The villainy of Dominic Greene in QoS - What went wrong?
Silhouette Man
The last refuge of a scoundrelPosts: 8,845MI6 Agent
What are our collective thoughts on Dominic Greene as a villain in QoS - was he great or was he underused/underdeveloped?
I think that he was intreresting and had potential, but not enough was done with him, just like his henchman Elvis.
I think that he was intreresting and had potential, but not enough was done with him, just like his henchman Elvis.
"The tough man of the world. The Secret Agent. The man who was only a silhouette." - Ian Fleming, Moonraker (1955).
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Greene's scenes with General Medrano were particularly well-done, as were his scenes with Camille. I liked how he projected a subtle, controlled menace. And I really like when he snapped at the climax and went after Bond with the axe. He was the only Bond villain to show real rage at having his plans thwarted.
To be honest, while I liked Bardem in SF, in some ways I prefer the subtlety of Amalric's performance.
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I thought they messed up. When Amalric said he wanted the villain to have a touch of Tony Blair about him, well, that's all very well but what many hate about Blair is his sanctimonious sincerity - he is not a knowing villain. Whereas Bond villains sort of have to be.
I suppose he looked a bit creepy, and maybe his look is a nod to Polanski, who directed Chinatown with a similar watery theme and had a memorable cameo on it. But he wasn't given much to do, very few scenes opposite Bond, it's almost like the villains occupy different films these days.
Yes, the beserk with an axe thing was good. I'd have liked a bit more with the Canadian agent's 'boyfriend' now what he was up to was creepy. I slightly lost Amalric from hello, in a stupid scene when the girl discovers she's about to be shot by him - so makes a beeline to his place to confront him! Like you do. 8-)
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Not to nitpick, but only about a third of the film was from his POV. We see Amalric's face quite a few times, and even though his character is paralyzed, I still think he manages to convey emotion, which is impressive. And I do consider voice acting to still be acting. It presents a unique set of challenges for the actor.
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Agent In Training
he could have been a great re-ocouring bogeyman for Bond
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In the axe fight, his shrieking is way more irritating than sinister. I don't care if he has an axe. You have to make this guy incredibly manipulative and evil, but personally a complete coward, albeit not an emotional one.
Give Medrano a few better lines to show us he's aware that Greene is a total coward and perhaps have him simply shrug or not really care when Greene threatens him, then show it getting irritating to Greene that while his flunkies may be able to initimidate Medrano, the one and only reason he can is because he's also bought off Medrano's right-hand man.
If you're going to take a blueprint for Greene, make it Technician Fifth Grade Upham from Saving Private Ryan. Same type of guy, but with Upham, it was both illustrated and illustrated brutally (and well).
His death was particularly unpleasant. Bond should not sink to his level.
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I prefer subtle. Case in point: I vastly prefer Brian Cox as Hannibal Lecter in Michael Mann's brilliant Manhunter to Anthony Hopkins's hammy, overacting portrayal in Silence of the Lambs etc.
(I thought Manhunter was a far superior film to Silence of the Lambs in general, but that's another topic!)
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Agent In Training
agreed, he was a slimey Sh#t
Totally agree ^^
I actually felt that Greene had so little true screen time, making it hard to gauge his level of madness / nastiness / evil etc and therefore he sadly became somewhat of a nothing character. I felt little or no menace to him as the character's part was left 'short' and this is a real pity, as I believe Mathieu Amalric was potentially a fantastic villain.
I think it's apples and oranges, as I too vastly prefer not only Brian Cox as Lecter but also Manhunter to Silence of the Lambs.
Although I disagree about threatening Medrano (and agree about the story of the piano instructor), I agree with the rest of this. Simply put, he was, as alphaagent puts it, your basic "complete opposite" of the "alpha male". You can't have a non-physical villain without a henchman who is very physical, and in Greene's case, the one thing I liked about him (his strange, almost surreal demeanor...at least until the axe fight when it was totally ruined) NEEDED a henchman of near-Red Grant proportions. After all, was Rosa Klebb personally really that threatening? But Klebb was feared because she could manipulate anyone...and was shown doing so in the film. We don't even see Greene manipulating someone except possibly Medrano, who is just an uber-stereotypical Central/South American tin pot dictator, anyway. Why then, should we fear him?
Imagine FRWL with a minimal use of Blofeld (I did like Mr. White), but plenty of scenes of people talking about how evil and awful Rosa Klebb was, having her show up, and do absolutely zilch except make one partially threatening speech (analogous to the piano instructor talk) and slightly disconcert one person (analogous to Medrano being threatened). Have EVERYTHING ELSE implied. Now delete Red Grant. Just pretend he doesn't exist and never existed and that Klebb has to take up all the slack. I give you Domenic Greene, albeit with a much weirder, more pathetic attitude.
The reason I think we're starting to enter apples and oranges territory vis a vis Dr. No is because Dr. No realized he wasn't going to beat Bond. As such, he simply tried to take Bond down with him. With Greene, he clearly was just going berserk and it wasn't very good in my opinion. If you had him remain emotionless or make odd, childish faces while swinging the axe, though...THAT would have been genuinely creepy vs. shrieking like a banshee.
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I like Dominic Greene. He was slowly carving out at empire in Bolivia behind everyones back. I am not a fan of the showy villains. Elliott Carver hammed it up so much he bordered into parody.....and as for Gustav Graves
We never got to see that fully executed.
Exactly. Dominic Greene was believable. Elliot Carver and Gustav Graves, as you mentioned, weren't.
Agreed. People were so used to their coffee being creamed and sweetened, when they got it black they didn't want to drink it.
Agree. Because he was such a subtle character, he hinged upon the movie's writing.
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What I think might have cheapened the character somewhat was not the axe fight (interesting to see such a wild side to a villain who had previously been in firm control of himself) but the seen where he is left in the in the dessert looking all helpless having cooperated with Bond to betray his organisation. This scene should make you marvel at Bond's work yet instead leaves you wondering if Greene was really any kind of threat in the first place, kind of the same thing they do with Koskov in TLD
I never had a problem with the type of villain he portrayed but like most other stuff in QOS his character was not explored more.