GunBarrel - Trademark or Cliche?
AlphaOmegaSin
EnglandPosts: 10,926MI6 Agent
Seeing as it's been in every Bond Film so far (The Official Eon Films anyway) I feel that it's just a Cliche then a Trademark now, and seeing that the Craig Films have seen it moved to the end. Should they Scrap it completely or mix it up a bit?
1.On Her Majesties Secret Service 2.The Living Daylights 3.license To Kill 4.The Spy Who Loved Me 5.Goldfinger
Comments
I don't mind if they want to keep it at the end of the movie,
Although I do think is a silly place to put it, and lacks
the excitement of watching it at the begining of the film.
+1.
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Sam Mendes decided not to put the gunbarrel at the beginning of Skyfall because he believed it would not fit alongside the opening shot of Bond walking along the corridor towards the camera. At the end of the film Daniel Craig's Bond has come full circle, he's certainly not the rookie anymore, everything is back in place, M, Moneypenny, Q, so it does make sense. Having said that, let us hope the gunbarrel is back where it belongs in Bond 24.
Yes, I suspected as much - thanks for the info!
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I kind of feel like the Craig films are trying too hard to restyle Bond, as if they took the lukewarm reaction to DAD as a sign that the old Bond was dead, rather than considering the faults of that particular film. The audience of the mid-90s that loved Goldeneye isn't much different from the audience today, nor are action films and thrillers.
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I thought it was great. I almost wish they hadn't had the trademark at the end ... all the intros and crap at the end reminded me of the plodding connect-the-dots nonsense at the end of STAR WARS: REVENGE OF THE SITH.
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Almost like a director's animated logo for their production company being important for them to include on their own films at the start, it's the mark of Bond's film with a specific actor's era.
Yep, it's a wink to the Gunbarrel, but it can NEVER replace the Gunbarrel. There's a special significance to the icon, if it was, as many Bond fans wrongfully think, "an icon of a Bond era", it wouldn't have survived the Connery-Moore transition. There was a reason why it survived until the Pierce Brosnan era, and there was no solid reason (besides CR) to bring it up in another place for the Daniel Craig films.
You can't compare Bond coming up to the light (as good as that might have been for Skyfall) to the unique iconography of the barrel: the dots, the walk, the shoot in every pose you like it (jumping, crouched, on a knee, standing) and of course, the iris dot opening to reveal the first shot of the film.
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