibaum and John Glen just weren't able to craft a film that could compete with Batman, Indiana Jones and the other competition back in 1989.

    Dalton really needed an injection of fresh talent behind the camera; unfortunately, he never got it.


    Full agreement.I think Timothy Dalton was outstanding as 007, and had he starred in GoldenEye it would've been a fine motion picture.

    It's surprising. I really couldn't picture Pierce in CR, or Sean Connery in OHMSS, but I could picture Dalton in GE. I still think Brosnan's job would have been better, but I could easily consider a Dalton Bond being in that movie.

    I think Dalton would have made a great Bond villain, maybe a good Trevelyan if the Bond casting had gone a different route :007).
  • taitytaity Posts: 702MI6 Agent
    I have to say, I think Dalton made a fine Bond and I really like his two movies. Id have loved to have seen him in GoldenEye. I also think he would have had some depth that Brooz didnt have.
  • bigzilchobigzilcho Toronto, ONPosts: 245MI6 Agent
    What would GE with Dalton be like is anybody's guess?

    Stimmy's original post contains a statement which must be addressed. Stimmy suggests that Dalton in GE could have meant the end of the series.

    I've said it before...I will say it again. Bond is a series that will NEVER end.

    I'll repeat it for the cheap seats: NEVER!

    Without any doubt, question or deliberation, as long as there is life on Planet Earth and movies are being made...there will be Bond movies.

    As Cubby said once, when asked how long Bond will last:"Until doomsday." Agreed 100%! And then some!

    James Bond will outlast every single member of this site. Why? Because,as long as governments exist, there will ALWAYS be a place for espionage and James Bond is, and will always be, the face of cloak and dagger.

    And besides, good quality enetertainment will never go out of style.

    So, with all due respect, Stimmy, you should perish all thoughts on the possibility of 007's demise. It ain't gonna happen. And the sooner we all come to the realization that this series is a completely unique phenomenon in the history of movies, the more we will understand that comparing Bond to finite series such as Star Wars (or Indy or Bourne or Potter)is apples and orages time.

    My proof? 22 films and no end in sight, with a new generation every few years that makes Bond their own.

    It always makes me laugh at how the egg-heads and experts over the years have always been speculating as to how close Bond was to extinction in 1969 or 1976 or 1991 or whatever.

    Cubby understood better than anybody ever has the potential of James Bond. Look at every interview Cubby gave: there is absolutely no question he believed Bond was forever.

    Kudos to Pierce for GE but to suggest that Pierce single-handedly saved the series is a bit of a stretch.


    "Why can't you be a good boy and die?"
    "You first. You...second. UP!!!"
  • AlecBoy006AlecBoy006 Posts: 26MI6 Agent
    I do indeed see this as Brozzy's "coldest" 007 outing. TWINE a close second. I think a lot of scenes I could definitely see Dalton's Bond doing.
  • Thomas CrownThomas Crown Posts: 119MI6 Agent
    It would have been great to have Dalton in more films, but it would not have changed the fact that GoldenEye needed a few, substantial, script polishes before it would be made as great as Dalton would have likely performed in it.
  • Dan SameDan Same Victoria, AustraliaPosts: 6,054MI6 Agent
    edited July 2008
    It would have been great to have Dalton in more films, but it would not have changed the fact that GoldenEye needed a few, substantial, script polishes before it would be made as great as Dalton would have likely performed in it.
    If you think that GE's script was't great, that should be no objection to Dalton being in it, as TLD and LTK arguably had two of the *four worst Bond screenplays ever. :v

    *Along with AVTAK and DAD.
    "He’s a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back—that’s an earthquake. and then you get yourself a couple of spots on your hat, and you’re finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory." Death of a Salesman
  • FitzochrisFitzochris Posts: 242MI6 Agent
    Dan Same wrote:
    It would have been great to have Dalton in more films, but it would not have changed the fact that GoldenEye needed a few, substantial, script polishes before it would be made as great as Dalton would have likely performed in it.
    If you think that GE's script was't great, that should be no objection to Dalton being in it, as TLD and LTK arguably had two of the *four worst Bond screenplays ever. :v

    *Along with AVTAK and DAD.

