Which Bond had the best chemistry with the Bond Girls?
Blackleiter
Washington, DCPosts: 5,615MI6 Agent
I have recently been going through the Bond movies in the 50th anniversary Blu-Ray collection, and I have been struck by the varying degrees to which there appears to be good chemistry between the Bond actors and their leading ladies. For example, in my opinion Sean Connery seems to have pretty good chemistry with Daniela Bianchi (Tatiana Romanova) and Shirley Eaton (jill Masterson), but not much with Jill St. John (Tiffany Case) and Mie Hama (Kissy). Despite their behind-the-scenes battles, I believe the chemistry between George Lazenby and Diana Rigg really adds to the success of OHMSS. Daniel Craig and Eva Green really mesh together well in Casino Royale, while I detect no real chemistry at all between Craig and Olga Kurylenko in Quantum of Solace. So what do you folks think - which Bond actors and Bond Girls have the best on-screen chemistry?
"Felix Leiter, a brother from Langley."
Comments
Overall best chemistry though: Got to be the mighty Connery
1. GoldenEye 2. Goldfinger 3. Skyfall 4. OHMSS 5. TWINE
And I don't by the argument that it was just a sign of the era. Actors such as Cary Grant and Humphrey Bogart seemed to genuinely connect with their female costars without any of the misogynistic air of Connery.
As for examples of good Bondian chemistry, off the top off my head I would say Lazenby-Rigg, Moore-Bouquet, Dalton-d'Abo, Brosnan-Marceau, and Craig-Green.
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I tend to agree with you on this one Le Samourai. It's too bad that Brosnan got chewed out by M for being a "misogynist dinosaur" as if he was paying for Connery's various infractions.
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Connery/Honey - Excellent
Connery/Tatiana - Very good, but could be seen as sexist with Connery's slap to Tataiana's arse )
Connery/Pussy - Pussy challenged bond, and it worked
Connery/Domino - I always forget about Domino...
Connery/Kissy - Connery had better chemistry with Aki tbh
Lazenby/Tracy - Very good I thought
Connery/Tiffany - Pretty hilarious combination tbh
Moore/Solitaire - Excellent
Moore/Goodnight - One of the worst
Moore/XXX - She challenged him, which worked well
Moore/Goodhead - Didn't like this chemistry
Moore/Melina - It worked...
Moore/Octopussy - A slightly older bond girl, which worked very well for Moore
Moore/Stacey - Not great, but not as bad as most make out
Dalton/Kara - A weak link IMO
Dalton/Pam - As much as I like Dalton, again, not such great chemistry with the leading lady
Brosnan/Natalya - Quite well done
Brosnan/Wai Lin - Didn't like it much
Brosnan/Christmas - Terrible if I'm honest
Brosnan/Jinx - The worst of the lot
Craig/Vesper - Unique, and very developed
Craig/Camille - Seen better, seen worse
Craig/Severine - Excellent, but too short-lived
Overall I think it's between Connery and Moore... But I'm gonna say Moore, because Connery at times is a bit chauvinistic (sign of the times maybe?)
1 - Moore, 2 - Dalton, 3 - Craig, 4 - Connery, 5 - Brosnan, 6 - Lazenby
Keep in mind I was like 10 and no prior knowledge of the Bond series.
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-Casino Royale, Ian Fleming
But it was a sign of the times. Grant and Bogart were actually behind the times during the 60's, and arguably during the 50's when the novels were written as far as the sexual revolution was concerned.
As for Connery, it was his physical sensuality that landed him the role of Bond and it showed. If he was a predator, his female conquests gave their dreamy acquiescence and IMO this was more believable with him than any of the others. Connery was more in the mold of Dean Martin, the Rat Pack and Hugh Hefner's Playboy philosophy. If that was all too subtle just watch Austin Powers. It was in the post-war when the realities of life began to be starkly explored, including sexuality, then of course all of that going full-bore in the 60's. Male chauvanism was a widely accepted attitude and lifestyle that was enjoyed by both genders, evidenced by the sexual objectification of women by the fashions that emerged during and after the war (e.g., bullet bras, the bikini, etc.) The frank openess and embrace of today's youth toward sexuality is the direct result of all of that. It was this cultural awakening that made it ripe for Fleming to showcase his personal amorous history that was received by enthusiastic masses and if Fleming had not gone that way, we may not have a Bond movie series to enjoy now.
could say, ah pussy,properly with out looking like a total dick
(jerk for our U.S brothers)
You want to know Connery's secret sauce, just watch the John Cork documentaries,[1] and EVERYTHING OR NOTHING. To a woman, his costars talk about how a great guy he was/is, an instant lifelong friend (Andress), supportive (Girl Photographer actress in DR NO), easy to get along with. Shame that in the last two films he did, there was stress, enmity with the producers,... it was not a happy working environment for Connery.
