Silly/stupid bits that ruin a Bond movie for you...
chrisisall
Western Mass, USAPosts: 9,062MI6 Agent
What moments/scenes/jokes or silly junk make a Bond film either unwatchable to you, or keep you away from repeated viewings on a regular basis like your favourites?
Also, what dodgey bits can you easily overlook in an otherwise excellent film for you?
My list:
Goldfinger: The level of nonsense in having a whole town pretend to be knocked out (the logistics in such a short time frame is laughable to me) puts me off tremendously; it's not enough to make me hate the flick, but certainly enough to limit my re-watch frequency.
You Only Live Twice: Turning Japanese, I think he's turning Japanese, don't really think so. ) That and the landing large spacecrafts undetected thing made Austin Powers possible, IMO. Nearly unwatchable.
Diamonds Are Forever: The whole tone of the movie bothers me just a bit, but the 'moonwalk dudes' attempting to catch 007 in faux slow motion is a particular offense to my eyes. I can watch it, but not too often (or sober).
Live And Let Die: As really good as this movie is, Rosey's existence and Kananga's death both entirely kill this entry for me.
The Man With The Golden Gun: Slide whistle... I can deal with it. 8-)
The Spy Who Loved Me: The Jaws character rubs me entirely the wrong way, but the film still sort of works for me on a totally comic book level... usually. Reading Christopher Wood's novelization & keeping it in mind helps.
Moonraker: Whatever lattitude I grant to the former film is gone here. The second half of the movie is just a build up to frustration detonation, and then, "Here's to us" BOOM. Absolutely unwatchable.
For Your Eyes Only: A delicatessen in stainless steel? Bibi? Thatcher talking to a parrot?? I might be able to deal except for the 80's DISCO SCORE!! Unwatchable.
Octopussy: Playing the Bond theme for Bond was stupid, the Tarzan yell was an idiotic addition, but the rest of the movie worked so well (in admittedly uneven waves of comic book & serious espionage swells) I can deal.
Die Another Day: A perfectly invisible car. REALLY? A Robo-Gustav? SERIOUSLY?? Throw in crap CGI & Halle Berry's not-nearly-as-good-as-Catwoman performance, and you get... unwatchable.
Was I fair? Agreement? Disagreement? Any films I missed?
Also, what dodgey bits can you easily overlook in an otherwise excellent film for you?
My list:
Goldfinger: The level of nonsense in having a whole town pretend to be knocked out (the logistics in such a short time frame is laughable to me) puts me off tremendously; it's not enough to make me hate the flick, but certainly enough to limit my re-watch frequency.
You Only Live Twice: Turning Japanese, I think he's turning Japanese, don't really think so. ) That and the landing large spacecrafts undetected thing made Austin Powers possible, IMO. Nearly unwatchable.
Diamonds Are Forever: The whole tone of the movie bothers me just a bit, but the 'moonwalk dudes' attempting to catch 007 in faux slow motion is a particular offense to my eyes. I can watch it, but not too often (or sober).
Live And Let Die: As really good as this movie is, Rosey's existence and Kananga's death both entirely kill this entry for me.
The Man With The Golden Gun: Slide whistle... I can deal with it. 8-)
The Spy Who Loved Me: The Jaws character rubs me entirely the wrong way, but the film still sort of works for me on a totally comic book level... usually. Reading Christopher Wood's novelization & keeping it in mind helps.
Moonraker: Whatever lattitude I grant to the former film is gone here. The second half of the movie is just a build up to frustration detonation, and then, "Here's to us" BOOM. Absolutely unwatchable.
For Your Eyes Only: A delicatessen in stainless steel? Bibi? Thatcher talking to a parrot?? I might be able to deal except for the 80's DISCO SCORE!! Unwatchable.
Octopussy: Playing the Bond theme for Bond was stupid, the Tarzan yell was an idiotic addition, but the rest of the movie worked so well (in admittedly uneven waves of comic book & serious espionage swells) I can deal.
Die Another Day: A perfectly invisible car. REALLY? A Robo-Gustav? SERIOUSLY?? Throw in crap CGI & Halle Berry's not-nearly-as-good-as-Catwoman performance, and you get... unwatchable.
Was I fair? Agreement? Disagreement? Any films I missed?
Dalton & Connery rule. Brozz was cool.
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Comments
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TB: The jetpack. It seemed ridiculous after the brutal fight scene.
FYEO: The faux (?) Blofeld opening and the faux Thatcher ending. Totally jarring silliness in an otherwise fairly serious Bond film.
OP: The infamous Tarzan yell.
LTK: Slo-mo Felix. A semi popping a wheelie. Deranged sickbed Felix who seems not to remember the rape and murder of his wife.
TND: Bond not getting his head ripped off when he ejects the man choking him from behind with a garrote.