    I agree AVTAK and LTK had poor screenplays but TLD? I loved that film. And GE wasn't that bad.
  • Dan SameDan Same Victoria, AustraliaPosts: 6,054MI6 Agent
    Fitzochris wrote:
    I agree AVTAK and LTK had poor screenplays but TLD? I loved that film. And GE wasn't that bad.
    I certainly agree with you about GE. Although its screenplay is not perfect, it is still IMO very good and GE itself is IMO the eighth greatest Bond film ever made. :D
    "He’s a man way out there in the blue, riding on a smile and a shoeshine. And when they start not smiling back—that’s an earthquake. and then you get yourself a couple of spots on your hat, and you’re finished. Nobody dast blame this man. A salesman is got to dream, boy. It comes with the territory." Death of a Salesman
  • Thomas CrownThomas Crown Posts: 119MI6 Agent
    Dan Same wrote:
    It would have been great to have Dalton in more films, but it would not have changed the fact that GoldenEye needed a few, substantial, script polishes before it would be made as great as Dalton would have likely performed in it.
    If you think that GE's script was't great, that should be no objection to Dalton being in it, as TLD and LTK arguably had two of the *four worst Bond screenplays ever. :v

    *Along with AVTAK and DAD.

    There is certainly a subjective element to script evaluation, and GoldenEye's script is not terrible, it was just average. It scores a point for the references to Bond's parents death (as recounted by Fleming in the You Only Live Twice novel), and I also think Alec Trevelyan has some Drax-esque qualities that are also a pleasant surprise (a man with a disfigured face and a grudge against England, who plans to exact his revenge by firing a nuclear weapon on London). Also, the script has generally good dialouge,but its plot development is where things really go down hill.

    The plot evolution is illogical and inconsistent, usually an indication of significant re-writes and/or shoddy writing. As a result, the caper loses some of its intrigue, and I believe you and I discussed these points in another thread so I won't re-state them. But what happens with the realitively simple plot and its many holes is that they are filled by a lot of mind-numbing machine gun action that, for me at least, is not nearly as entertaining as the action scenes that really show off 007's physical prowess and cunning (though we do get this with the end fight against 006). Also, not taking the time to really develop a rivalry between 006 and 007 that could have raised the dramatic stakes was a real weakness to the script in my estimation.

    Regarding The Living Daylights and Licence To Kill, I could not disagree more with you assessment. The first ten or so minutes of The Living Daylights is one of the most faithful adaptations of a Fleming writing we have ever seen on screen. The plot does not attempt to be the stereotypical crazy-madman-bent-on-world-domination that is recycled-in-nearly-ever other Bond film; it is a low key thriller about a very realistic cold war arms deal that is developed slowly and with suspense. The characters introduced in the first 15 minutes stay within their characterizations, which makes them pretty consistent with how I read the short story. The action is not overused, and emphasizes Bond's capabilities as a trained killer, not a superman.

    Licence To Kill's script also skillfully draws from Fleming source material and develops into one of the cannon's most original stories. We get a scene referencing Bond's marriage that seems built around Dalton's strengths as an actor, in addition to Bond attempting to kill Sanchez by blowing out a window and sniping him, something he talks about in the Casino Royale novel (quite a find for a great scene!). In addition, we get a great adaptation of the Krest character from The Hildebrand Rarity, and probably the most faithful adaptation of the Live and Let Die novel we will ever see on screen; in fact, it provides the impetus for the whole movie. This kind of Fleming use is a masterstroke in my view, and has also been used as a template for the current direction of the Bond films. I, personally, believe this attention to detail and respect for source material are the marks of great Bond scripts, and these movies have them in spades.
  • Krassno GranitskiKrassno Granitski USAPosts: 896MI6 Agent
    Fitzochris wrote:
    poor screenplays but TLD? I loved that film. And GE wasn't that bad.
    TLD screenplay is weak and all over the place, but it's a terrific film anyway..which is a testament to Dalton. He would have been great in GE or most likely any Bond film
  • FitzochrisFitzochris Posts: 242MI6 Agent
    I thought it did a good job of turning a Fleming short story into a feature length film. Just my opinion though.
  • sharpshootersharpshooter Posts: 164MI6 Agent
    I am aware that GoldenEye had Dalton elements to it, but GoldenEye is Brosnan's film. I wouldn't change a thing.
  • 037 Scaramanga037 Scaramanga FloridaPosts: 160MI6 Agent
    Fitzochris wrote:
    Dan Same wrote:
    It would have been great to have Dalton in more films, but it would not have changed the fact that GoldenEye needed a few, substantial, script polishes before it would be made as great as Dalton would have likely performed in it.
    If you think that GE's script was't great, that should be no objection to Dalton being in it, as TLD and LTK arguably had two of the *four worst Bond screenplays ever. :v

    *Along with AVTAK and DAD.

