If the hunting scene and score are highlights of the movie it just goes to show how bad it is. I respect different opinions that is the beauty of this site but the whole movie is a severe let down after TSWLM (IMO)
Yeah, well, sometimes nothin' can be a real cool hand.
If the hunting scene and score are highlights of the movie it just goes to show how bad it is. I respect different opinions that is the beauty of this site but the whole movie is a severe let down after TSWLM (IMO)
If the hunting scene and score are highlights of the movie it just goes to show how bad it is. I respect different opinions that is the beauty of this site but the whole movie is a severe let down after TSWLM (IMO)
Why do you think the hunting scene is a con?
Because Bond shoots the sniper in the trees - Drax then knows he is rumbled for sure and should have had killed Bond instantly. I can accept lots of things that keep a movie going but it is absurdly illogical for Drax to keep the pretence going.
Yeah, well, sometimes nothin' can be a real cool hand.
Because Bond shoots the sniper in the trees - Drax then knows he is rumbled for sure and should have had killed Bond instantly. I can accept lots of things that keep a movie going but it is absurdly illogical for Drax to keep the pretence going.
Drax was attempting to kill Bond in a clandestine way, and Bond caught him out - basically Bond and Drax have a silent "nice try" to each other. Yeah, it keeps the pretence going, but Drax at that point could not have tried to kill Bond in another way as this would've been too overt.
To me it's very similar to the way SC in Thunderball easily shoots the clay pigeon - he's playing with fire just being in the villains presence - it's Bond's way of demonstrating his ego.
The last truly epic Bond in both scale and concept.
A good looking film.
A good score by Barry.
Some interesting Bond moments -- Moore stepping out of the G-force accelerator; his fight with Chang.
The third iteration of You Only Live Twice, yet somehow it doesn't seem tired.
Cons:
Too much camp.
Lois Chiles.
Michael Lonsdale, while imposing looking, is largely given little to do, although still more than most Bond villains after.
Too science-fictiony, though because of Star Wars, it didn't see so much so at the time.
* Possibly my favourite PTS ever, even more impressive considering that the level was sky high with the previous one. But it doubles down on TSWLM and succeeds. The parachute sequence in MR is heart stopping. And it was done for real, piece by piece, the old fashioned way.
*Roger Moore clearly in his prime, both physically and performance wise. With Connery long gone and TSWLM a box office smash, he confidently inhabits the character. And those 70s suits fit him like a glove.
*John Barry's score. Another key member of MR in his prime. From the arrrangement of the Bond theme in the gunbarrel and PTS to the space sequences, it has to be one of his best ever. Some of the cues are particularly good (the dogs chasing Corinne).
*Michael Lonsdale. Were Curt Jurgens fails, Lonsdale succeeds. The characters are similar, and yet Lonsdale is more believable and menacing with his understated performance.
* Lois Chiles. Although not as memorable as Barbara Bach, she comes close. There's a quirkiness to her that I always liked, she's stunning, and there's chemistry with Roger.
* The story. They managed make it current by using the space shuttle which was in the news back then, and the destruction of the ring of capsules around the earth, a nod to Star Wars and video games which everybody loved.
* Special Effects.- Without yielding to the ILM blackmail, the EON team managed to come up with really superb FX of their own, even getting an Academy Award nomination.
* "Frederick Gray! What a surprise. And in distinguished company, all wearing gas masks. You must excuse me, gentlemen, not being English, I sometimes find your sense of humor rather difficult to follow!" This always cracks me up. It's almost Montypython-esque. Lonsdale's deadpan delivery and Roger Moore's reaction are just great.
Cons.
* Title song.- boring, slow...One of the worst ever, meaning there's nothing memorable about it. Shirley Bassey sings it nice but without conviction.
* Jaws.- Ok, he was a great henchman on TSWLM, but falling in love in MR? and becoming a goody? come on, the guy was a killer, a 7 feet psychopath with steel teeth. A pure horror story monster. It's sad to see him suddenly see the bright side of life.
* The humour.- The nod to Close Encounters of the third kind is nice, but The magnificent seven theme? take it out. Pigeon turning its head? out too. Speaking of which...
* I could have done without the whole gondola turns hovercraft bit. Just keep the gondola chase, that's cool. The hovercraft is overdoing it. I do like the humour, they just needed a little editing here and there.
I'm very fond of MR, probably because I saw it exactly at the right age, 12 years old. It was just fun fun fun for two hours. It's obviously TSWLM in outter space...if you saw TSWLM first, that is. For me, TSWLM was always MR underwater.
