Should John Williams do a score for future Bond film?
GordoLeiter
Posts: 462MI6 Agent
I was pondering on this yesterday while i watching Raiders of the Lost Ark, im suprised that John Williams was never given the chance to do a Bond movie score. I think a 007 film with a Williams style soundtrack would be interesting, no offence to Barry fans but he could be the next John Barry if given the chance.
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So, given that Williams is such a fine composer, I'm sure that he could do a superb score for a Bond film. I suspect it would be a very different Bond score, and that it would have a greater level of classical style and complex compositions etc. I thought his music for Tintin was fantastic.
I doubt that a Williams Bond score would ever happen, but it is an intriguing thought to ponder.
superman,Raiders and Star wars mixed together you couldn't tell
the difference,
He has a very distinctive sound which INHO wouldn't suit the
Bond series.
The scope of his works is far beyond the bombastic Star Wars-style soundtracks for which he is most famous. Just think of Jaws (or not as well known: Poseidon Adventure and Presumed Innocent), you wouldn't confuse this with Superman or Raiders.
If you take John Barry's score for Scarlet Letter you could also think that this is from his Dances with Wolves score. Or a track from Dr. No that sounds just like from The Black Hole.
I think Williams would not want to include the James Bond theme much in his own score so it is perhaps better that he never did a Bond film. Given his age of 82 I have to doubt that "he could be the next John Barry."
A composer, like any part of the Bond creative team has to adhere to a roster of rules. The shackles have been loosened a bit in recent times but any composer who works on a Bond faces the unenviable task of balancing their own creativity with certain expectations. The ghost of John Barry looms large, so there's that 'sound' to contend with. Then there's the James Bond Theme itself. Iconic, immediately identifiable. Balls-up the arrangement & you've blundered. It's to David Arnold's credit he was able to deliver a recognisable Bond score for CASINO ROYALE without having to shoehorn the infamous theme in. Arnold's penchant for techno blips & beeps aside, he does seem to understand the requirements for these films & it's a shame he isn't onhand for SKYFALL. Thomas Newman is a terrific composer in his own right & it will interesting to see how he grapples with the requirements of this complex gig.
Roger Moore 1927-2017
If any of you have Duel of the Fates on mp3 or whatever, give it a try yourself and you might agree with me
OHMSS ski scene : http://www.youtube.com/watch?v=lrkerh77MYY
-Casino Royale, Ian Fleming