Best 007 opening credit sequence
VesperMelograno
The SouthPosts: 901MI6 Agent
One of my favorite parts of watching any Bond film is the opening credit sequence. Every time one starts I feel myself get excited. I am curious which are peoples favorites/ least favorite and why -{
I've always wanted to have Christmas in Turkey
Comments
Bluray just to watch them, I know DK will do another brilliant
Job with SPECTRE. {[]
OHMSS.- The hourglass motif is fantastic. So are the images of previous movies. An early nostalgic look at the Connery years. The OHMSS theme is my favourite John Barry Bond music. I should have been used more often (as the inferior "007" theme was).
LALD.- The exploding heads and skulls in flames are very suggestive. And I love the title song.
#1.TLD/LTK 2.TND 3.GF 4.GE 5.DN 6.FYEO 7.FRWL 8.TMWTGG 9.TWINE 10.YOLT/QOS
Right. It works as reassurance. "Yes, even though it's another guy, you'll have the girls, villains, action...". Wisely, they never show Connery. By LALD they didn't even show Moore in the PTS!
We had the UN, Bourbon Street, Voodoo ceremony in good succession which quickly sets up the premise. Then the music starts and we segue into Paul McCartneys song.
Plaudits also go for "Spy", OP, TLD and Casino Royale
If Credit sequences themselves, then I'm with TP - I love the Skyfall titles, the red and black, the tombstones, stags etc - accompanied by the excellent Adele theme.
For the titles themselves I also love CR-06. Def my favorite. The playing cards motif, an integratal part if Bond from the books and films works very well. Chris Cornell's song is a tailored fit to Bond's genesis in the story and it has a rocky vibe which makes a refreshing change of song pace.
Seconded by TND, simply because I was a media student when it was released, so its visuals of tv screens and transmission data still feel so personally apt to the time!
Third, YOLT. The motifs of Japan and its people are creatively done with the volcano as a framing device. The song is a nice fit too.
Dislikes? - AVTAK. I have learned to appreciate lot from Sir Rogers final turn as Bond, but the titles still feel like a cheaper effort with the luminous paint, streamers and guns that look like water pistols! It doesn't hold up like Dr N's polka dots and dancers or GF's golden lady which although simple in application, creates a classic memorable image. Shame as I love Duran Duran too.
QoS for opposite reasons. The visuals of the desert and data are clever but the song completely ruins them. Its brash, noisy and jarring which wrestles with the visuals instead of accompanying them. Damned shame.
LALD is not a dislike, but the voodoo stuff bothered me as a kid, so it still creeps me a bit now. Creative and unforgetable, but spooky as hell!
X 2 -{
AJB007 Favorite Film Rankings
Pros and Cons Compendium (50 Years)
This.
Nothing beats the visceral kick in the bollocks of DC turning and shooting and the gunbarrel opening up with YKMN blasting out. Probably the most thrilling moment I've experienced as a Bond fan in the cinema.
A superb and stylish re-imagining for a new era of the Bond credit sequence which, lets be honest, had become as cliched as all the Dr Evil stuff that EON will presumably be desperate to avoid in SP.
Die Another Day is one of my favourite's (though I do not have a particular favourite). It is a much maligned film, but the title sequence is one of the genuine highlights, IMO. The scorpions, the female figures of fire, ice and lightning intermingled with scenes of Bond's torture is very impressive visually. OK, so Madonna's title song is an acquired taste, but I am one of those who thinks it is more than decent.
+1 -{
Me too, and I think the song works perfectly for the title sequence, which is a damned good one.
#1.TLD/LTK 2.TND 3.GF 4.GE 5.DN 6.FYEO 7.FRWL 8.TMWTGG 9.TWINE 10.YOLT/QOS
I'd prefer that she do the song "Waste Another Space"! )
#1.TLD/LTK 2.TND 3.GF 4.GE 5.DN 6.FYEO 7.FRWL 8.TMWTGG 9.TWINE 10.YOLT/QOS
I think the symbolizing of the end of the cold war was great for the new era of the 'modern Bond' It's also a great transition as a first \ modern' opening credit sequence
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