Craigger as Backstory Bond - Pros/Cons?
Loeffelholz
The United States, With LovePosts: 8,998Quartermasters
As a long-standing (albeit lately infrequently visiting) member of AJB---and as a veteran of the dreaded Craig WarsTM which erupted at the initial news of Daniel Craig's casting (a time when much blood was shed, and more than a few were either banned or fled)---I was among the first on these boards to say that I supported Craig's casting full-heartedly, whilst acknowledging that it was unconventional and bold. For me, Craig's internalization reflects the spirit of Ian Fleming's creation, and his character arc over three films is nothing short of extraordinary, elevated by his clear devotion to his craft.
All the same, it begs the question: are Eon backing themselves up against a cliff with this ongoing unfolding of Bond's backstory--- which Fleming himself withheld until the penultimate full-length novel in his Bond canon, YOLT? How much more navel-gazing should our intrepid Commander endure before he can just be sent off to deal with baddies again? Has the cinematic landscape now changed to the point that the protagonist must have a personal stake in the job at hand?
It can be argued (and has been by some I've talked to) that the very thing that made Bond distinct was that he was a blunt instrument (with interestingly fastidious personality traits) who went in, bedded the ladies, blew things up, killed the baddies and saved the world for Her Majesty...a 'man who is only a silhouette,' as Kingsley Amis once so astutely observed.
Personally, I am conflicted. As a Flemingist, I'm fascinated to see more of this man's workings; I'd love to see his morning workout routine, as Fleming wrote it. I'd love to see May. And, honestly, I'm dying to see what they're going to make out of the Oberhauser connection. But I can't help wonder: is Eon about to become as over-reliant upon Backstory Bond as they did with eyebrow-raising, dinner-theatre comedy Bond?
All the same, it begs the question: are Eon backing themselves up against a cliff with this ongoing unfolding of Bond's backstory--- which Fleming himself withheld until the penultimate full-length novel in his Bond canon, YOLT? How much more navel-gazing should our intrepid Commander endure before he can just be sent off to deal with baddies again? Has the cinematic landscape now changed to the point that the protagonist must have a personal stake in the job at hand?
It can be argued (and has been by some I've talked to) that the very thing that made Bond distinct was that he was a blunt instrument (with interestingly fastidious personality traits) who went in, bedded the ladies, blew things up, killed the baddies and saved the world for Her Majesty...a 'man who is only a silhouette,' as Kingsley Amis once so astutely observed.
Personally, I am conflicted. As a Flemingist, I'm fascinated to see more of this man's workings; I'd love to see his morning workout routine, as Fleming wrote it. I'd love to see May. And, honestly, I'm dying to see what they're going to make out of the Oberhauser connection. But I can't help wonder: is Eon about to become as over-reliant upon Backstory Bond as they did with eyebrow-raising, dinner-theatre comedy Bond?
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"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
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I agree -- it's getting silly now that every single adventure he's been on has been a personal one that coincidentally involves some mission vital to the British government as opposed to the other way around. It also makes the films often more or less seem like the same one, as though we keep getting teased that the actual Bond films will start with the next one. I was actually chatting with someone on the phone about the trailer today and wondered how Bond finds any time to complete a mission given all his attention to personal business.
But, as I've said elsewhere, I think the Craig Bonds are also following the Nolan Batman films in many ways, including that the hero's journey has to be a personal one. Of course, the model might be all of Craig's are essentially backstory (though I think we've actually gotten less on Bond than we think) and the next actor to play Bond will get to do the traditional stories.
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I've long suspected as much, and it might well be that Babs and Mike coaxed him in with the promise that he'd get to plumb the depths of Bond's motivations a bit. All the same, it's getting to the point that doing a more traditional Bond, in the Precious Classic FormulaTM, and having it build on this era's success, will end up as much of a challenge as the Dreaded Reboot. I'd love to see Craig have one, but perhaps it's just not meant to be. Good luck, Bond Actor #7, whenever you climb aboard...
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
Another factor, which I might call the Star Trek effect, is that we've essentially now had two pairings of films that are direct sequels. While some fans may like that, to me, it pigeon-holes the stories -- in some ways, it's more like having two four-hour movies rather than four two-hour ones. That's more or less what they did with the Star Trek movies in the 1980s, where three films over six years essentially told one long story. It hampered other adventures like what the TV series might have done. In the end, I felt kind of cheated by the experience.
Adding in backstory that we never knew (unless you maybe read the books) ads a new spin on the character. One I like. It gives Bond more depth.
been that interesting. )
Although most films these days the hero has to go on an emotional journey, to discover something
about himself, so I don't solely blame Bond, it seems to be the fashion.
I do hope with spectre that that's the end of it though. Or as with the Taken films comedians will
have a field day pointing out that in the new Bond film, it turns out Bond's childhood dog was a
Soviet spy, killed by the ordesr of ........... May ! )
TIS - "The moment you think you got it figured - you're wrong"
Formerly known as Teppo
Films without backstory is something belongs in the past - somewhere near 1979
It's only really been Skyfall and now SPECTRE which look at his personal, family life.