    I agree AVTAK and LTK had poor screenplays but TLD? I loved that film. And GE wasn't that bad.

    I agree 100% with Fitsochris, i was about to write this but you beat me to it. {[]

    037
  • Barry NelsonBarry Nelson ChicagoPosts: 1,508MI6 Agent
    For starters, the movie would not have made half what ity did if Dalton had been it, rather than Brosnan. The public (especially in the States)just never took to Dalton and a 3rd Dalton movie would have been a disaster. Due to the legal hassles Bond had been away for awhile and it needed a new start. The public wanted Brosnan as Bond and the producers needed the dough. Did Brosnan "save" the series, no, but was Bond on weak legs at the time yes.

    Having said that, I liked Dalton, and LTK is one of my favorite Bonds, so I think he would have been fine in GE. The one thing I always thought Dalton lacked was believability with the ladies, with the exception of Carey Lowell he never seemed to have a connection with the women in the film. His connection with Lowell may be more a credit to her than him.
  • FitzochrisFitzochris Posts: 242MI6 Agent
    This is the problem with Bond unfortunately though. Even though he is a British institution Americans have too much say on the franchise.

    Comments like 'the public never took to Dalton (especially in America)' should be greeted with the response 'so what? He's a British creation, so who cares what Americans think?'

    However, because America is a massive part of the world's cinema consumer base (and most of the production team at EON are American) we have to tolerate or accept this input.

    At least an American actor hasn't played Bond yet. That will mark a sad day in the franchise's history.
  • Harry PalmerHarry Palmer Somewhere in the past ...Posts: 325MI6 Agent
    The first ten or so minutes of The Living Daylights is one of the most faithful adaptations of a Fleming writing we have ever seen on screen. The plot does not attempt to be the stereotypical crazy-madman-bent-on-world-domination that is recycled-in-nearly-ever other Bond film; it is a low key thriller about a very realistic cold war arms deal that is developed slowly and with suspense. The characters introduced in the first 15 minutes stay within their characterizations, which makes them pretty consistent with how I read the short story. The action is not overused, and emphasizes Bond's capabilities as a trained killer, not a superman.

    I agree. I would go so far as to say that the first 70 minutes of the film, with the exception of the car-chase, are arguably the best sequence in the series.
    Having said that, I do not think GE needs a change of Bond. Rather, I prefer to think of a scenario in which Dalton would have had his own 4 movies starting with AVTAK and ending with the Property of a Lady in 1991.

    1985: FAVTAK (sobered up and with many changes to plot)

    1987: TLD (with slight modifications but more or less as is)

    1989: LTK (as is)

    1991: TPOAL (There are a few good scenarios posted in this site.)
    1. Cr, 2. Ltk, 3. Tld, 4. Qs, 5. Ohmss, 6. Twine, 7. Tnd, 8. Tswlm, 9. Frwl, 10. Tb, 11. Ge, 12. Gf, 13. Dn, 14. Mr, 15. Op, 16. Yolt, 17. Sf, 18. Daf, 19. Avtak, 20. Sp, 21. Fyeo, 22. Dad, 23. Lald, 24. Tmwtgg
  • BuckMcNakedBuckMcNaked Missouri, USAPosts: 152MI6 Agent
    "At least an American actor hasn't played Bond yet. That will mark a sad day in the franchise's history."


    I don't see it being a terrible thing if an American were to play James Bond.

    For one thing, if a great American actor was competing against lackluster British actors, wouldn't you want the best actor to play him?

    Second, consider Batman, an American creation, who is currently played by a Christian Bale, a Welshman. Bale is widely considered to be the best Batman to date. I don't see any Americans complaining because it isn't an American like, well, George Clooney, in the role.
  • zaphodzaphod Posts: 1,183MI6 Agent
    "At least an American actor hasn't played Bond yet. That will mark a sad day in the franchise's history."


    I don't see it being a terrible thing if an American were to play James Bond.

