Critical Reflections on Doubleshot (2000) by Raymond Benson?
Silhouette Man
The last refuge of a scoundrelPosts: 8,865MI6 Agent
This thread is designed to collate AJB Bond fan opinion on Raymond Benson's fourth Bond novel Doubleshot (2000): did it go too far in its experimentation and in its presentation of the literary James Bond character created by Ian Fleming? Is it the The Spy Who Loved Me and The Man From Barbarossa of the Benson books? Your thoughts on this novel are much appreciated by this writer of articles.
Also, are there any elements of the 'locked room mystery' (made famous by John Dickson Carr) in Doubleshot?
Also, your thoughts on Doubleshot as a title - I remember saying to some friends in 1999 on learning of the new title through correspondence with Raymond Benson himself that that was the title - they said that it was not very impressive for the title of a James Bond novel. Benson originally favoured Reflections in a Broken Mirror as an alternative title - very much influenced by the first chapter of Goldfinger and the original title for '007 in New York', although sadly his own original title was denied him. I want to try to defend Benson from some of the critical charges made against Doubleshot, though. A quote from Kirkus Reviews on Doubleshot on 1 May 2000:
"The creakiest exercise yet in American Bond fan Benson's postmodern resurrection of Ian Fleming's peerless killer spy, has an embarrassingly witless 007 going rogue to fight a dastardly multinational crime cartel.
Nifty bullfighting scenes do not redeem an otherwise cliché-cluttered narrative. For die-hard fans only."
I'm writing on NSF, TMFB and DS as the most controversial experimental novels of the James Bond Continuation -anyone want to add others to this list?
DMC?
Carte Blanche?
Colonel Sun?
Never Dream of Dying?
Another?
Also, are there any elements of the 'locked room mystery' (made famous by John Dickson Carr) in Doubleshot?
Also, your thoughts on Doubleshot as a title - I remember saying to some friends in 1999 on learning of the new title through correspondence with Raymond Benson himself that that was the title - they said that it was not very impressive for the title of a James Bond novel. Benson originally favoured Reflections in a Broken Mirror as an alternative title - very much influenced by the first chapter of Goldfinger and the original title for '007 in New York', although sadly his own original title was denied him. I want to try to defend Benson from some of the critical charges made against Doubleshot, though. A quote from Kirkus Reviews on Doubleshot on 1 May 2000:
"The creakiest exercise yet in American Bond fan Benson's postmodern resurrection of Ian Fleming's peerless killer spy, has an embarrassingly witless 007 going rogue to fight a dastardly multinational crime cartel.
Nifty bullfighting scenes do not redeem an otherwise cliché-cluttered narrative. For die-hard fans only."
I'm writing on NSF, TMFB and DS as the most controversial experimental novels of the James Bond Continuation -anyone want to add others to this list?
DMC?
Carte Blanche?
Colonel Sun?
Never Dream of Dying?
Another?
"The tough man of the world. The Secret Agent. The man who was only a silhouette." - Ian Fleming, Moonraker (1955).
Comments
From what I can remember...it has a decent plot and a decent enough narrative...but I do feel some sympathy for Benson as he was clearly 'writing to orders' with his novels...and there was too much of a cross-over from the filmic Bond...some of his novels read more like a screenplay than a Bond novel.
Thanks for your views, Sir Miles. I agree that Raymond Benson's a great guy - the first author I ever corresponded with between 1999 and 2002 and since then by email. Those letters are treasured. Also corresponded by email with Gardner between 2002 and 2005. So I've got a lot of original Bondian raw material I hope to use in some articles on my The Bondologist Blog. Perhaps this explains why I regard John Gardner so highly and get so excessive about TMFB and Euro Disney in NSF etc.!
Benson's Bond books are more miss than hit though...but I firmly put that down to the brief he was given...perhaps he was given a tighter rein because he wasn't a recognised author in his own right...didn't he 'write' stories for computer games and a stage play..?...
I'm particularly interested in any comments on its similarity to John Gardner's Understrike (1965), where a double and twins also featured in this Boysie Oakes spy novel and on its elements of the 'locked room' mystery that was a hallmark of the detective novels of John Dickson Carr.
I think that the novel, featuring an under-par James Bond not at his professional best fits in well with the similarly disposed James Bond of the new James Bond film Skyfall (2012). I'd love to hear your thoughts regarding this also.
Any other views on Doubleshot are very welcome, of course. -{
Cheers,
SILHOUETTE MAN. -{
That's about all I can muster up...
I'd guess that it'd be better to read HTTK first before tackling DS.
No, you've got the right book here. Yes, Doubleshot is like Goldfinger in its presenation of a Bond with malaise and introspection. There were two twins in this one as well as a doppelganger for James Bond - a plot device seemingly borrowed from John Gardner's Understrike Boysie Oakes novel from 1965. I also think that the bullfighting element was quite Flemingesque. It's probably Benson's best James Bond novel. The doppelganger plot is, I sppose rather old hat nowadays - it's a staple of spy, detective and comic book fiction, but somehow it doesn't feel reheated in Doubleshot. There were bullfights in OHMSS the film, and I think bullfighting is mentioned in TMWTGG film, comparing Scaramanga's sex before an asassination to that of a bullfighter, so I think this is rather Flemingesque. Using the geopolitcs between Spain, the UK and its colony Gibraltar was rather neat of Mr Benson too - he often had more relevant plots that affected Britain's interests than those of the later Gardner years, where Gardner struggled to update the perils his hero faced, with him being accused of having Bond appeared anachronistic.
http://www.spywise.net/pdf/iwan_on_benson.pdf
See also the Jeremy Duns blog entry here on Morelius:
http://jeremyduns.blogspot.co.uk/2011/02/from-sweden-with-love.html
And see also here:
http://nik-writealot.blogspot.co.uk/2012/07/iwan-morelius-14-nov-1931-21-june-2012.html
http://commanderbond.net/9573/behind-the-scenes-of-raymond-bensons-doubleshot.html