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+1
Agreed -{
Paul.. I mean Sir Miles, In a nutshell VERY WELL put-ted, thanks!
TIS - "The moment you think you got it figured - you're wrong"
Formerly known as Teppo
A pleasure...but I'm not used to people agreeing with me...makes me wonder if I'm wrong )
Oh...and great to see you back here -{
Oh why Thank You SIR, it's good to be back (and I do mean it - and feel it)
Anyway Thanks Sir Miles, always a pleasure :007) :x
TIS - "The moment you think you got it figured - you're wrong"
Formerly known as Teppo
Understood, but it's not the linear thing to which I was referring, but rather the use of Bond's personal baggage as plot points. To my mind, SF stands well apart from the CR-QoS arc.
Generally I agree with you, Sir Miles, but (as with everything in these films) it can be overdone. The
next step will be to see what they do with #7 I suppose.
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
Well it's too early to speculate who will fill Craig's shoes, but I personally would like IF Bond's personal matters are/will take of the FINAL script and screenplay. Thanks
TIS - "The moment you think you got it figured - you're wrong"
Formerly known as Teppo
1 - Moore, 2 - Dalton, 3 - Craig, 4 - Connery, 5 - Brosnan, 6 - Lazenby
Could this movie suffer from being to much like Quantum of Solace?
I meant that in the sense that Quantum of Solace was a movie that heavily relied on you having watched Casino Royale. If you didn't watch that one, or simply forgot to much about it, you wouldn't know who Mr. White was, you didn't know which people Bond were after, who Vesper is etc etc. This movie obviously is going to have elements from Skyfall, and with Mr. White there elements from Craig's first two movies as well. To me, that's all pros, but to a casual fan, that could be very confusing. I think a casual fan wouldn't be half as hyped by seeing the trailer as we (most of us) were.
Just my two cents on this.
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It's a good point which I haven't really thought of before. They'll have to handle the transition carefully to prevent the next Bond feeling like a complete and utter shift from DC. And I know you could say that it's been done before with Dalton and Moore etc.
Hopefully the next Transition is received better -{
Likely, we are going to get a Bond akin to Moore or Brosnan, but it will be a welcome shift by then. At least in my book.
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Pros and Cons Compendium (50 Years)
Actually the one taking on the role after Craig is on hiding to death. i can't see them going back to Brosnan anytime soon..
"I am not an entrant in the Shakespeare Stakes." - Ian Fleming
"Screw 'em." - Daniel Craig, The Best James Bond EverTM
Well put! I always get the feeling EON is thinking in present time- only anyway. Of course they are aware they will eventually have to replace Craig and they probably would have atleast thought about possible follow ups. But still, by that time we'll probably be around 2020 or something, different things will be relevant in the world and they will take it into whatever direction seems to fit the audiences of that time. Maybe they will indeed go with a black Bond? Maybe they will indeed make it more lighthearted again? I'm pretty sure not even EON themselves can anwser that at this stage... For now, backstory Bond, greedy, personal and heavy stories seem to fit the times of today, so I guess that's what we'll get.
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It reminds me a bit, too, of the Die Hard franchise. The first film, as extreme as it was, created a plausible, if not probable, scenario of a cop being in the wrong place at the right time. Then the sequel basically told the same story again, with the wife even to the credit of the writers wondering to McClane "Why does this keep happening to us?" at the improbability of the same sort of event happening again. The third film built a framework that, while also improbable, provided plausibility. But the films after that just decided there was no point in even acknowledging how or why the hero seemed to keep finding himself in the same situation nor why it kept involving his family.
Craig's Bonds have drifted into that territory. How fortuitous, or perhaps unbelievable, that Bond's professional missions would so neatly align with his personal life -- or, more like the other way around. It has the feel of a comic book in this regard, which is odd given that Craig arguably has played Bond more realistically than the previous actors while at the same time having his character get involved in stories that in their own way are increasingly outlandish in their contrived coincidences.
Men think differently to women. Men tend to be less emotional, more logic-driven. This mindset will mean future non-Barbara Broccoli produced Bond films will see the return of the less vulnerable type of Bond.
Another key point is Craig is not a Connery or Moore type of Bond. He's not naturally charming or stoical. Craig acting one dimensional as Bond was never going to happen despite MG Wilson and others often hyping each new Craig Bond as a return to Goldfinger era type Bond. With respect to Mr Craig, he's never been a Goldfinger type era James Bond. And Connery would never play a Daniel Craig Skyfall type Bond. Craig's style of Bond is 100 percent how Barbara Broccoli perceives the character of James Bond. I can't see her changing the format.
For better or worse, Barbara Broccoli has made the franchise in her own image. She has full control over it.