There wasn't much " magick or lucid dreaming" in Dunkirk.
I didn't imagine there would be, such visionary filmmaking would be inappropriate for an historical event some people are still old enough to have lived through (though there are some great visionary WWII novels)
I guess your point is its not an either/or thing, Batman or trippy storytelling, his palette is broader than that
I hope to see this film while its still at the theatre, but want to watch Interstellar first, just to experience them in order, for whatever geeky reason
my library doesn't have his earlier films
There wasn't much " magick or lucid dreaming" in Dunkirk. Just expertly handled action sequences, which managed multiple times to squeeze every ounce of suspense out of each set piece. Very realistic, but also low on gore. Just perfect for Bond.
That is something that needs to return to the Bond films....some real suspense and tension. CR had it and Skyfall. SPECTRE had a few moments of suspense and tension (Bond crashing the SPECTRE meeting and being introduced to Blofeld and Bond's finding/meeting with Mr. White come to mind).
CR had suspense built in because they were faithful to Fleming's novel. The first two parts of the story (movie and book) were constructed to be suspenseful. The gambling sequences and the pursuit and capture by Le Chiffre.
Campbell did a fantastic job making the most of that material.
Maybe, if he is going to do it, Nolan wants plenty of time to work up a decent script.
Too generic an action sequence, and inconsistent with Bond's objective. He sets out to protect Madeleine, but rams the plane up the car, almost hitting her. It starts off quite well - the exchange between Hinx and Bond as they drive/fly side by side was nice, but it quickly devolves into Bond jumping in head first instead of using his wits - a key component which sets Bond films apart.. It could have happened in any other movie.
I do agree with you though in that it's nice to see something else happen on the snow. Perhaps Q could have delivered a plane with some concealed gadgets and left it to Bond?
Yeah what the hell was Bond thinking during most of that sequence, he's lucky he lived and didn't endanger any civilians with his carelessness.
I agree with the comments on here that suggest that the Bond franchise has been in much tougher spots than the one it is currently in. I also have faith that the next film will be a winner and the series will continue on its merry way. A long gap is fine provided that the film you make everyone wait for is a good one. Spy, GE, and SF are perfect examples. However if it is not a good film, then you might find that the series could be in a bit of trouble. Not perhaps series ending trouble, but trouble nonetheless. Without questions this is currently the most competitive time for franchise film making in cinema history. You really have to nail it, otherwise in this climate you get left behind.
Too generic an action sequence, and inconsistent with Bond's objective. He sets out to protect Madeleine, but rams the plane up the car, almost hitting her. It starts off quite well - the exchange between Hinx and Bond as they drive/fly side by side was nice, but it quickly devolves into Bond jumping in head first instead of using his wits - a key component which sets Bond films apart.. It could have happened in any other movie.
I do agree with you though in that it's nice to see something else happen on the snow. Perhaps Q could have delivered a plane with some concealed gadgets and left it to Bond?
Yeah what the hell was Bond thinking during most of that sequence, he's lucky he lived and didn't endanger any civilians with his carelessness.
That scene is kind of a drag, and I enjoy this movie, despite my many criticisms against it.
Or, rather, I don't watch that scene with the same excitement I watch, say, the opening sequence, or the Rome chase, or the train fight.
IMO, there's more suspense with the intercut of Q evading those goons in the tram than there is in that chase.
A fun read - thanks! We've bandied some of that about here B-) I'd love to see a female '00' in a supporting role.
Check out my Amazon author page!Mark Loeffelholz
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
I thought the mention of Gala Brand was particularly interesting. Using her would be a nice way to give people the "strong female lead" that everyone seems to crave while giving a nice nod to the educated fans. But they wouldn't necessarily want to play the undercover agent angle. I'd rather know up front that "x" actress was playing the character rather than a repeat of the absurd Waltz-is-Oberhauser subterfuge.
LoeffelholzThe United States, With LovePosts: 8,998Quartermasters
A fun read - thanks! We've bandied some of that about here B-) I'd love to see a female '00' in a supporting role.
Check out my Amazon author page!Mark Loeffelholz
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
one thing I notices is Fiennes is only committed for one more film
nice they get a big star to play a recurring role, but a big star seems to mean a big part, which is more of a commitment of time
I think Bernard Lee usually only got about 5 minutes screentime max each film, that sort of obligation would be much more do-able, and they might be able to keep Fiennes round longer if he wasn't expected to be the co-star
I thought the mention of Gala Brand was particularly interesting. Using her would be a nice way to give people the "strong female lead" that everyone seems to crave while giving a nice nod to the educated fans.
after seeing Halle Berry, I'd say this really would depend on the actress playing the part. Jinx was basically what they're describing, even slated for a spinoff series, and so annoying. Way too much of the film was devoted to showcasing her character, and ultimately she adds nothing to the plot. but there are 3 billion women out there who aren't Halle Berry, so lets get casting. Gillian Anderson would be good but she is older than when she was in her FBI agent prime.