    For one thing, if a great American actor was competing against lackluster British actors, wouldn't you want the best actor to play him?

    Second, consider Batman, an American creation, who is currently played by a Christian Bale, a Welshman. Bale is widely considered to be the best Batman to date. I don't see any Americans complaining because it isn't an American like, well, George Clooney, in the role.

    I agree. One of the problems with Brosnan, particularly in GE is that Bond is played in Brozzers characteristic 'Transatlantic' style. I get very little sense of 'Britishness' from his early performences. That said I see no problem with an American actor as long as Bond is convincingly played as British. This is not being a 'little Englander' about this as it's a vital component of Bonds geopolitical narrative that he is not 'Jimmy Bond' of the CIA.I for one would much prefer the right American actor to the wrong British one. One of the things I like about Craig is that his Bond is clearly British.
    However I think Dalton would have been superb in GE.I feel that Brosnan didn't 'nail it' in character terms until TWINE. I also believe that the best of Brosnan's performences owed a lot to Dalton, and that one of his stregths & weaknesses was that at his best he was a composite Bond ( Dalton's Darkness, Connery's swagger and Moore's raised eyebrow) and that he either was never given the opportunity, or never able to find his own authentic voice in the character. This is a shame, as with better material, and more sympathetic support & direction I think he could have been very good
  • Scribe74Scribe74 San FranciscoPosts: 149MI6 Agent
    Dan Same wrote:
    It would have been great to have Dalton in more films, but it would not have changed the fact that GoldenEye needed a few, substantial, script polishes before it would be made as great as Dalton would have likely performed in it.
    If you think that GE's script was't great, that should be no objection to Dalton being in it, as TLD and LTK arguably had two of the *four worst Bond screenplays ever. :v

    *Along with AVTAK and DAD.

    There is certainly a subjective element to script evaluation, and GoldenEye's script is not terrible, it was just average. It scores a point for the references to Bond's parents death (as recounted by Fleming in the You Only Live Twice novel), and I also think Alec Trevelyan has some Drax-esque qualities that are also a pleasant surprise (a man with a disfigured face and a grudge against England, who plans to exact his revenge by firing a nuclear weapon on London). Also, the script has generally good dialouge,but its plot development is where things really go down hill.

    The plot evolution is illogical and inconsistent, usually an indication of significant re-writes and/or shoddy writing. As a result, the caper loses some of its intrigue, and I believe you and I discussed these points in another thread so I won't re-state them. But what happens with the realitively simple plot and its many holes is that they are filled by a lot of mind-numbing machine gun action that, for me at least, is not nearly as entertaining as the action scenes that really show off 007's physical prowess and cunning (though we do get this with the end fight against 006). Also, not taking the time to really develop a rivalry between 006 and 007 that could have raised the dramatic stakes was a real weakness to the script in my estimation.

    Regarding The Living Daylights and Licence To Kill, I could not disagree more with you assessment. The first ten or so minutes of The Living Daylights is one of the most faithful adaptations of a Fleming writing we have ever seen on screen. The plot does not attempt to be the stereotypical crazy-madman-bent-on-world-domination that is recycled-in-nearly-ever other Bond film; it is a low key thriller about a very realistic cold war arms deal that is developed slowly and with suspense. The characters introduced in the first 15 minutes stay within their characterizations, which makes them pretty consistent with how I read the short story. The action is not overused, and emphasizes Bond's capabilities as a trained killer, not a superman.

    Licence To Kill's script also skillfully draws from Fleming source material and develops into one of the cannon's most original stories. We get a scene referencing Bond's marriage that seems built around Dalton's strengths as an actor, in addition to Bond attempting to kill Sanchez by blowing out a window and sniping him, something he talks about in the Casino Royale novel (quite a find for a great scene!). In addition, we get a great adaptation of the Krest character from The Hildebrand Rarity, and probably the most faithful adaptation of the Live and Let Die novel we will ever see on screen; in fact, it provides the impetus for the whole movie. This kind of Fleming use is a masterstroke in my view, and has also been used as a template for the current direction of the Bond films. I, personally, believe this attention to detail and respect for source material are the marks of great Bond scripts, and these movies have them in spades.