Jaws was def more scary in TSWLM , I found the scene where he kills Fekkesh creepy as a kid cuz you know he had no place to hide/defenseless , like Jaws was Dracula or something.
* Possibly my favourite PTS ever, even more impressive considering that the level was sky high with the previous one. But it doubles down on TSWLM and succeeds. The parachute sequence in MR is heart stopping. And it was done for real, piece by piece, the old fashioned way.
*Roger Moore clearly in his prime, both physically and performance wise. With Connery long gone and TSWLM a box office smash, he confidently inhabits the character. And those 70s suits fit him like a glove.
*John Barry's score. Another key member of MR in his prime. From the arrrangement of the Bond theme in the gunbarrel and PTS to the space sequences, it has to be one of his best ever. Some of the cues are particularly good (the dogs chasing Corinne).
*Michael Lonsdale. Were Curt Jurgens fails, Lonsdale succeeds. The characters are similar, and yet Lonsdale is more believable and menacing with his understated performance.
* Lois Chiles. Although not as memorable as Barbara Bach, she comes close. There's a quirkiness to her that I always liked, she's stunning, and there's chemistry with Roger.
* The story. They managed make it current by using the space shuttle which was in the news back then, and the destruction of the ring of capsules around the earth, a nod to Star Wars and video games which everybody loved.
* Special Effects.- Without yielding to the ILM blackmail, the EON team managed to come up with really superb FX of their own, even getting an Academy Award nomination.
* "Frederick Gray! What a surprise. And in distinguished company, all wearing gas masks. You must excuse me, gentlemen, not being English, I sometimes find your sense of humor rather difficult to follow!" This always cracks me up. It's almost Montypython-esque. Lonsdale's deadpan delivery and Roger Moore's reaction are just great.
Cons.
* Title song.- boring, slow...One of the worst ever, meaning there's nothing memorable about it. Shirley Bassey sings it nice but without conviction.
* Jaws.- Ok, it was a great henchman on TSWLM, but falling in love in MR? and becoming a goody? come on, the guy was a killer, a 7 feet psychopath with steel teeth. A pure horror story monster. It's sad to see him suddenly see the bright side of life.
* The humour.- The nod to Close Encounters of the third kind is nice, but The magnificent seven theme? take it out. Pigeon turning its head? out too. Speaking of which...
* I could have done without the whole gondola turns hovercraft bit. Just keep the gondola chase, that's cool. The hovercraft is overdoing it. I do like the humour, they just needed a little editing here and there.
I'm very fond of MR, probably because I saw it exactly at the right age, 12 years old. It was just fun fun fun for two hours. It's obviously TSWLM in outter space...if you saw TSWLM first, that is. For me, TSWLM was always MR underwater.
This is an awesome recap of MR, exactly the same reasons as to why I love the film! {[]
Some of Drax's dialogue is classic as you mention..."You have arrived at a propitious moment, coincident with your country's one contribution to Western civilisation. Afternoon tea. May I press you to a cucumber sandwich?"
* Possibly my favourite PTS ever, even more impressive considering that the level was sky high with the previous one. But it doubles down on TSWLM and succeeds. The parachute sequence in MR is heart stopping. And it was done for real, piece by piece, the old fashioned way.
*Roger Moore clearly in his prime, both physically and performance wise. With Connery long gone and TSWLM a box office smash, he confidently inhabits the character. And those 70s suits fit him like a glove.
*John Barry's score. Another key member of MR in his prime. From the arrrangement of the Bond theme in the gunbarrel and PTS to the space sequences, it has to be one of his best ever. Some of the cues are particularly good (the dogs chasing Corinne).
*Michael Lonsdale. Were Curt Jurgens fails, Lonsdale succeeds. The characters are similar, and yet Lonsdale is more believable and menacing with his understated performance.
* Lois Chiles. Although not as memorable as Barbara Bach, she comes close. There's a quirkiness to her that I always liked, she's stunning, and there's chemistry with Roger.
* The story. They managed make it current by using the space shuttle which was in the news back then, and the destruction of the ring of capsules around the earth, a nod to Star Wars and video games which everybody loved.
* Special Effects.- Without yielding to the ILM blackmail, the EON team managed to come up with really superb FX of their own, even getting an Academy Award nomination.
* "Frederick Gray! What a surprise. And in distinguished company, all wearing gas masks. You must excuse me, gentlemen, not being English, I sometimes find your sense of humor rather difficult to follow!" This always cracks me up. It's almost Montypython-esque. Lonsdale's deadpan delivery and Roger Moore's reaction are just great.
Cons.
