"Definitely distinctive" Tiffany Case - the movie or the novel?
broadshoulder
Acton, London, UKPosts: 1,363MI6 Agent
"Tiffany Case? Definitely distinctive."
"I was born there - on the third floor.."
Someone actually born at Tiffany's? There are big differences between Miss St Johns portrayal and the character from the novel. I am not biased but find the novel quite hard work. It deviates into long monologues about the gem trade and American gangsters are pretty insipid. But the character of Tiffany Case perks the novel up.
She's a neurotic from hell. Bond imagines her trying "Sure. Come ahead and try. But, brother, you'd better be good". She's a tough girl, but underneath this wall of ice is a lonely insecure lonely woman. On their second meeting she flat out tells him that she isn't going to sleep with him, and later she kisses him hard on the lips saying "She doesn't want to lose him" She confuses the hell out of Bond.
Fleming goes into her backstory. She had a hard life and her mother ran the biggest whorehouse in San Fran and one day decided not to pay the local gangs protection money. The group raided the house and raped Tiffany. Leiter assumes this is why the girl doesn't want anything to do with men.
Interesting that Bond actually has a relationship while in London
I suppose the key to the movies character was her "cockiness". Miss St John is a redhead while the literary Tiffany is a blonde. Ms John has the right amount of chutzpah for the movie. Shes good with the humour and provides a good foil for 007. Being Sean Connerys squeeze certainly helped (and Lana Wood)
So which one the neurotic one of the book or the self confident of Jill St John? Me? Despite a love for Jills Tiffany I think it has to be the literary one..
"I was born there - on the third floor.."
Someone actually born at Tiffany's? There are big differences between Miss St Johns portrayal and the character from the novel. I am not biased but find the novel quite hard work. It deviates into long monologues about the gem trade and American gangsters are pretty insipid. But the character of Tiffany Case perks the novel up.
She's a neurotic from hell. Bond imagines her trying "Sure. Come ahead and try. But, brother, you'd better be good". She's a tough girl, but underneath this wall of ice is a lonely insecure lonely woman. On their second meeting she flat out tells him that she isn't going to sleep with him, and later she kisses him hard on the lips saying "She doesn't want to lose him" She confuses the hell out of Bond.
Fleming goes into her backstory. She had a hard life and her mother ran the biggest whorehouse in San Fran and one day decided not to pay the local gangs protection money. The group raided the house and raped Tiffany. Leiter assumes this is why the girl doesn't want anything to do with men.
Interesting that Bond actually has a relationship while in London
I suppose the key to the movies character was her "cockiness". Miss St John is a redhead while the literary Tiffany is a blonde. Ms John has the right amount of chutzpah for the movie. Shes good with the humour and provides a good foil for 007. Being Sean Connerys squeeze certainly helped (and Lana Wood)
So which one the neurotic one of the book or the self confident of Jill St John? Me? Despite a love for Jills Tiffany I think it has to be the literary one..
1. For Your Eyes Only 2. The Living Daylights 3 From Russia with Love 4. Casino Royale 5. OHMSS 6. Skyfall
Comments
Lady but decends into " Mary Goodnight" levels of helplessness.
The well know quote of how instead of playing it as. Lauren Bacall, she
Played it more like Lucille Ball. )
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Pros and Cons Compendium (50 Years)
I'd put much more of the blame on Jill St. John than the writers. Tracy wasn't such a progressive character. She saves Bond at the ice rink, but most of the film is Bond saving her. Don't confuse Tracy with the very progressive Emma Peel.
Exactly how I feel about it. the whole film goes off the rails plot- and character-wise by that point sadly making it one of the lesser Bond films in my book.
Yes, about as useful as Mary Goodnight! )
I particularly like Jill St John as she brandishes her fist at all those who denigrate the Bonds girls..
" I don't listen to hip hop!"
It's from John Brosnan's "James Bond In the Cinema", the first of its kind and still one of the best.
In terms of Jill St. John, she's enough like the character in the novel for me to accept her, but even if she wasn't, I'm fine with her turn as Tiffany Case. She's got moxie, but she's a smuggler, not a commando. I perfectly believe she would find a way to cozy up to the villain to avoid a fight. And I think after the heaviness of the previous film, they wanted someone much lighter.
Agreed, Tiffany Case and Mary Goodnight are IMHO the two least appealing Bond girls in the history of the franchise. Bond Girl should never be inconsequential, helpless or boring. I prefer the way May Day breaks "the Bond Girl" mold over these "Oh James!!!!!!" distraught "ladies" any day of the week and twice on sundays!
-Mr Arlington Beech
Agreed, that is an excellent book and it is a joy to read. -{
Goodnights Charecter fit the Films Tone
+1 Correct -{
I still wonder about Fleming's obsession with neurotic girls, because in the different biographies about him, none of the women that have been linked to him were described as overtly neurotic even in passing. Maybe it was an attractive trait for him, though he stopped short of actually pursuing a relationship with a girl plagued with the blues?
Men. This Trait is sort of Present in her Film Counterpart.
They were doing Diamonds as a new comedy - the last vestiges of Lazenby were to be swept away.Maibaum wrote her as a comedy character - not a heavy duty feminist
I hope Flemings reliance on 'neurotic' women continues. I did enjoy Severines contribution.. I see her in that tradition..
More than that, though, it was easier to feature women who are emotionally unstable in some way because they are both wounded (and thus eliciting ours and Bond's sympathies) and capable of quick, perhaps questionable actions, like falling in love right away or bedding Bond out of a misplaced sense of power, gratitude, revenge, insecurity, or whatever -- it became a crutch to shorthand the reasons why the female characters did what they did.
Kind of like men.
)
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