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Re: Last Bond movie you watched.

caractacus potts wrote:
Napoleon Plural wrote:

Isn't that 'run along Miss Freelance' the photographer from the Daily Gleaner in Dr No as one of the gypsy girls in the fight?

One of the gypsy girls does have a larger role in another Bondfilm, but its not the photographer from Dr No

Annebel Chung, the freelance photographer, was played by Marguerite LeWars.
She doesn't seem to have any other acting credits but she was a Miss Jamaica.

The two gypsy girls in FRWL were played by Aliza Gur and Martine Beswick. Beswick was also Paula in Thunderball. Maybe she's the one you think looks familiar?

Kerim's ladyfriend was played by Nadja Regin, who was also the dancing girl in the precredits scene from Goldfinger.

Both Beswick and Regin were in plenty of episodes of Danger Man, The Saint, The Avengers and other such shows. Gur on the other hand must have been an American actress, and appeared in episodes of the Man from UNCLE and Get Smart.

Thanks for that, caractacus

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Re: Last Bond movie you watched.

Tonight, ITV4 showed Goldfinger, perhaps not unexpectedly.

When you see three Bonds in the space of a week, you notice recurring tropes or things, really.

Of course, with Connery now gone, it has a different vibe. He's now in movie legend like Bogarde in Casablanca. He's alive, and not alive. It's slightly wrong to say you appreciate him more - I did at the time - but you are less blasé watching. It's like you're looking back on the day and it's over, whereas before you were living it.

Anyway! Recurring things. Lots of people get knocked out in this, including Bond himself a few times. There's a symmetry as the pre-credits dancer gets knocked out (care is taken to ensure a) She deserves it, as she's in on the scheme to knock Bond out and b) She's shown to be alive and not really hurt afterwards, that would kind of spoil the mood.

Within a very short time, however, Connery himself takes a knock from our Korean friend and is out for the count. This might redress a sort of balance for viewers who might have felt Bond had behaved badly earlier, like when Brosnan says 'Kill her! She means nothing to me! in GE, and has the same done to him later by the same woman.

Tonight for the first time I saw Bond in his towelling suit and Leiter in his grey suit standing in the distant background surveying Goldfinger as he talks his pigeon through his card game.
Bond uses the same demeaning line to both Jill Masterton and Pussy Galore about how personal they are with Mister Goldfinger.
Watching the subtitles offers a new slant. Dink is called Denk (again, that actress died last year too) and Jill Masterton is called Masterson, as in the book but not in the film.
Note how Connery's action with her gun case mirrors his with Klebb and the Lektor at the end of FRWL: 'Here, I'll take that...'

Lake Toplitz? Where the hell's that? It's where the Nazi hoard of gold is. I thought they were mythical. Maybe a late 1960s Indiana Jones could uncover it in his next flick.

Now, I love this film but damned if I can see what is going on really at the end. Those troops are falling over as the planes fly over, fine, but are they acting or is it a fake drug? If Pussy Galore has tipped them off then why the hell is Goldfinger even being allowed near Fort Knox. It makes sense at the time as we don't know what's been going on but no sense in retrospect.

Of course, watching folk storm a US landmark with troops doing nothing - was glad to watch this knowing nothing iike that could happen in America today!  ajb007/biggrin

Is Oddjob the only villain with his own side-effect - those golden notes? Other villains like Wint and Kidd and Nik Nak have their themes.  Jaws never had a theme did he. However, that Spectre henchman whose name temporarily escapes me had a theme of sorts.

GF is a more straightforwardly enjoyable film than FRWL and as a kid you could follow most of it. I enjoyed it as a kid seeing it on a black and white telly in the mid 1970s. I enjoy it today in remastered colour but it hits a snag - the digital sound is not great and some of the notes grate. One day they'll knock it out with a digital visual and analogue sound and we'll all fork out again.

The dubbing of Gert Frobe by someone called Michael Collins is nothing short of brilliant. Shirley Eaton's dubbing is great too. Funnily enough having the same actors doing the dubbing assists with this odd continuity in the series and controversially I'd say it makes the film more accessible to Brits and Americans because they simply sound less foreign. It's Disneyland foreign.

Sad to say I think Shirley Eaton is now the only surviving member of the cast? Ironically, as her character is the first to die on screen. Or what about Wai Lin on the plane?

The American vibe of this film for the last furlong puts me in mind of JFK where nothing is quite as it seems.

"This is where we leave you Mr Bond."

Roger Moore 1927-2017

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Re: Last Bond movie you watched.

Nice thoughts ... storming US landmarks - who'd have thought it?

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Re: Last Bond movie you watched.

The known perpetrator, a fatso with dodgy gingery hair, a North Korean friend and a woman in his life who flinches at his touch, taking refuge on the golf links in the UK....

Last edited by Napoleon Plural (7th Jan 2021 00:21)

"This is where we leave you Mr Bond."

Roger Moore 1927-2017

830

Re: Last Bond movie you watched.

He Loves Gooooooold!!


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"This is where we leave you Mr Bond."

Roger Moore 1927-2017

831

Re: Last Bond movie you watched.

Thunder

I watched the first half of Thunderball the other night on ITV4.

I'll do a lengthy takedown of this film at some point but let's not forget that this and Goldfinger were the two that set me on to Bond at an early age when they got shown on telly. The first two I didn't get to see until I was past 10 years of age - oddly they were never reshown on telly at all, I first saw Dr No at a movie screening at the London Pavilion and FRWL after that. The old Connery films were like the Dead Sea Scrolls, with no DVD or anything at all. You couldn't even be sure how many of them there were and in what order.

TB is fun to begin with but it's a heavy going affair compared to its predecessors. John Barry's score has real class to it, and has at the same sound as his Ipcress File score around the same time. But if a film is a bit heavy going, Barry isn't the one to lighten it up, is he? He is the thickener in the soup, he lends gravitas. This works well with the first three, and Moonraker, and AVTAK but less so imo with films like OHMSS, OP, TLD or even YOLT. Not saying his scores are bad for those, far from it.
Anyway, I enjoyed it before switching over.  I do love the look of the pre-credits. IMO it goes off about 20 mins after reaching the Bahamas.

"This is where we leave you Mr Bond."

Roger Moore 1927-2017

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Re: Last Bond movie you watched.

I watched TWINE to pay tribute to Michael Apted. I like that the film focuses on Bond and Elektra's relationship and M  and Elektra's relationship.

I liked that London was used for more than establishing shots. The PTS remains one of my favourites.

The Spanish scenes are great as well. Apart from the detonator glasses for the flashbang gun, Bond has no gadgets on hand. He has to think on his feet,as the police are knocking on the door. Using a blind cord to abseil from the window,using a knocked out goon as a weight,having the goon waking up halfway through,stopping Bond's descent, was thrilling. David Arnold's Bond theme punctuating the action,was awesome.

Although Renard couldn't feel any pain, i wish it was used more during the final fight with Bond.

One thing that bothers me about the fight, i wish it was choreographed better.

Have you ever heard of the Emancipation Proclamation?"

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