TWINE: The whole body heat/millennium bug/"Christmas comes…" ending.
A Gent in Training.... A blog about my continuing efforts to be improve myself, be a better person, and lead a good life. It incorporates such far flung topics as fitness, self defense, music, style, food and drink, and personal philosophy.
Agent In Training
It was appalling ) It definitely marks the turning point in DAD between watchable and unwatchable.
Seriously, it was filmed first, and no one told Hedison the events that preceded his hospitalization, if I read correctly. REALLY seriously, in that situation, the strangling dude was feeling the explosive bolts firing right under his ass, you *think* that might have distracted his hold on the wire just a bit??
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You are correct re: Hedison and the filming of the scene. Still, I find it jarring.
As for TND... I'm still skeptical. People often freeze up under shock and stress, so the strangler might have actually tightened his grip.
A Gent in Training.... A blog about my continuing efforts to be improve myself, be a better person, and lead a good life. It incorporates such far flung topics as fitness, self defense, music, style, food and drink, and personal philosophy.
Agent In Training
Plus, freezing up does not automatically translate into a more precise hold on a thin communication cable not designed to hold weight.
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I would also say Thunderball when the boat speeds up and its very obvious that somebody just pressed the Fast Forward button on the video.
And then pretty much the entire movie of DAF was silly.
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1 - Moore, 2 - Dalton, 3 - Craig, 4 - Connery, 5 - Brosnan, 6 - Lazenby
they smash about fifty wine bottles and not a drop of wine is
spilled or the fact that Rog and Britt are barefoot and don't get
cut to ribbons AND the fact that they manage to remove a ton
of broken glass from the bed and the floor in about 3 seconds.
I watched TB on the big screen once and nitpicked the hell out of it, which I don't do when it's on the plasma.
Roger Moore 1927-2017
So, whenever I watch Moonraker I fast forward past Jaws falling in love and the laser fight in space and happily enjoy the rest of the film.
Proper?? Without rehashing this over-discussed topic, they've seemed perfectly good to me. I'm not entirely sure how their placement actually ruins the feature film. It's as if less than 10 seconds of clip determines whether the next 2 or so hours is any good, irrespective of the forthcoming plot, action, acting etc etc.
"This boy's a fool!"
Roger Moore 1927-2017
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chrisisall: No.. if Connery did it, it would be equally sad. Maybe it was a commentary by the producers as far as how distant the film Bond was at that point from the Fleming 007?
Well, those are a few of the silly bits I didn't care for.
In OP, the first agent is dressed as a clown and is brutally killed- bizarre and unsettling imagery. Bond taking on the same disguise automatically plants danger for him in your subconscious, and the circumstances of a 'clown' trying to save lives in imminent danger is such a strange juxtaposition that it just begs to be taken ultra-seriously.
Unless you see Bond as a superhero, in which case it merely looks silly to you.
That's like Batman posing in a hula skirt. Or Indiana Jones wearing a golf cap.
However, to me Bond is not a superhero; he's an agent that does what he has to to get the mission at hand accomplished. :007)
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I see your point... but I think EON and the public viewed Bond as a superhero... not a secret agent (actually, I KNOW the public viewed him as a sort of super hero at that time... at least my peers did!) And speaking of Batman, the Joker is pretty scary and he has the clown motif going on, but not with a red nose and big floppy shoes.
I UNDERSTAND the reason in the story why Bond went "undercover" as a clown, but it's a far cry from the "Gentleman Secret Agent" of the 1960's and who the character is post-Moore.
But the thread is " Silly/stupid bits that ruin a Bond movie for you..." it's a silly bit for me, like a lot of things in Octopussy and so much in the Moore era. But that's my POV.
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I could buy that if it was Dalton or Connery, but Roger's Bond was so Clownlike itself that it undermined and negated any potential for juxtaposition. There was no incongruity for me.
In fact some of the musical effects throughout the Moore era films was gratingly silly... Like playing The Magnificent Seven theme when Bond is on a horse, and the Close Encounters melody for the door entry system, both during Moonraker... not to mention the Lawrence of Arabia theme in The Spy Who Loved Me...
The only one of those that bothers me is the Beach Boys. The others are fine, in fact the Close Encounters melody for the door entry system is quite amusing.
I can agree with all of these but although the may ruin points of the movie I don't think it makes any of the unwatchable (especially DAD). Other scenes that really bother me in the series is the cable car scene in MR, although it is considered by some to be a good action set piece I think that it is far to campy and underplayed - making it seem less like an action movie and more like a comic book. The whole car chase through Paris in AVTAK has basically the same effect for me. Finally that whole climax on the oil rig in DAF....god that was awful; full of cheesy quips >"we're showing a bit more cheek than usual." And there is also not the slightest hint of any danger in that film and Blofelds end in cringeworthy >"Command Centre come in. Damn you! Damn you!!!"
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