An interesting technical aspect of this film is that it was shot using Techniscope - a cheaper widescreen process than the more common anamorphic systems favoured in most Hollywood films of the time - it uses less film, and had a deeper depth-of-field as I understand. It was also used famously by Sergio Leone in his spaghetti westerns. I've also heard that the viewfinder setup made it hard to see what the actual framing would be in the final shot, which may account for some of the wackier compositions in this film.
Comments
Dalton - the weak and weepy Bond!
Yes, Bullet to Beijing and Midnight in St Petersburg. I've only seen the latter, enjoyable in a tv movie sort of way.
Dalton - the weak and weepy Bond!
Dalton - the weak and weepy Bond!
Don't know, could have been
Dalton - the weak and weepy Bond!
Dalton - the weak and weepy Bond!
I'm only looking after them until TP returns.
Dalton - the weak and weepy Bond!
I think it's Paddington, isn't it? So probably more famous for being in... Paddington
Dalton - the weak and weepy Bond!
My, my.
Later he was the villain in the 4th Matt Helm “The Wrecking Crew”
"The spectre of defeat..."
No, it's actually Marylebone it turns out.