    Your thoughts on the Dalton films are dead-on. I completely agree!
  • Willie GarvinWillie Garvin Posts: 1,412MI6 Agent
    Scribe74 wrote:
    Dan Same wrote:
    If you think that GE's script was't great, that should be no objection to Dalton being in it, as TLD and LTK arguably had two of the *four worst Bond screenplays ever. :v

    *Along with AVTAK and DAD.

    There is certainly a subjective element to script evaluation, and GoldenEye's script is not terrible, it was just average. It scores a point for the references to Bond's parents death (as recounted by Fleming in the You Only Live Twice novel), and I also think Alec Trevelyan has some Drax-esque qualities that are also a pleasant surprise (a man with a disfigured face and a grudge against England, who plans to exact his revenge by firing a nuclear weapon on London). Also, the script has generally good dialouge,but its plot development is where things really go down hill.

    The plot evolution is illogical and inconsistent, usually an indication of significant re-writes and/or shoddy writing. As a result, the caper loses some of its intrigue, and I believe you and I discussed these points in another thread so I won't re-state them. But what happens with the realitively simple plot and its many holes is that they are filled by a lot of mind-numbing machine gun action that, for me at least, is not nearly as entertaining as the action scenes that really show off 007's physical prowess and cunning (though we do get this with the end fight against 006). Also, not taking the time to really develop a rivalry between 006 and 007 that could have raised the dramatic stakes was a real weakness to the script in my estimation.

    Regarding The Living Daylights and Licence To Kill, I could not disagree more with you assessment. The first ten or so minutes of The Living Daylights is one of the most faithful adaptations of a Fleming writing we have ever seen on screen. The plot does not attempt to be the stereotypical crazy-madman-bent-on-world-domination that is recycled-in-nearly-ever other Bond film; it is a low key thriller about a very realistic cold war arms deal that is developed slowly and with suspense. The characters introduced in the first 15 minutes stay within their characterizations, which makes them pretty consistent with how I read the short story. The action is not overused, and emphasizes Bond's capabilities as a trained killer, not a superman.

    Licence To Kill's script also skillfully draws from Fleming source material and develops into one of the cannon's most original stories. We get a scene referencing Bond's marriage that seems built around Dalton's strengths as an actor, in addition to Bond attempting to kill Sanchez by blowing out a window and sniping him, something he talks about in the Casino Royale novel (quite a find for a great scene!). In addition, we get a great adaptation of the Krest character from The Hildebrand Rarity, and probably the most faithful adaptation of the Live and Let Die novel we will ever see on screen; in fact, it provides the impetus for the whole movie. This kind of Fleming use is a masterstroke in my view, and has also been used as a template for the current direction of the Bond films. I, personally, believe this attention to detail and respect for source material are the marks of great Bond scripts, and these movies have them in spades.

    Your thoughts on the Dalton films are dead-on. I completely agree!


    As do I...:)
  • Napoleon PluralNapoleon Plural LondonPosts: 10,484MI6 Agent
    It wasn't just Yanks who supposedly took against Dalton. Q mag, a Brit film mag that generally sits on the fence on everything, was highly sceptical and I think Starbust too, that latter branding him the worst Bond yet, even worse than Lazenby (a controversial thing to say at the time before Laz's rehabilitation).

    The Cold War pts would have made more sense with Dalton I must say.
    "This is where we leave you Mr Bond."

    Roger Moore 1927-2017
  • Lazenby880Lazenby880 LondonPosts: 525MI6 Agent
    It wasn't just Yanks who supposedly took against Dalton. Q mag, a Brit film mag that generally sits on the fence on everything, was highly sceptical and I think Starbust too, that latter branding him the worst Bond yet, even worse than Lazenby (a controversial thing to say at the time before Laz's rehabilitation).

    The Cold War pts would have made more sense with Dalton I must say.
    Well, The Living Daylights did very well *outside* of the United States financially, making much more than Die Hard (or even Die Hard 2) in the world other than the USA. (The Living Daylights made $140 million outside the States, Die Hard made $56 million).

    I'm not saying people were chomping at the bit to see Dalton movies, but he was hardly the box office poison of lore either.
  • Krassno GranitskiKrassno Granitski USAPosts: 896MI6 Agent
    edited August 2008
    Curious what the effect if any of one top selling games ever made (GoldenEye 007 8 million copies) had on the popularity of the film. If Dalton had been in the game and film would he have had more acceptance from the general public who also bought the game???


    As do I...:)

    Me to!
Sign In or Register to comment.