Is Skyfall anyone else's favorite Bond score?
walther p99
NJPosts: 3,416MI6 Agent
Im probably in the minority but I love this score.
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But it has some fantastic moments. I only wish they could have interwoven the theme
A bit more, although I can understand the reason why it wasn't.
The Fight in the skyscraper with Patrice is basically all percussion, to match the
Men hitting each other and the fantastic orchestration as Bond clings to the lift
Getting into the Building, as well as Bond arriving at the casino. {[] as I posted
Earlier, some great tracks. -{
" I don't listen to hip hop!"
Sadly, I agree. David Arnold is the right man for the job and I miss him.
Personally whoever is hired again, I hope they use more Bond theme. I've missed it in key action sequences.
I absolutely agree, Barbel! -{
He's the Peter Hunt in James Bond scores
Dalton - the weak and weepy Bond!
+1
I enjoy listening to it independently because I like Newman's work. But, I feel displeased that he didn't go the extra mile to make it a Bond score. I wish he went beyond his normal style and try to incorporate Barry and Arnold's style. I guess it's a bit of a love hate thing for me.
Thunderbird Too.
Skyfall's score is good music, a good score and is beautifully done. However, as a Bond themeI found it ordinary. John Barry put swagger and panache into his themes that spookily echoes the performances of the actor who plays 007.
David Arnold brings something new in his compositions, modern twist energy. One of my favourite pieces is the cheekily titled "Come in 007, Your Time Is Up" ie the music that accompanies the Q Boat chase in TWINE. It crackles with high octane energy and excitement, while retaining the Bond musical feel Mr Barry created. It's a great piece to cycle or workout to, because like Bond its relentless. He also does sexiness and romance well too. "Dinner Jackets" and "Venice Lovers" reflect this in CR-06. The former is pure sexy swagger, and could easily have been used in Dr No. The later has echoes of Bond and Tracy in OHMSS. Yet both tracks feel modern and fresh for the scenes they accompany.
To me, there was none of these things in the Skyfall score, though M-Manf has a nice signature piece and there is decent mood music in Shanghi and Macau. However the core elements to Bond's musical style I mentioned were missing. After all it's James Bond, not Meet Joe Black or Finding Nemo! Even though those films have pleasing music.
That said, I do remember Skyfall's soundtrack being one of the best.
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Hello walther, i love skyfall theme because it totally fits in the mellow ballad category of 007 music, as opposed to big rock and roll like live and let die. it is very haunting, lush, mysterious sounding and adele does a great job with the emotions of the song too. she sounds herself sad and haunted. it also fits well with the dark creepy graveyard images and death themes in the visuals. that is key too. a bond song must go hand in hand with great visuals, props to maurice binder and the others who followed in the title sequence design. the song has what i call a big buildup to the end when the singer can really shine, and adele is great. so there are a few ideas.
Felix the Leitercat B-) -{