Is there a Flemingist case for Moonraker/TSWLM the movies?
perdogg
Posts: 432MI6 Agent
Eventhough neither stories were envisioned by Ian Fleming, is a there Flemingesque quality about them? I believe that Moore's performance in TSWLM was probably one of his more Flemingesque as Bond, not so much in Moonraker.
Although I would prefer a "Hell is here" Moonraker and a "Shady Pines" Spy Who Loved Me, but both movies were good summer fare.
Although I would prefer a "Hell is here" Moonraker and a "Shady Pines" Spy Who Loved Me, but both movies were good summer fare.
"And if I told you that I'm from the Ministry of Defence?" James Bond - The Property of a Lady
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http://apbateman.com
Assigned by M to look into the enigmatic Hugo Drax, Bond soon finds out that there’s more than philanthropy behind the multi-millionaire’s backing for the Moonraker programme. The stakes are high for 007 and his lovely companion – the highest Bond has ever played for....
However, the others are right. Both films TSWLM and Moonraker are original story takes to fit the box office mantra of the time. The former is a Moore era take on You Only Live Twice, using Submarines in place of the Space race, and Moonraker the movie was blatantly chasing the Star Wars / Close Encounters / Star Trek TMP boom going on at the time. - This is apparent in as much that TSWLM promised Bond to return in FYEO. - it was gazumped by Moonraker!
Both these films are Bond as Sci Fi. That I don't have a problem with. However, Flemming's Bond is much more cold thriller than Sci Fi. Again, I have not read YOLT, so I can't be 100% certain on how it comes across.
The only subtle reference to the source material in the films, is in Moonraker. Sir Fred Grey makes a throwaway reference - "I play cards with this fellow Drax." However you wold only know that is a reference if you have read the book!
Sometimes its best to quietly accept that original author, and later "interpreter" - film, tv, computer game, successor novels, will go off on their own seperate paths.
No, there are others-
Drax is on the surface a benevolent multi-millionaire, underwriting the Moonraker programme, but has a much more sinister motive underlying. (Admittedly this is pretty generic of Bond villains- but Drax was the first example)
Bond uncovers and averts Drax's scheme. (Of course)
One of Drax's most trusted staff, an attractive female, is in fact working for an organisation with which Bond is familiar and his Service is friendly. After some initial resistance she teams up with our man, and her inside technical knowledge proves vital to Bond and the mission.
Drax attempts to incinerate Bond and Gala/Holly beaneath the exhaust of the Moonraker - they escape via a vent.
Would you do this story as a retro-Bond? Who would you cast to play Gala Brand?
Yes, I would like to this one on film. Maybe if EON could do what they did with the Christie mystery novels, put them on television. As for casting Gala Brand, I have no idea.
Aargh, brain cramp! I should have remembered that one, its one of my all out favorite "how will Bond escape this?!" moments!
Re a proper adaptation of Moonraker, its not impossible in the future. Casino Royale has been done twice. (Sort of!) Maybe Eon / Danjaq may consider a true adaptation of the Moonraker book in a similar vein in the future?
Only the last section of MR is sci-fi and it's only following the format of other Bonds in having him in an outlandish villain HQ.
An icy sophisticated millionaire mastermind, cool brunette Bond girl, Oriental henchman, well-meaning sacrificial lamb (Corrinne), exotic locations, irascible but loyal male M... there's plenty of Fleming stuff here, and I'd argue that the movie Drax is a more Fleming villain than the odious ogre of the novel.
Roger Moore 1927-2017
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
Then your selling the man short because Drax was rather dull, Stromberg II except he was being played by a better actor. Besides, there were always some boorish aspects of the villians despite their sophistication. Goldfinger having sex with woman painted gold, Doctor No's bizarre appearance,the thuggish Fransico Scarmanga, and the totally insane Blofeld in You Only Live Twice.
As for the fantastic elements of these films reflecting Fleming, again I disagree. If I actually believed anything OTT is Fleming then I would have to accept the atrocity that is Die Another Day as loyal to Ian's vision. ARGH ! Fleming took the plausiable and kicked it up a notch. Giant Squids are quite real, so are third nipples, and mechanical pincers for hands. Fish-handed men who build supertankers that can kidnap submarines and someone who could pruchase the Eiffel Tower is too outlandish.
I wish but I doubt they would adapt it as a Hitchcock-esque spy thriller the novel was.
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There are also some nice Fleming touches in the film, particularly in the scene where Bond admits to Anya that he shot her boyfriend, and reflects on the risks and short life expectancy of his profession.
As for "Moonraker", Fleming must have turned in his grave: it's nothing more than a silly camp sci-fi comedy, and only once does Moore actually get to do any acting (the scene where he exits the centrifuge terrified, and instead of offering a quick quip or exploiting Holly's guilt to leverage some sex, simply pushes her away and staggers off). The novelisation of this one is no great shakes either, proving that you can't transform a sow's ear into a silk purse.
Many more details (expanded time events) are given that create a "Fleming sweep".
I would love to see a retro-Bond for a real TSWLM.
Roger Moore 1927-2017
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The backstory of gustav Graves mirrors Hugo Drax's backstory.