* Title song.- boring, slow...One of the worst ever, meaning there's nothing memorable about it. Shirley Bassey sings it nice but without conviction.
* Jaws.- Ok, it was a great henchman on TSWLM, but falling in love in MR? and becoming a goody? come on, the guy was a killer, a 7 feet psychopath with steel teeth. A pure horror story monster. It's sad to see him suddenly see the bright side of life.
* The humour.- The nod to Close Encounters of the third kind is nice, but The magnificent seven theme? take it out. Pigeon turning its head? out too. Speaking of which...
* I could have done without the whole gondola turns hovercraft bit. Just keep the gondola chase, that's cool. The hovercraft is overdoing it. I do like the humour, they just needed a little editing here and there.
I'm very fond of MR, probably because I saw it exactly at the right age, 12 years old. It was just fun fun fun for two hours. It's obviously TSWLM in outter space...if you saw TSWLM first, that is. For me, TSWLM was always MR underwater.
This is an awesome recap of MR, exactly the same reasons as to why I love the film! {[]
Some of Drax's dialogue is classic as you mention..."You have arrived at a propitious moment, coincident with your country's one contribution to Western civilisation. Afternoon tea. May I press you to a cucumber sandwich?"
Thanks! hopefully my fondness comes across. Yes, Drax has some great lines and Lonsdale's delivery makes them work beautifully. I've always admired him. "The day of the Jackal", "Munich". Magnificent actor. To MR ! {[]
After YOLT and TSWLM, it must have been tough to make a film with similar theme interesting. So MR shoots for pure fun even at the perils of appearing silly at times. It may not be a classic like the other two, but it accomplished its mission to entertain and set BO on fire.
The film is lavishly made. The PTS is among the best in the series. The locations are great. Drax gives a well measured performance. Jaws is back. Moore is in top form and the film appears to be tailored for him. Shirley Bissey also give an acceptable follow up to the Goldfinger and Diamonds Are Forever numbers.
This is a film that you would watch when you want to switch off your brain and have a good time!
So MR shoots for pure fun even at the perils of appearing silly at times.
Forgetting the terrible bondola and double-taking pigeon, and Jaws flapping his arms - the rest of the film IMO is not that silly.
At the time, the idea of the Space Shuttle was revolutionary in the sense it would be the bus that would take people to and from space and make it more accessible - I guess the success of the film revolved around two ideas 1) Space films were in vogue 2) The idea of easier space travel with the SS was aspirational but not that far-fetched.
The scene where Moore, M and the minister walk in to Drax's office wearing gas masks is so hilarious ) .... Drax remarks that, at times, he fails to understand English sense of humor
-Solid performance from Moore.
-Great action sequences.
-A fun space battle.
-Lonsdale is great as Drax, and gives us a memorable villain.
-The return of the iconic Jaws.
-Holly Goodhead gives the impression of being a tough BG.
-Solid directing from Gilbert.
-Very good score.
Cons:
-The plot is basically a rehash of that in TSWLM, but in space.
Overall, I love MR, and give it a 9/10.
"Hostile takeovers. Shall we?"
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
-Solid performance from Moore.
-Great action sequences.
-A fun space battle.
-Lonsdale is great as Drax, and gives us a memorable villain.
-The return of the iconic Jaws.
-Holly Goodhead gives the impression of being a tough BG.
-Solid directing from Gilbert.
-Very good score.
Cons:
-The plot is basically a rehash of that in TSWLM, but in space.
Overall, I love MR, and give it a 9/10.
{[]
MR is a cracker Bond film, I can understand why people think the Space stuff is too far - but essentially it is very solid.
To me, I find Jaws a con. He's realistic, and taken a bit more seriously in TSWLM - but in MR, he's a joke of himself. Just like JW Pepper.
I rate Goodhead better than XXX, she's a bit more confident and better acted. Both are beautiful, but Lois Chiles just has this incredible look.
"Hostile takeovers. Shall we?"
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
Pros:
- Moore is great
- Drax is a awesome villian
- I do like the space scenes really much
- Great moment when Bond shoots the man out of the tree
- Score is great, like the FRWL theme what makes its return. (The one with the big gipsy fight)
- Lois Chiles is a stunning woman to look at, although wooden
- Bond not smashing the blue vase, and then Chang still doing it
-
Cons:
- Jaws is way too clownish
- Holly Goodhead is very wooden
Just a question, why did he take Jaws and Dolly with him if his plan was to kill him eventually?