But they wouldn't necessarily want to play the undercover agent angle. I'd rather know up front that "x" actress was playing the character rather than a repeat of the absurd Waltz-is-Oberhauser subterfuge.
One of the recent continuation novels had the surprise reveal fellow 00-agent schtick you're discussing. It was totally clear from the first scene who she really was. Just makes Bond look dumber than the reader when he cant figure it out til the last page.
One of the recent continuation novels had the surprise reveal fellow 00-agent schtick you're discussing. It was totally clear from the first scene who she really was. Just makes Bond look dumber than the reader when he cant figure it out til the last page.
Agreed. Plus, they've recently played the undercover female agent angle in TND and DAD, as well as the undercover MI6 Agent also in DAD. So it's not exactly a "fresh" approach. Not to mention Pam Bouvier, Holly Goodhead, etc. And somehow every time it makes Bond look a bit more daft than the time before.
If Craig returns for two back-to-back Bond movies, this is what I'd like to see:
Bond25 is about how SPECTRE used blackmail to free Blofeld. The threath could be a bomb in a space sattelite or an atomic bomb in the vulcano on the Canary Islands. Bond stops this, but SPECTRE has a plan B (traitor in the MI6?) and freedom Blofeld before the end credits.
Bond26 used the Garden of Death story and Bond kills Blofeld in the end.
If Craig returns for two back-to-back Bond movies, this is what I'd like to see:
Bond25 is about how SPECTRE used blackmail to free Blofeld. The threath could be a bomb in a space sattelite or an atomic bomb in the vulcano on the Canary Islands. Bond stops this, but SPECTRE has a plan B (traitor in the MI6?) and freedom Blofeld before the end credits.
Bond26 used the Garden of Death story and Bond kills Blofeld in the end.
I would be happy with that. A genuine Bond adventure. If Madeleine would return in that scenario, Bond can still go OHMSS-style shagging spree on the Bond girls.
Hope that SPECTRE's humour returns in the next movie.
Comments
I guess your point is its not an either/or thing, Batman or trippy storytelling, his palette is broader than that
I hope to see this film while its still at the theatre, but want to watch Interstellar first, just to experience them in order, for whatever geeky reason
my library doesn't have his earlier films
That is something that needs to return to the Bond films....some real suspense and tension. CR had it and Skyfall. SPECTRE had a few moments of suspense and tension (Bond crashing the SPECTRE meeting and being introduced to Blofeld and Bond's finding/meeting with Mr. White come to mind).
Campbell did a fantastic job making the most of that material.
Maybe, if he is going to do it, Nolan wants plenty of time to work up a decent script.
That scene is kind of a drag, and I enjoy this movie, despite my many criticisms against it.
Or, rather, I don't watch that scene with the same excitement I watch, say, the opening sequence, or the Rome chase, or the train fight.
IMO, there's more suspense with the intercut of Q evading those goons in the tram than there is in that chase.
A fun read - thanks! We've bandied some of that about here B-) I'd love to see a female '00' in a supporting role.
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
A fun read - thanks! We've bandied some of that about here B-) I'd love to see a female '00' in a supporting role.
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
nice they get a big star to play a recurring role, but a big star seems to mean a big part, which is more of a commitment of time
I think Bernard Lee usually only got about 5 minutes screentime max each film, that sort of obligation would be much more do-able, and they might be able to keep Fiennes round longer if he wasn't expected to be the co-star
Agreed. Plus, they've recently played the undercover female agent angle in TND and DAD, as well as the undercover MI6 Agent also in DAD. So it's not exactly a "fresh" approach. Not to mention Pam Bouvier, Holly Goodhead, etc. And somehow every time it makes Bond look a bit more daft than the time before.
Bond25 is about how SPECTRE used blackmail to free Blofeld. The threath could be a bomb in a space sattelite or an atomic bomb in the vulcano on the Canary Islands. Bond stops this, but SPECTRE has a plan B (traitor in the MI6?) and freedom Blofeld before the end credits.
Bond26 used the Garden of Death story and Bond kills Blofeld in the end.
Hope that SPECTRE's humour returns in the next movie.
https://www.nytimes.com/2017/07/24/movies/daniel-craig-is-coming-back-as-james-bond-in-2019.html
Thats from early in week. Still not official though
Of Welshboy's sharp tongue ........
What do you mean? We'll hear something new today?
I even wouldn't be surprised if it's Mendes/Newman again.