But clearly from the home movies and stuff, he was playing that role, and NOT playing himself. The role is complex and not a ladies' man like Moore was known to play (THE SAINT), and sometimes very mean to woman (e.g.his treatment of Tanya after he's found Kerim dead). Watch FRWL, he's kinda of tolerating and coddling her on the train, knowing she's probably a double agent, and after Kerim's death, he's savage with her. She pleads with him, and honestly would you believe her? He's unconvinced. The relationship is clearly chilly, but after she "sleeps it off" (drug) she probably realizes that he's taken her with him, keeping her safe from certain assassination by either SPECTRE or the KGB, and by the end, she makes her choice (kills Klebb, trusts Bond). They both played this complexity very well.
But I digress. I always thought Connery was a superb actor. Watching the old films again and seeing home movies of him (by all accounts he was shy and very private), I realize just how much of what he showed us as Bond was performance. And I think he carried that to his interactions with other actors, even the supporting roles like Ms Taro, Pleydell-Smith, Kerim, Grant, Hawker (his caddie in GF), Jill, Tilly, Oddjob, etc. That's why I really cringe at his scenes with Quarrel ... completely untrue to his feelings about the man in LALD and DN (books).
My two pence worth....
[1] Oh, sorry, the Ken Adam home movies are an extra on the TB Blu-Ray. Really funny how he would mug for people's 8mm cameras. I mean, he had a warm relationship with the set designer?? How many "stars" are that unpresuming....
“It reads better than it lives.” T. Case
yea, that was pathetic. They even gave Bond a gun and he just lamely took a shot at Severine and the idly stood by while Silva killed her.
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Firemass, don't know but I like you already. EXCTLY EVEN HAD A GUN. Low point of the movie for me. but still
Could not agree more, he just found the right balance. I don't buy that he never cared about them, just think about his expression upon discovering the Gold paint, or the tenderness he displays with Tatiana. it was not until Dalton and the exasperated and annoyed with himself over going back for the Cello that we get anything like this quality of nuanced performance.
He had no real chemistry with any of the NSNA gals save the Shrublands one.
Disagree about Lazenby and Rigg chemistry, doesn't work for me. They fall in love cos it's in the script.
Moore the narcissist was in love with himself, but shared the love with Barbara Bach and maybe Lois Chiles I guess. Actually he had chemistry with Moneypenny. And Corinne in MR perhaps, not much though.
Dalton, well not much. Brozzer? Sexual chemistry with Christmas Jones, emotional with Halle Berry.
Roger Moore 1927-2017
I also agree with that. But after her death its as if she never really meant much to him. Which I don't find as off putting as many people seem to. Bond's lack of compassion is part of his characterization in my eyes. He's suppose to be cold chauvinistic dinosaur. I guess many expected him to weep after Severine's death.
I never expected tears, just not for him to let her be killed in that way. Chauvinistic old dinosaur, misogynist absoloutely and proud. But he is chivalrous and a hero in that respect. The lack of remorse is too much with Bond and I am sorry, he never cried over tracy's death he shouldn't cry over fckin M's or ever for that matter.
-Casino Royale, Ian Fleming
I watched it very recently and he does cry ( I usually stop the film at the original/intended end point- the high tracking shot before they set off to make sure that I don't bulb as well) it's beautifully played by Lazenby, and I'm not sure if even the great Sean could have equaled it.
I'd have to watch the "making of" again, but I think Hunt filmed the high crane shot so that they *could* end it with the marriage, and then kick off the next film with Tracy dying (rather like QOS kicks off right where CR left off). I suspect that Hunt did it as a hedge, but really did want to end the film as the book did. With Lazenby acting up and possibly already making noises about leaving the series when they were in post-production editing, it might've been a very easy sell indeed for Hunt to wrap up the OHMSS story without a cliffhanger.
You call that antique crap that Craig was given in SF a gun? Ever shot one of those old black powder things? Not very effective as close order combat weapon in a pinch. Only thing I think he could've done with it was gut shot someone at close range, but then the percussion isn't very fast (like a modern semi-auto), so ... I think it would've been stupid to try anything.
“It reads better than it lives.” T. Case
Sean went 6/6, Roger went 7/7 Dalton went 2/2 and Pierce went 4/4
poor Lazenby 0/1...you have our sympathies for what happened.
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