Don't confuse me with the other DutchBondFan, but be sure to follow his YouTube account. You can read my articles on James Bond Nederland: www.jamesbond.nl/author/gosse/
Pros:
- Moore is great
- Drax is a awesome villian
- I do like the space scenes really much
- Great moment when Bond shoots the man out of the tree
- Score is great, like the FRWL theme what makes its return. (The one with the big gipsy fight)
- Lois Chiles is a stunning woman to look at, although wooden
- Bond not smashing the blue vase, and then Chang still doing it
-
Cons:
- Jaws is way too clownish
- Holly Goodhead is very wooden
Just a question, why did he take Jaws and Dolly with him if his plan was to kill him eventually?
I think Drax just wanted some muscle to stop people from interfering with his plan. He would've killed Jaws as soon as he's bacame useless to him.
Have you ever heard of the Emancipation Proclamation?"
"Hostile takeovers. Shall we?"
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
I like that Dr. Goodhead gives off the impression of being a tough BG.
"Hostile takeovers. Shall we?"
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
"Hostile takeovers. Shall we?"
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
"Look after Mr. Bond. See that some harm comes to him."
"Hostile takeovers. Shall we?"
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
Comments
Imo an absolute highlight in the movie!!!
Dalton - the weak and weepy Bond!
IMO an absolute highlight in the movie!
Dalton - the weak and weepy Bond!
Yes, one of the greatest Bond scores. I think I place it third after TLD and OHMSS.
Indeed, one of the greatest Bond scores. I think I would also place it third, but after On Her Majesty's Secret Service and You Only Live Twice.
Overshadowed (and underrated) it may be, but Moonraker is my favourite of Dame Shirley's three title songs.
Why do you think the hunting scene is a con?
"Better make that two."
Because Bond shoots the sniper in the trees - Drax then knows he is rumbled for sure and should have had killed Bond instantly. I can accept lots of things that keep a movie going but it is absurdly illogical for Drax to keep the pretence going.
Drax was attempting to kill Bond in a clandestine way, and Bond caught him out - basically Bond and Drax have a silent "nice try" to each other. Yeah, it keeps the pretence going, but Drax at that point could not have tried to kill Bond in another way as this would've been too overt.
To me it's very similar to the way SC in Thunderball easily shoots the clay pigeon - he's playing with fire just being in the villains presence - it's Bond's way of demonstrating his ego.
Such good sport.
"Better make that two."
The last truly epic Bond in both scale and concept.
A good looking film.
A good score by Barry.
Some interesting Bond moments -- Moore stepping out of the G-force accelerator; his fight with Chang.
The third iteration of You Only Live Twice, yet somehow it doesn't seem tired.
Cons:
Too much camp.
Lois Chiles.
Michael Lonsdale, while imposing looking, is largely given little to do, although still more than most Bond villains after.
Too science-fictiony, though because of Star Wars, it didn't see so much so at the time.
* Possibly my favourite PTS ever, even more impressive considering that the level was sky high with the previous one. But it doubles down on TSWLM and succeeds. The parachute sequence in MR is heart stopping. And it was done for real, piece by piece, the old fashioned way.
*Roger Moore clearly in his prime, both physically and performance wise. With Connery long gone and TSWLM a box office smash, he confidently inhabits the character. And those 70s suits fit him like a glove.
*John Barry's score. Another key member of MR in his prime. From the arrrangement of the Bond theme in the gunbarrel and PTS to the space sequences, it has to be one of his best ever. Some of the cues are particularly good (the dogs chasing Corinne).
*Michael Lonsdale. Were Curt Jurgens fails, Lonsdale succeeds. The characters are similar, and yet Lonsdale is more believable and menacing with his understated performance.
* Lois Chiles. Although not as memorable as Barbara Bach, she comes close. There's a quirkiness to her that I always liked, she's stunning, and there's chemistry with Roger.
* The story. They managed make it current by using the space shuttle which was in the news back then, and the destruction of the ring of capsules around the earth, a nod to Star Wars and video games which everybody loved.
* Special Effects.- Without yielding to the ILM blackmail, the EON team managed to come up with really superb FX of their own, even getting an Academy Award nomination.
* "Frederick Gray! What a surprise. And in distinguished company, all wearing gas masks. You must excuse me, gentlemen, not being English, I sometimes find your sense of humor rather difficult to follow!" This always cracks me up. It's almost Montypython-esque. Lonsdale's deadpan delivery and Roger Moore's reaction are just great.
Cons.
* Title song.- boring, slow...One of the worst ever, meaning there's nothing memorable about it. Shirley Bassey sings it nice but without conviction.
