DAF does its own thing, leaving alone OHMSS.
Going with the 'Goldfinger's brother' plot would not have been a good idea, imho; it would probably have felt too much like what's now called 'fan service', or even 'fanwank' - a franchise turning in on itself, as if conceding that it's already passed its prime.
As it is, DAF is a self-reflexive movie which calls back to GF in more subtle ways, some of which may possibly have been hang-overs from the discarded treatment. We have uses of an American setting for parts of both GF and DAF (as in both novels); there are parallels between the scenes with Sir Donald Munger and Colonel Smithers; in both films Connery has light moments of business with a red carnation; Shirley Bassey sings iconic title songs for both movies.
In DAF, it's notionally a surprise when the villain's true identity is revealed to Bond in Willard Whyte's penthouse. Oh, look! Blofeld's alive and well, the instigator of all the villainy! (It wasn't really a surprise for the audience, of course; not least because Charles Gray's star billing and image on lobby cards were clues that he'd have more to do in the movie than simply getting bumped off in the PTS!) Although Cubby Broccoli claimed that this 'surprising' moment in the penthouse was inspired by a nightmare he'd had about an imposter of Howard Hughes revealing his face, one wonders, also, about how 'the reveal' would have worked had Gert Frobe played the villain - the key dramatic beat eventually adapted to the film in its finished version, with Charles Gray in Frobe's place. One can imagine Bond's look of incredulity as he'd exclaim, "Goldfinger!" and Frobe's (re-voiced) reply, roughly along the lines of: "You killed my only brother, Mister Bond... Since then we Goldfingers have understandably been rather scarce!"
A general audience would obviously have picked up on the significance of any return by Gert Frobe. The significance of Guy Hamilton's return as director would have been of note only to those with a closer interest in the Bond films, but undoubtedly Hamilton's presence goes far in explaining what is, in DAF, a call back to some of the lightness and humour of GF, with touches of the bizarre.
Last edited by Shady Tree (13th Sep 2020 07:55)
Critics and material I don't need. I haven't changed my act in 50 years.