* Jaws.- Ok, he was a great henchman on TSWLM, but falling in love in MR? and becoming a goody? come on, the guy was a killer, a 7 feet psychopath with steel teeth. A pure horror story monster. It's sad to see him suddenly see the bright side of life.
* The humour.- The nod to Close Encounters of the third kind is nice, but The magnificent seven theme? take it out. Pigeon turning its head? out too. Speaking of which...
* I could have done without the whole gondola turns hovercraft bit. Just keep the gondola chase, that's cool. The hovercraft is overdoing it. I do like the humour, they just needed a little editing here and there.
I'm very fond of MR, probably because I saw it exactly at the right age, 12 years old. It was just fun fun fun for two hours. It's obviously TSWLM in outter space...if you saw TSWLM first, that is. For me, TSWLM was always MR underwater.
This is an awesome recap of MR, exactly the same reasons as to why I love the film! {[]
Some of Drax's dialogue is classic as you mention..."You have arrived at a propitious moment, coincident with your country's one contribution to Western civilisation. Afternoon tea. May I press you to a cucumber sandwich?"
"Better make that two."
Thanks! hopefully my fondness comes across. Yes, Drax has some great lines and Lonsdale's delivery makes them work beautifully. I've always admired him. "The day of the Jackal", "Munich". Magnificent actor. To MR ! {[]
The film is lavishly made. The PTS is among the best in the series. The locations are great. Drax gives a well measured performance. Jaws is back. Moore is in top form and the film appears to be tailored for him. Shirley Bissey also give an acceptable follow up to the Goldfinger and Diamonds Are Forever numbers.
This is a film that you would watch when you want to switch off your brain and have a good time!
Forgetting the terrible bondola and double-taking pigeon, and Jaws flapping his arms - the rest of the film IMO is not that silly.
At the time, the idea of the Space Shuttle was revolutionary in the sense it would be the bus that would take people to and from space and make it more accessible - I guess the success of the film revolved around two ideas 1) Space films were in vogue 2) The idea of easier space travel with the SS was aspirational but not that far-fetched.
"Better make that two."
-Solid performance from Moore.
-Great action sequences.
-A fun space battle.
-Lonsdale is great as Drax, and gives us a memorable villain.
-The return of the iconic Jaws.
-Holly Goodhead gives the impression of being a tough BG.
-Solid directing from Gilbert.
-Very good score.
Cons:
-The plot is basically a rehash of that in TSWLM, but in space.
Overall, I love MR, and give it a 9/10.
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
{[]
MR is a cracker Bond film, I can understand why people think the Space stuff is too far - but essentially it is very solid.
To me, I find Jaws a con. He's realistic, and taken a bit more seriously in TSWLM - but in MR, he's a joke of himself. Just like JW Pepper.
I rate Goodhead better than XXX, she's a bit more confident and better acted. Both are beautiful, but Lois Chiles just has this incredible look.
"Better make that two."
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
- Moore is great
- Drax is a awesome villian
- I do like the space scenes really much
- Great moment when Bond shoots the man out of the tree
- Score is great, like the FRWL theme what makes its return. (The one with the big gipsy fight)
- Lois Chiles is a stunning woman to look at, although wooden
- Bond not smashing the blue vase, and then Chang still doing it
-
Cons:
- Jaws is way too clownish
- Holly Goodhead is very wooden
Just a question, why did he take Jaws and Dolly with him if his plan was to kill him eventually?
I think Drax just wanted some muscle to stop people from interfering with his plan. He would've killed Jaws as soon as he's bacame useless to him.
" I don't listen to hip hop!"
Was it though? Was this something that Drax only realised once Bond had brought it up and planted the seed of doubt in Jaws' mind?
"Better make that two."
"Heartbroken, Mr. Drax."
"Allow me. Take a giant step for mankind."
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
{[] {[] {[] {[]
"Better make that two."
The roots of a username.
Other cool quotes:
"Well, I discovered he had a crush on me."
"Play it again, Sam!"
I like that Dr. Goodhead gives off the impression of being a tough BG.
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
"Your powers of observation do you credit Mr. Bond"
"Better make that two."
New 2020 ranking (for now DAF and FYEO keep their previous placements)
1. TLD 2. TND 3. GF 4. TSWLM 5. TWINE 6. OHMSS 7. LtK 8. TMWTGG 9. L&LD 10. YOLT 11. DAD 12. QoS 13. DN 14. GE 15. SF 16. OP 17. MR 18. AVTAK 19. TB 20. FRWL 21. CR 22. FYEO 23. DAF (SP to be included later)
Bond actors to be re-ranked later
"Better make that two."